Jeannie, a teenage girl attending Amorosa High, joins the school cheerleading squad as a means of finally attaining the success and social independence that was out of reach in the strict household her parents maintain. The liberated attitude of her new friends becomes all the more evident when they come up with a plan to help the football team win the big game by kidnapping and raping everyone on the opposing team until they're too tired to even take the field.

In an unnamed American city, three Mafia families control all illicit activity. The consigliere (Charles Cioffi) of one mob honcho decides it's in his interest to start a war between the other two families, and sets up rival mob boss Don Angelo (Anthony Quinn) with Ruby Dunne (Angel Tompkins), the ex-girlfriend of a mobster from the third family, Frank (Robert Forster). When Frank finds out about it, it's not long before a full-scale gang war breaks out.

Nestled in the mountains of Germany, a grim and secluded castle stands - the haunted legacy of the beautiful medieval vampire Baroness Varga

This affectionate farce from François Truffaut about the joys and strife of moviemaking is one of his most beloved films. Truffaut himself appears as the harried director of a frivolous melodrama, the shooting of which is plagued by the whims of a neurotic actor (Jean-Pierre Léaud), an aging but still forceful Italian diva (Valentina Cortese), and a British ingenue haunted by personal scandal (Jacqueline Bisset). An irreverent paean to the prosaic craft of cinema as well as a delightful human comedy about the pitfalls of sex and romance, Day for Night is buoyed by robust performances and a sparkling score by the legendary Georges Delerue.

Young women make for the best hosts in this sexploitation film from Erwin Dietrich. A series of short stories (similar to the German "Report" films) that show young women in various sexual situations who enjoy playing host to their male and female visitors.

The same man (Giancarlo Giannini) and woman (Laura Antonelli) play different couples in sketches based on the title question.

In 1907, an actor is invited to perform in an isolated country house, and becomes involved in mysterious and dangerous events.

Kazuo is an angry young man, especially resentful of the power and snootiness of the rich. But at the same time he's obsessed with Saeko, the daughter of a rich businessman.

Maverick filmmaker Paul Morrissey’s Flesh for Frankenstein reevaluates the horror film, infusing it with satiric wit and sexuality. Morrissey’s tale of the mad Baron Frankenstein and his perverse creative urges was heavily edited upon initial release; Criterion presents the restored director’s cut – fully intact after 25 years – in a widescreen transfer.

Very rare mondo-style film in which a psychiatrist explains to his students several stories of sexual deviancy. Each vignette begins with the doctor citing a fact-based newspaper/magazine story of abhorrent sexual behavior.

In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, assisted by Otto, he builds a desirable female body, but needs a male who will be super-body and super-lover. He thinks he has found just the right brain to go with a body he's built, but he's made an error, taking the head of a asexual ascetic. Meanwhile, the Baroness has her lusts, and she fastens on Nicholas, a friend of the dead lad. Can the Baron pull off his grand plan? He brings the two zombies together to mate. Meanwhile, Nicholas tries to free his dead friend. What about the Baron's children?

Abandoned by his father at an early age, Jim MacLaine (David Essex) seems to have inherited the old man's restlessness. Despite his apparent intelligence, Jim decides not to take the exams that would pave his way to university. He lives, for a time, a life consisting of dead-end jobs and meaningless sex, before returning home to work in his mother's shop. But still he can't settle down. He begins to think that the life of a pop musician might be the thing for him.

A widower and his sons fall in love with Angela (Laura Antonelli), the beautiful housekeeper. Each man uses his particular way to approach and capture the - apparently innocent and naive - young woman, and to see more of her sexy body. But only one of them succeeds in dominating and conquering her.

Stanislaw works in an art museum in Warsaw; it's not a very well-paid job, and his boss is a bit of a martinet.

A young woman living in the woods with her husband, a struggling musician, and her daughter discover she has terminal cancer. She begins to tape-record a journal of the time she has left.