Too many years in the Orient have made a bitter man of Dr. Dan Maynard (Edmond O'Brien), an American surgeon, and too little emotional stability has tarnished the Tangier-born Rita King (Ruth Roman).

Two friends on a fishing trip pick up a stranded motorist who turns out to be a psychotic escaped convict. This sociopath has already murdered other good Samaritans in his efforts to evade authorities. He sadistically taunts and threatens the two men and perversely delights in telling them that he has them both marked for death sometime before the end of the trip. His destination is a ferryboat in Baja, California, which he hopes will help him get to the mainland. The hostages hope to stay alive long enough to escape or be rescued by Mexican authorities.

Jefty, owner of a roadhouse in a backwoods town, hires sultry, tough-talking torch singer Lily Stevens against the advice of his manager Pete Morgan. Jefty is smitten with Lily, who in turn exerts her charms on the more resistant Pete. When Pete finally falls for her and she turns down Jefty's marriage proposal, they must face Jefty's murderous jealousy and his twisted plots to "punish" the two.

Two detectives are investigating a robbery in which $300,000 was taken. Their investigation leads them to the main player and they find the cash, but one of them has meanwhile fallen hard for a woman with expensive tastes, and though he desperately wants to keep her, he knows that a cop's salary isn't going to be enough for her.

An Edwardian belle meets a rich bachelor, but what to do about her husband and her lover?

In WW2, the Allies race against time to persuade two nuclear scientists working for the Germans to switch sides.

From her window, Cheryl Draper (Barbara Stanwyck) sees a neighbor, Albert Richter (George Sanders), murder a young woman. When Cheryl goes to the police, they cannot find any evidence because Richter has hidden the body. Cheryl persists in her claims without evidence, leading concerned policeman Larry Mathews (Gary Merrill) to worry that she is becoming obsessed. After Richter becomes aware of Cheryl's accusations, he conspires to make it appear that she is insane.

In WW2, the Allies race against time to persuade two nuclear scientists working for the Germans to switch sides.

Josef von Sternberg’s riveting breakthrough is widely considered the film that launched the American gangster genre as we know it. George Bancroft plays heavy Bull Weed, a criminal kingpin whose jealous devotion to his moll, Feathers (Evelyn Brent), gets him into hot water with a rival hood and, ultimately, the authorities. Further complicating matters is the attraction that blossoms between Feathers and an alcoholic former lawyer (Clive Brook). With its supple, endlessly expressive camera work and tightly wound screenplay based on a story by legendary scribe Ben Hecht (who won an Oscar for it the first year the awards were given), Underworld solidified von Sternberg’s place as one of Hollywood’s most exciting new talents.

Roughneck stoker Bill Roberts (George Bancroft) gets into all sorts of trouble during a brief shore leave when he falls hard for Mae (Betty Compson), a wise and weary dance-hall girl, in Josef von Sternberg’s evocative portrait of working-class waterfront folk. Fog-enshrouded cinematography by Harold Rosson (The Wizard of Oz), expressionist set design by Hans Dreier (Sunset Boulevard), and sensual performances by Bancroft and Compson make this one of the legendary director’s finest works, and one of the most exquisitely crafted films of the era.

A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to rekindle his career, but the situation quickly escalates into an out-of-control circus.

Kirk Bennett is falsely sentenced to death for killing blackmailer Mavis Marlowe, ex-wife of nice-guy drunk Martin Blair. Bennett's stand-up wife Catherine tries to prove him innocent, enlisting the aid of Blair, who falls in love with her. Bennett's execution draws near as the two pose as piano player and singer, trying to get the goods on sleazy nightclub owner Marko, a prime suspect. Failing to nail Marko, Catherine goes off to meet with her husband, scheduled to die the next morning, and Blair slips into an alcoholic stupor before the real killer is revealed.

Kirk Bennett is falsely sentenced to death for killing blackmailer Mavis Marlowe, ex-wife of nice-guy drunk Martin Blair.

Coadapted by The Gordons from their novel Case File FBI, Down Three Dark Streets stars Broderick Crawford as a no-nonsense FBI agent. Hoping to avenge the death of his partner Kenneth Tobey, Crawford almost single-handedly takes on the three investigations which Tobey had been pursuing. One involves a gang of car thieves; the second concerns a fugitive gangster; and the third deals with an extortion racket. Of the three leading ladies–Martha Hyer, Ruth Roman, Marisa Pavan–Ms. Pavan turns the most fascinating performance as the blind witness to a murder. The climax is staged around the fabled "Hollywood" sign that dominates the hills bordering the film capital. Most of the production personnel involved with Down Three Dark Streets would later set up shop at Dick Powell's Four Star Productions.

In 1938, Walter Neff, an experienced salesman of the Pacific All Risk Insurance Co., meets the seductive wife of one of his clients, Phyllis Dietrichson, and they have an affair. Phyllis proposes to kill her husband to receive the proceeds of an accident insurance policy and Walter devises a scheme to receive twice the amount based on a double indemnity clause. When Mr. Dietrichson is found dead on a train track, the police accept the determination of accidental death. However, the insurance analyst and Walter's best friend Barton Keyes does not buy the story and suspects that Phyllis has murdered her husband with the help of another man.