In 1959, Alfred Hitchcock and his wife, Alma Reville, are at the top of their creative game as filmmakers amid disquieting insinuations about it being time to retire. To recapture his youth's artistic daring, Alfred decides his next film will adapt the lurid horror novel, Psycho (1960), over everyone's misgivings. Unfortunately, as Alfred self-finances and labors on this film, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Alfred's work even as the novel's inspiration haunts his dreams.

A dramatized biography of the highs and lows in the life of one of the foremost comic geniuses the silver screen has ever known. With the use of flashback, an elderly Chaplin (Downey Jr.) discusses his autobiography with his editor (Hopkins) who urges him to be more vulnerable and emotionally honest with his memoirs. Together, they journey through Chaplin's poverty-stricken childhood, closest friendships, many marriages, and his ingenious invention of "The Little Tramp," as well as J. Edgar Hoover's merciless pursuit, Chaplin's shocking exile to Switzerland and his triumphant return to Hollywood.

With this poignant second feature, David Lynch brought his atmospheric visual and sonic palette to a notorious true story set in Victorian England. When the London surgeon Frederick Treves (Anthony Hopkins) meets the freak-show performer John Merrick (John Hurt), who has severe skeletal and soft-tissue deformities, he assumes that he must be intellectually disabled as well. As the two men spend more time together, though, Merrick reveals the intelligence, gentle nature, and profound sense of dignity that lie beneath his shocking appearance, and he and Treves develop a friendship. Shot in gorgeous black and white and boasting a stellar supporting cast that includes Anne Bancroft, John Gielgud, and Wendy Hiller, The Elephant Man was nominated for eight Academy Awards, cementing Lynch’s reputation as one of American cinema’s most visionary talents.

This version of Dracula is closely based on Bram Stoker's classic novel of the same name. A young lawyer (Jonathan Harker) is assigned to a gloomy village in the mists of eastern Europe. He is captured and imprisoned by the undead vampire Dracula, who travels to London, inspired by a photograph of Harker's betrothed, Mina Murray. In Britain, Dracula begins a reign of seduction and terror, draining the life from Mina's closest friend, Lucy Westenra. Lucy's friends gather together to try to drive Dracula away.

Captain Bligh (Anthony Hopkins) struggles to restore discipline among the crew of the HMS Bounty after the ship has an extended furlough in Tahiti. After the captain doles out floggings and other physical punishments, the crew mutinies, led by Bligh's former close friend, Fletcher Christian (Mel Gibson). Unable to return to their tropical paradise, the mutineers find themselves stranded, while Bligh and his faithful crew members embark on a dangerous journey to the Dutch East Indies.

This film is a biographical examination of former U.S. President Richard Nixon (Anthony Hopkins). The non-chronological narrative explores Nixon's personal and professional life, touching on his youth, college years, and political triumphs and failures. Nixon is seen as a child born to austere Quaker parents, as a young attorney wooing his future wife, Pat (Joan Allen), and as an astute but dour politician. After finally becoming president, Nixon is embroiled in the infamous Watergate scandal.

With this poignant second feature, David Lynch brought his atmospheric visual and sonic palette to a notorious true story set in Victorian England. When the London surgeon Frederick Treves (Anthony Hopkins) meets the freak-show performer John Merrick (John Hurt), who has severe skeletal and soft-tissue deformities, he assumes that he must be intellectually disabled as well. As the two men spend more time together, though, Merrick reveals the intelligence, gentle nature, and profound sense of dignity that lie beneath his shocking appearance, and he and Treves develop a friendship. Shot in gorgeous black and white and boasting a stellar supporting cast that includes Anne Bancroft, John Gielgud, and Wendy Hiller, The Elephant Man was nominated for eight Academy Awards, cementing Lynch’s reputation as one of American cinema’s most visionary talents.

