A cop who has seen better days, hard-living Ben Shockley (Clint Eastwood) is recruited to escort Augustina "Gus" Mally (Sondra Locke), a key witness in a mob trial, from Las Vegas to Phoenix. Gus is a beautiful but coarse call girl who claims to have information that makes the two highly expendable targets. Ben starts to believe her after numerous attempts are made to kill them as they travel across the unforgiving desert, pursued by angry bikers and corrupt police officers.

In a freezing cold World War II winter, two pro-Soviet partisans - Sotnikov and Rybak - head off to find food for themselves and their compatriots. They find a goat at the home of a German Headman but their return to camp is interrupted when they are arrested by a Nazi patrol. Taken prisoner, Sotnikov stands true to his beliefs and refuses to answer any questions despite physical abuse and torture. Rybak on the other hand argues that since they know nothing, they should simply tell them all that they know and do whatever they can to stay alive. One of them will live, but at a very heavy cost.

Martin Scorsese combined the splashy atmosphere of the old studio musical with an unromanticized marriage story in his valentine to Hollywood and the Big Band era. On V-J Day 1945, newly minted civilian saxophonist Jimmy Doyle (Robert De Niro) meets USO singer Francine Evans (Liza Minnelli) at a dance, but she rebuffs every advance that he makes. A day and a hotel lobby meeting later, Jimmy finally wins Francine over after she uses her pop instincts to save his too-jazzy audition at a nightclub. When she goes on tour with Frankie Harte (Georgie Auld) and his Orchestra, Jimmy tracks her down, taking a job with the orchestra to be with her.

A beautiful woman is sold to a wealthy land owner to pay off his debts. When the land owner learns that she loves another man, he and his sadistic sister devises cruel ways to humiliate the young couple.

D'Artagnan and his fellow Musketeers plot to replace the ineffectual Louis XIV of France with his secretly imprisoned twin brother Phillipe, who is the firstborn and rightful King.

This is one of many so called Video Nasties about fictionalized World War 2 Nazi POW camp atrocities. A beautiful, nefarious senior female SS officer/doctor (Magall) creates a genetic, mutant human Beast (half man/half beast). The Beast is a rapacious, squat, mongoloid sex fiend which she uses to torture and molest female prisoners while the Nazis watch. The vertically challenged beast is kept on a diet of mega-aphrodisiacs. There is plenty of sadistic titillations, gore and nudity in this Nazi sub-genre exploitation flick.

From the young anti-war protesters in America to the death of Che Guevara and the rise of leaders like Fidel Castro and Mao Tse-Tung, this documentary examines the rise and fall of the lefty movement of the 1960s and 1970s. The first segment delves into the beginnings of this liberal faction, focusing on 1967, when anti-Vietnam fervor sweeps the United States and invigorates the political debate. In part two, the disintegration of the movement, dubbed the "new left," is laid out.

Satirizing the Roman Porno genre, and the Office Lady Journal series in particular. Naomi Tani and Yuko Katagiri appear as themselves in the film, making fun of their on-screen personae.

A deadly look into the savage world of gangsters. The aftermath of a holdup turns into a game of deceit and doublecross. A vengeful woman brings about the destruction of the entire gang of ruthless killers.

This is one of many so-called Video Nasties about fictionalized World War II Nazi POW camp atrocities. A beautiful, nefarious senior female SS officer/doctor (Magall) creates a genetic, mutant human Beast (half man/half beast). The Beast is a rapacious, squat, mongoloid sex fiend which she uses to torture and molest female prisoners while the Nazis watch. The vertically challenged beast is kept on a diet of mega-aphrodisiacs. There is plenty of sadistic titillations, gore and nudity in this Nazi sub-genre exploitation flick.

The theme of the delightful Hungarian fantasy film "A Very Moral Night," made in 1977 and now playing at the Public Theater, could well be innocence, even if the action does take place in a bordello. It is a good bordello, so sweet and wholesome that it seems a place of pure beauty and Eden-like charm.

In this avant-garde classic, protagonist Louise deals with a change in her lifestyle in which she must learn to negotiate domestic life and motherhood.

During the early Meiji period a number of “Dokufu” (Poison Women) committed a significant number of murders. These crimes were most often committed by wives on their husbands in order to be together with their lovers. At that time women were executed in the same manner as men, to wit: by being decapitated.

The wife of photographer J.A. Martin decides to go with him in his tour of the hard Canadian countryside at the turn of the century. She hopes the intimacy will revive their marriage.

A hot-shot police driver has more guts than brains, often landing him in hot water with his middle-aged mentor,