In The Fabulous Baron Munchausen, Karel Zeman conjures the adventures of the legendary, boastful baron, whose whirlwind exploits take him from the moon to eighteenth-century Turkey to the belly of a whale and beyond. A kaleidoscopic marvel that blends live action with techniques including stop-motion, cutout collage, puppetry, painted backdrops, and antique tinting, Zeman’s film is an exhilarating visual delight and a warmhearted whirl through a bygone age too entrancing to have existed.

This castle has its own ghost - a mysterious White Lady. She emerges from the painting on the wall when someone speaks out magic formula. White Lady is good ghost, she can make someone's wishes true. Even if it is a new duct. But a miracle is not the thing that Communist leaders want in the town.

Pavel, a young student living in Prague in 1942, hides a Jewish girl in his apartment building's attic. Amidst the brutality of the occupying German army, love blossoms between the two. He is her only link to the outside world. Then the two are discovered by Pavel's mother, who forces the residents of the apartment building to decide whether Hana can remain.

Evald Schorm was one of the most politically outspoken of the Czech New Wave filmmakers. This raw psychological drama about an engineer unable to adjust to the world around him following his suicide attempt is at heart a scathing portrait of social alienation and moral compromise.

Shot in 1969, but banned by the Czech government until the fall of the Communist regime in 1990, Menzel s wry comic drama is a hymn to humanity and nonconformity. The film s principal characters are residents of a state-run junkyard / labour camp for those whose actions have been deemed counter-revolutionary . On one side of the yard live the men, most sent here for re-education . On the other side, are a group of women interned for the crime of attempted defection. Separately, the two groups lazily toil, sorting out piles of scrap metal (one huge pile is nothing less than a veritable mountain of crucifixes and religious icons); together, they flirt, philosophize, and occasionally sneak off behind the hillocks of slag to make love. Larks on a String is at once a stinging indictment of the repressive politics of Czechoslovakia's past, and an endearing comedy and affecting love story.

A young woman is seduced and abandoned by a man who was invited to stay at his home by her father in a stormy night. Noticing that she is pregnant, the girl decides to leave home and start a new life.

Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.

A most undefinable and hallucinatory work by Němec, in which he dives into the visionary world of the Czech painter and leading light of both Czech and French surrealism Marie Čermínová (1902-1980). An avant-garde personality, she also challenged the traditional gender roles, taking the enigmatic gender-free name Toyen and becoming one of the few female faces of the surrealist movement.

Three veterans are given magic artifacts by elves that can magically create gold, servants and any other object. They encounter greedy characters and one of them falls in love with a princess.

A burlar breaks into a home and is caught by a young boy. The burglar then poses as the boy's uncle in order not to get caught by the parents.

In The Fabulous Baron Munchausen, Karel Zeman conjures the adventures of the legendary, boastful baron, whose whirlwind exploits take him from the moon to eighteenth-century Turkey to the belly of a whale and beyond. A kaleidoscopic marvel that blends live action with techniques including stop-motion, cutout collage, puppetry, painted backdrops, and antique tinting, Zeman’s film is an exhilarating visual delight and a warmhearted whirl through a bygone age too entrancing to have existed.

This eye-popping escapade revolves around a scientist and his doomsday machine – and the pirates who will stop at nothing to gain possession of it. Freely adapting the fiction of Jules Verne, and inspired by Victorian line engravings, Karel Zeman surrounds his actors with animated scenery of breathtaking intricacy and complexity, constructing an impossibly vivid proto-steampunk world. Released abroad at the turn of the 1960s, Invention for Destruction went on to become one of the most internationally successful Czechoslovak films of all time.

A beguiling mix of natural history and science fiction, this early feature by Karel Zeman follows four schoolboys on an awe-inspiring expedition back through time, where they behold landscapes and creatures that have long since vanished from the earth. Hewing closely to the scientific knowledge of its era, Journey to the Beginning of Time brings its prehistoric beasts alive through a number of innovative techniques – including stop-motion, puppetry, and life-size models – creating an atmosphere of pure wonderment.