In ancient times, the gods of Asgard fought and won a war against an evil race known as the Dark Elves. The survivors were neutralized, and their ultimate weapon – the Aether – was buried in a secret location. Hundreds of years later, Jane Foster (Natalie Portman) finds the Aether and becomes its host, forcing Thor (Chris Hemsworth) to bring her to Asgard before Dark Elf Malekith (Christopher Eccleston) captures her and uses the weapon to destroy the Nine Realms – including Earth.

With this poignant second feature, David Lynch brought his atmospheric visual and sonic palette to a notorious true story set in Victorian England. When the London surgeon Frederick Treves (Anthony Hopkins) meets the freak-show performer John Merrick (John Hurt), who has severe skeletal and soft-tissue deformities, he assumes that he must be intellectually disabled as well. As the two men spend more time together, though, Merrick reveals the intelligence, gentle nature, and profound sense of dignity that lie beneath his shocking appearance, and he and Treves develop a friendship. Shot in gorgeous black and white and boasting a stellar supporting cast that includes Anne Bancroft, John Gielgud, and Wendy Hiller, The Elephant Man was nominated for eight Academy Awards, cementing Lynch’s reputation as one of American cinema’s most visionary talents.

Though he is filled with doubt about the subject, seminary student Michael Kovak (Colin O'Donoghue) finds he must attend a Vatican school of exorcism. Believing possession to be the work of a troubled mind rather than actual demons, hel urges his superiors to look for answers in psychiatry. Then Michael becomes the apprentice of Father Lucas (Anthony Hopkins), a veteran exorcist, and encounters a terrifying force that causes him to question everything he believes.

When a humorous script-reader in her New York City apartment sees an ad in the Saturday Review of Literature for a bookstore in London that does mail order, she begins a very special correspondence and friendship with Frank P. Doel (Sir Anthony Hopkins), the bookseller who works at Marks & Co., 84 Charing Cross Road.

It has been 20 years since Don Diego de la Vega successfully fought Spanish oppression in Alta California as the legendary romantic hero, Zorro. Imprisoned for two decades, he now must find a successor to stop Don Rafael Montero–the powerful, former Spanish governor of Alta California who cost de la Vega his freedom, his wife, Esperanza, and his daughter, Elena–who is making plans to purchase California from Mexico's president, General Santa Anna……

This is a gentle, innocent film about the reflections of an aging man, who returns to his home town after the death of his best friend. Memories of life at age 11 floods back as it was a magical time that changed his life. Three 11 year old children (Bobby, Carol, and Sully) share their lives. Carol and Bobby have a special affection for one another including sharing a kiss "by which all others will be measured". Bobby lives with his mother, a bitter, vain woman who looks for pleasures for herself without sharing much with her son. Into their lives comes a mysterious new boarder, who befriends the boy but generates distrust from the mother. As time passes, the man and boy share confidences and special powers are revealed. The man warns the boy to be on the lookout for the "lowmen", who were seeking him. The two share a summer's adventures and come to love one another before the inevitable happens. A confrontation with a school bully also changes everyone.

Husband and wife Janice (Marsha Mason) and Bill Templeton (John Beck) lead a pleasant life, residing in New York and sending their daughter, Ivy (Susan Swift), to a good school. Things change, though, when the odd Elliot Hoover (Anthony Hopkins) arrives and tells the couple that, after having spent time in India, he believes Ivy is the reincarnated spirit of his daughter, who died years earlier. The Templetons scoff, but ensuing supernatural events soon turn their lives upside down.

In early 20th-century Montana, Col. William Ludlow (Anthony Hopkins) lives in the wilderness with his sons, Tristan (Brad Pitt), Alfred (Aidan Quinn) and Samuel (Henry Thomas). Eventually, the unconventional but close-knit family encounters tragedy when Samuel is killed in World War I. Tristan and Alfred survive their tours of duty, but, soon after they return home, both men fall for Samuel's gorgeous fiancée, Susannah (Julia Ormond), and their intense rivalry begins to destroy the family.