The film is a documentary portraying a struggle as man tries to subdue nature.

An industrial film which shows the operations inside the Philips Radio plant: In a mêlée of activity, glassblowers make delicate glass bulbs. Machinery assists the bulb manufacture.

Rain is a 1929 Dutch short documentary film directed by Mannus Franken and Joris Ivens.

Holiday bus driver Mario has spent his entire life shuttling old age pensioners to the sunny south with his own travel company 'Paradise Trips'. Today, on the verge of his own retirement, Mario has to bring a motley crew of alternative partygoers to a psychedelic festival in Croatia. The journey soon turns into a fascinating trip that confronts Mario with his own prejudices and his long-lost son.

Lei, descendant of an unemployed coal miner, is an aimless man in his fifties, living a hand to mouth existence. When Lei's son Jeffrey discovers that Lei has a long-drawn debt with Vester, a charismatic crime boss, he does what every loving son would do: He reckons his father's problems as his own.

A 14 year old girl and a 41 year old friend of her father's fall in love, and soon their relationship grows into a sexual one as well. For some time all is happy, but then the tension grows too much, because of the secrecy and frustration of being the lover of a married man, and because she feels he starts to treat her too much like a child instead of a lover.

Love is the Word is a moving, romantic and funny coming-of-age drama about the magic of first love and the misery of first lost, set in 1978: the year 'Grease' hit the big screen.

The central character in Rooksporen is a woman who finds herself facing an interrogator. Around these interrogation scenes are scenes in which 26 witnesses (from A to Z) are introduced: first in their houses and then in a space adjacent to the interrogation room. The questioner has an ambiguous identity and function: he directs his questions at the woman and then turns away only listening and watching as a sounding-board, to the witnesses. And the witnesses also have an elusive identity. Who or what they are remains unclear, they exist thanks to the sensuality and/or obscurity of their language. It is also far from clear what the woman is accused of. Most witnesses eventually think she is guilty, but what of remains the question. The only thing which is not in doubt is that she is an eccentric. Whenever it looks as if she can be tied down, she gets off as each witness tries to involve her.

Everyman (George Bruens) steals and enjoys life until he meets a sweet and simple girl. They fall in love, but she dies at the hands of an idiot. Everyman decides to avenge her death on his fellow men though he doesn’t know how exactly. A story about a man and his journey, but at the same time about the escape from death, that turns into a quest. The film uses as lot of symbolism and archetypical characters such as 'the fool', 'the girl' and 'the artist' (the creator). According to some critics, Stelling succeeded in keeping some measure of control over his second film, but others missed the impetuous strength of Mariken van Nieumeghen. Once again the film attracted more foreign than national attention. Stelling became a new cult filmmaker with his two medieval excesses.

After several years without contact, Martijn visits his sister Daantje, who just started to live on her own in Amsterdam. He tells her he is going to make a documentary from her life, and enters her home live with a video camera. This creates tension between Daantje and her brother because he wants to recall something that happened between them in the past. To keep Martijn at a distance, Daantje starts a relationship with Ramón, but Martijn gets between them. He manages to talk to her so that she remembers the things that happened when they were kids. This helps him to overcome his obsession for his sister, and after playing over their history, he is finally able to see her without the video camera like he did during the course of the movie.

Crime novelist Victor and his twenty-year-old cello playing son Zack both have become single. During a trip to Scotland they are forced to confront themselves and finally get to know each other. A funny and touching film about fathers who have to grow up and sons who should take life a little more easy.

This stylish erotic thriller gained a cult following for its frank treatment of bisexuality, bizarre visuals, and an extremely sexy performance by Renee Soutendijk as a woman who may or may not have killed her three previous husbands. Jeroen Krabbe is terrific as the intended fourth, a broken-down bisexual writer who is pulled into Soutendijk's web like an unsuspecting fly. Bloody and erotic, De Vierde Man will also interest fans of director Paul Verhoeven, who returned to many of the same themes in his smash American hit Basic Instinct.

At the deathbed of his used-to-be militant mother an older man looks back at his childhood, when he was in love with his sensual aunt Coleta.

Roadmovie-like feature about a restless German Girl (Christien Vroegop) who lives with her dog in an old trailer close to the city of Amsterdam. The young girl lives an unstructured, nomadic existence. Wherever she is, there is always something missing and she always thinks that she could find it somewhere else.
She did just settle herself in Amsterdam but doesn't know what it just is that she could do here. She abandones her camper-trailer to go visit a friend in Germany.

Reflections by Marion Hänsel. Ever since I began to walk, I've walked looking up, contemplating the clouds. This has never left me bored. Day after day, "the biggest screen in the world" presents a fascinating spectacle, ever changing and endless. What is unfolding above me, or below me when I'm flying, touches me deeply. An entire array of sensations corresponds to my mood, the moment, the intensity of the light. At times I feel contentment, joy, euphoria, and sometimes melancholia, solitude, serenity or even fear, suffocation, helplessness and anger. Most of the time I just feel the simple happiness of being alive, in a moment in time, a part of a totality where up and down doesn't exist. I'm surrounded by something infinitely light, I'm floating and feel part of the universe. These states of mind, provoked by the clouds, the desire to live, to create - must be universal; I'm sure.