Art Pepper - Art Pepper Meets The Rhythm Section [96/24 Stereo LP Rip]
FLAC | 24bit | 96Khz | Stereo | 907 Mb
Styles: Cool Jazz
Download: RapidShare and FileFactory
FLAC | 24bit | 96Khz | Stereo | 907 Mb
Styles: Cool Jazz
Download: RapidShare and FileFactory
1957 famous Pepper session, records with Miles Davis rhythm section, Red Garland, Paul Chambers, Philly Joe Jones.
Year: 1957
Lable: Contemporary Records, S7532
Style: Cool Jazz
Country: USA
Audio: 24bit-96kHz - Vinyl Rip, FLAC
Size: 907 MB
About the Recording
The rhythm section in question here belonged to Miles Davis in Los Angeles, one fine day in January 1957. Pepper had made a name for himself in Stan Kenton's band, but this was really the first time he found himself in the studio with a rhythm section such as Red Garland, Paul Chambers, and Philly Joe Jones. In his fascinating biography, Straight Life, Pepper tells the story of the date when, after not playing for six months, he was told of the session that morning. He pieced together a broken horn, went in, and blew. Not completely remembering the first tune "You'd Be So Nice to Come Home To," he voices a line that both invokes the melody and refashions it. The rest of the session shows just how high Pepper rose to the occasion. It's one of the most important recordings of his career. –Michael Monhart
Track Listing:
A1 You'd Be So Nice To Come Home To
A2 Red Pepper Blues
A3 Imagination
A4 Waltz Me Blues
A5 Straight Life
B1 Jazz Me Blues
B2 Tin Tin Deo
B3 Star Eyes
B4 Birks Works
Musicians:
Bass - Paul Chambers
Drums - Philly Joe Jones
Piano - Red Garland
Saxophone [Alto] - Art Pepper
Ripping Equipment:
Turntable: Nottingham Analogue Interspace;
Cartridge: Shelter 501 MKII Low Output MC;
Phono amp: Ray Samuels Audio Emmeline XR-2;
Power cables: Black Sand Cables Silver Reference MKV with Wattgate 330i-350i Ag;
Computer: MacBook Pro (FireWire out);
АDC: Edirol FA-66 FireWire
Software: Soundtrack Pro @ 96kHz/32-bit floating point.
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Part 1
Part 2
Part 3
Part 4
Part 5