A fine alternative to conventional renditions on modern instruments, this Farao release of Ludwig van Beethoven's Symphony No. 3 in E flat major, "Eroica," and his Symphony No. 8 in F major presents both works in vivid, historically informed performances by the German chamber orchestra KlangVerwaltung, scrupulously conducted by Enoch zu Guttenberg.

Loren Qui released his new progressive rock album Twenty Twenty Black on June 18

Shaun O'Reilly celebrates the release of his third album, Burn The Boat, with this intimate concert.

This Valette is one of the most stupendous geniuses we have and his music is stupendous too. This is how the famed Sebastian de Brossard introduces his contemporary composer Joseph Valette de Montigny. Though acknowledged for its qualities, Montigny’s music has very rarely been played. Nor has it ever been recorded. Simply on account of its rarity and the absence of scores, it has remained unpublished.

Aretha Louise Franklin (March 25, 1942 – August 16, 2018) was an American singer and pianist.

In 2018, the Styriarte Festival in Graz launched, in collaboration with Zefiro, a project to rediscover the operatic output of the Styrian composer Johann Joseph Fux (1660-1741), Kapellmeister at the imperial court in Vienna for forty years, with the aim of restaging six of his nineteen operas, one per year. With a cast of Baroque vocal specialists, led by Monica Piccinini and Arianna Venditelli, this set of Dafne in lauro marks the beginning of a new series in which Arcana will release the recordings made in the course of the six-year cycle.

Sviatoslav Teofilovich Richter March 20 [O.S. March 7] 1915 – August 1, 1997) was a Soviet and Russian pianist who is frequently regarded as one of the greatest pianists of all time. He is known for the "depth of his interpretations, his virtuoso technique, and his vast repertoire."

Max Bruch was eighty years old when, in 1918, he decided to return to the chamber music genre he had frequented in his early years. Stimulated by the violin virtuoso Willy Hess, he composed two string quintets and an octet, monuments to beauty and harmony, at the end of a tumultuous personal life and in the midst of a western world on the brink of collapse. After an album devoted to Beethoven’s chamber music, the Chamber Players of the WDR Sinfonieorchester now tackle one of the last chapters of German Romantic music, with pieces that constitute Bruch’s swansong.

Paris, early Twentieth Century: in the space of three ballets, a previously unknown Russian composer revolutionised the music of his time. With The Firebird and Petrushka, respectively fairytale and folktale, and of course The Rite of Spring, a telluric invocation with its insanely innovative harmonies and rhythms, Stravinsky dynamised the Late Romantic orchestra, taking it to literally unheard-of places.

The extreme social trauma that followed The Great War of 1914—18 engulfed Europe. In this context, English composer Frank Bridge is an intriguing figure: his musical language transformed to embrace a radically new harmonic style. Consequently, his popularity waned and it was not until the end of the century that his importance as a leading modernist was appreciated.

A studio album by Roger Chapman is always an event. Since '66, when the British singer-songwriter emerged as the voice of his generation with the seminal Family band, through every twist of his four-decade solo career, Chappo's output has defied music industry protocol, challenged genre, and held up a mirror to the times. "I've never stopped writing," he reflects, "and with Life In The Pond, I felt the need to hear what I'd put down in music."

His Debussy and Chopin recordings for harmonia mundi already offer ample evidence that Alain Planès is highly adept at selecting a period instrument best suited for the repertoire.

Not bad as far as it goes, Mark Wigglesworth and the Netherlands Radio Choir and Philharmonic Orchestra's performance of Shostakovich's Symphony No. 13 goes nowhere near far enough. T

20th anniversary remastered reissue of M. Ward's sophomore album. M. Ward's second solo enterprise verifies the artist as one of those few songwriters who stand between the cracks of time, where he spins a hallucinatory, new universe out of old-world roots. Indeed, there's a real down-home, unpolished luster to End of Amnesia, both in execution and in songwriting, that gives it a timeless, old-fashioned pallor.

Carlo Grante is among the most prolific recording pianists today. His recorded repertoire is broad in scope and includes everything from his critically acclaimed series The Complete Keyboard Sonatas of Domenico Scarlatti to works by Mozart, Schubert, Schumann, Liszt, Busoni, Godowsky, Ravel, and contemporary composers.