Dragon’s Domain Records presents the world premiere soundtrack release of THE AFTERMATH, featuring music composed and conducted by John Morgan for the 1982 science fiction film written, produced and directed by Steve Barkett and also starring Lynne Marguilies, Larry Latham, and Sid Haig.

Five-disc Deluxe Box Set includes a new mix of the original album, 30 previously unreleased outtakes and alternate takes, a six-song 1971 BBC Radio John Peel Sunday concert, four BBC Radio session tracks, plus previously unreleased 50-minute DVD of Rory’s first-ever solo concert which was filmed in Paris for the “Pop Deux” television show.

Clifford Benjamin Brown (October 30, 1930 – June 26, 1956) was an American jazz trumpeter and composer.

I NEVER LIKED YOU, the first Future project since his and Lil Uzi Vert’s Pluto x Baby Pluto and his first solo outing since 2020’s High Off Life, was likely titled to cause a stir. Future has been a poster boy for the kind of toxic romantic engagements that turn well-intentioned social media users into self-certified relationship experts since about the time of his split with one-time fiancée Ciara. But rather than defend his lifestyle choices in earnest or make a case for himself as misunderstood, he drops an album whose title posits him as either a vindictive lover or a victim of a betrayal. But Future is nobody’s victim.

This programme is truly a reflection of my three years as artist-in-residence at Royaumont and my artistic personality of the last years. Working with young composers is a passion for me – to study a completely new score, to discover the intentions of the composer through discussions, experimentation and sometimes just through being in their company, is something that is very important to me as the foundation of my work as a performer. The pieces that Annie Hui-Hsin Hsieh and Matthew Chamberlain wrote for me are great examples of this work, and although very different, they both speak to different parts of being a pianist.

WITH their deliciously tempting new remix album GGP/RMX out in a month’s time, GoGo Penguin are just keeping them comin’; following the deeply energised MachineDrum retake on “Atomised” and Squarepusher’s stealthily head-melting inversion of “F Major Pixie”, the Mancunian trio have just dropped the blissful dream of “Totem”, as overseen by James Holden.

American organist James D. Hicks continues his explorations of organ music by Nordic region composers with this 3-album set, played upon the Paschen Kiel pipe organ at Central Pori Church, Pori Finland. James D. Hicks is a concert organist living and working out of Califon, New Jersey, USA. A graduate of the Peabody Conservatory of Music, Yale University and the University of Cincinnati, Hicks has also studied at the Royal School of Church Music in the UK. Jim held liturgical positions throughout the country over the course of thirty five years, and now devotes himself to concert and recording projects.

Mr. Morale & the Big Steppers is the fifth studio album by American rapper Kendrick Lamar. Released on May 13, 2022 as a double album, it was Lamar's first full-length album release since the Black Panther soundtrack, and his first solo studio album since Damn in 2017. The album was released in association with PGLang and Top Dawg Entertainment; Lamar has stated that the album will be his last with TDE.

Jermaine Stegall is an accomplished and versatile composer and conductor. With over 50 projects to his credit, Stegall most recently completed the score for “Coming 2 America”, the highly anticipated sequel to the Eddie Murphy classic, with Murphy, Arsenio Hall and James Earl-Jones all reprising their roles. Stegall’s recent scoring and conducting assignments have included “Senior Year” (2022) for Paramount Pictures, and the upcoming film “Oracle” for Universal Pictures. He has also had the opportunity to collaborate over the years with notable film composers including Danny Elfman, Christophe Beck, William Ross, Marco Beltrami, Harry Gregson-Williams, Christopher Lennertz, and Blake Neely, and Mark Isham.

In the music industry, time moves ten times faster. There is no pause given to greatness, and legends can vanish amidst the churn of the hit parade. It is no minor miracle, then, that in the face of a deadly pandemic and faltering supply chain, Jazz Is Dead has returned with another offering of top-shelf recordings, paying tribute to past legends and new school torchbearers alike. Whether you’ve known the names of Jazz Is Dead Series 2’s featured guests, or are just meeting them for the first time, prepare to be blown away.

Opus 1: Listen to me, here I am! As a Firstling, I want to go public, I want to be printed, played, understood and appreciated. What came before me no longer counts. I lead a life of my own and stand at the beginning of my further development.

Not only was Manuel Ponce the leading figure in the emergence of Mexican nationalism but his music embodies a wide variety of influences. Nowhere is this more evident than in his writing for solo piano, and this album, the third of eight volumes, explores three specific facets. The first is his youthful concert studies, which are virtuosic, atmospheric and memorably evocative.

Produced by Sam Cohen (who also worked on Morby's Singing Saw and Oh My God), This Is A Photograph features musical contributions from longtime staples of Morby's live band, as well as old friends and new collaborators alike. If Oh My God saw Morby getting celestial and in constant motion and Sundowner was a study in localized intent, This Is A Photograph finds Morby making an Americana paean, a visceral life and death, blood on the canvas outpouring. As Morby reminds us early on, time is undefeated. So what do we do while we're still here? This is a photograph of that sense of yearning.