In 1979, the Nobel Prize for Medicine and Physiology was awarded jointly to Allan McLeod Cormack and Godfrey Newbold Houns eld, the two pioneering scienti- engineers primarily responsible for the development, in the 1960s and early 1970s, of computerized axial tomography, popularly known as the CAT or CT scan. In his papers [13], Cormack, then a Professor at Tufts University, in Massachusetts, dev- oped certain mathematical algorithms that, he envisioned, could be used to create an image from X-ray data. Working completely independently of Cormack and at about the same time, Houns eld, a research scientist at EMI Central Research Laboratories in the United Kingdom, designed the rst operational CT scanner as well as the rst commercially available model. (See [22] and [23]. ) Since 1980, the number of CT scans performed each year in the United States has risen from about 3 million to over 67 million. What few people who have had CT scans probably realize is that the fundamental problem behind this procedure is essentially mathematical: If we know the values of the integral of a two- or three-dimensional fu- tion along all possible cross-sections, then how can we reconstruct the function itself? This particular example of what is known as an inverse problem was studied by Johann Radon, an Austrian mathematician, in the early part of the twentieth century.

This book constitutes the refereed proceedings of the International Conference on Computer Vision and Graphics, ICCVG 2018, held in Warsaw, Poland, in September 2018. The 45 full papers were selected from 117 submissions. The contributions are thematically arranged as follows: computer graphics, image quality and graphic, user interfaces, object classification and features, 3D and stereo image processing, low-level and middle-level image processing, medical image analysis, motion analysis and tracking, security and protection, pattern recognition and new concepts in classification.

This book constitutes the refereed proceedings of the 38th Computer Graphics International Conference, CGI 2021, held virtually in September 2021.
The 44 full papers presented together with 9 short papers were carefully reviewed and selected from 131 submissions. The papers are organized in the following topics: computer animation; computer vision; geometric computing; human poses and gestures; image processing; medical imaging; physics-based simulation; rendering and textures; robotics and vision; visual analytics; VR/AR; and engage.

This book constitutes the thoroughly refereed post-conference proceedings of five international workshops held in the framework of the 8th Pacific-Rim Symposium on Image and Video Technology, PSIVT 2017, in Wuhan, China, in November 2017: Workshop on Human Behavior Analysis; Workshop on Educational Cloud and Image/Video Enriched Cloud Services, ECIVECS; Workshop: Vision Meets Graphics, VG; Workshop on Active Electro-Optical Sensors for Aerial and Space Imaging, EO4AS; and Workshop on Computer Vision and Modern Vehicles, CVMV.

This three-volume set LNCS 12888, 12898, and 12890 constitutes the refereed conference proceedings of the 11th International Conference on Image and Graphics, ICIG 2021, held in Haikou, China, in August 2021.*
The 198 full papers presented were selected from 421 submissions and focus on advances of theory, techniques and algorithms as well as innovative technologies of image, video and graphics processing and fostering innovation, entrepreneurship, and networking.

This three-volume set LNCS 12888, 12898, and 12890 constitutes the refereed conference proceedings of the 11th International Conference on Image and Graphics, ICIG 2021, held in Haikou, China, in August 2021.*
The 198 full papers presented were selected from 421 submissions and focus on advances of theory, techniques and algorithms as well as innovative technologies of image, video and graphics processing and fostering innovation, entrepreneurship, and networking.

In this, the companion volume to Computer Graphics for Artists: an Introduction, specific problems related to the creation of Computer Graphic environments and characters are explored. For the Computer Graphic artist, knowledge of tools is important, but what is even more important, and the subject of this book, is understanding problems and solutions encountered by artists who create environments and characters.
This book is application-independent, but builds on information published in the previous volume by focusing instead on subject-specific methods for improving the quality of observation, craftsmanship, optimization, and application. In the character section, extensive anatomical data is provided as a generic basis for character building.