Masaaki Suzuki and the Bach Collegium Japan, renowned for their definitive interpretations of Bach’s vocal music, have also garnered critical acclaim for their recordings of major choral and orchestral works, including Mozart’s Requiem and the Mass in C minor, Beethoven’s Missa Solemnis and Symphony No. 9, and Brahms’s Ein deutsches Requiem. Their latest venture sees them turn their expertise to Felix Mendelssohn’s symphony-cantata, Symphony No. 2 ‘Lobgesang’ (Hymn of Praise).

Tae-Hyung Kim’s Echoes in the Mists is a poetic journey through a century of piano music, tracing a line from early Romanticism to early modernism.

Since its formation at the Royal College of Music in 2018, the Brompton Quartet has gained recognition for its thrilling performances spanning the breadth of string quartet repertoire.

Stories & Soundscapes is the latest album by internationally acclaimed Irish pianist Cathal Breslin, released on March 6, 2026, through Blue Griffin Recording.

The album "Otto Klemperer in Jerusalem Vol. 3: Mozart – the late Symphonies" is an archive recording of Otto Klemperer's live performances with the Jerusalem Symphony Orchestra.

Uplifting Neo-Classical is a production music album by composer Claire Leona Batchelor, released on February 26, 2026. The album was recorded with the Hungarian Studio Orchestra, conducted by Krisztian Balassa.

Perfectly Free brings together two contemporary cello concertos—Osvaldo Golijov’s Azul and Anna Clyne’s DANCE—in a live recording that cellist Maja Bogdanović describes as a deeply personal journey of discovery.

We would like to invite you on a musical adventure where you can discover new works for guitar trio from the 20th and 21st centuries and get to know a unique style of improvisation called Soundpainting. All of the Soundpainting tracks were created in the studio during recording, and each one is unrepeatable.

1000 Airplanes on the Roof by Philip Glass and David Henry Hwang is a “science fiction music drama” which premiered July 15, 1988 at the Vienna International Airport, Hangar No. 3. Set in New York City, the character “M” recalls encounters with extra-terrestrial life forms, including their message, “It is better to forget, it is pointless to remember. No one will believe you.” Are the surrealistic details an accurate recollection of a voyage through space, part of a drug-induced nightmare, or the beginning of a mental breakdown? This release from Third Angle New Music on Orange Mountain Music is the first complete recording of 1000 Airplanes on the Roof, featuring David Henry Hwang’s libretto performed by Ithica Tell as “M” and extended instrumental tracks. This project was made possible by the generous support of John T. Montague and Linda Hutchins, and is dedicated to the memory of John T. Montague.

The Gemshorn is a medieval wind instrument belonging to the ocarina family, traditionally made from the horn of a chamois, goat, or ox. It produces sound through a fipple mouthpiece similar to that of a recorder, with finger holes along the front allowing for a diatonic scale. The Gemshorn’s gentle, flute-like tone -mellow and haunting- made it particularly suited for both sacred and domestic music in the Middle Ages and Renaissance. This new recording presents the gemshorn in combination with lute and percussion instruments, in Dances, spanning from the 12th till the 17th century. A highly attractive program, ranging from melancholy musings to visceral, sometimes barbaric dances. Featuring music composed by Alfonso X “el Sabio,” Pierre Attaingnant, Tielman Susato, Thoinot Arbeau, Claude Gervai-se, Etienne Du Tertre, Jaques Moderne and John Playford. Performed by Il Giardino delle Muse – Simone Erre (gemshorn & conductor), Ugo Nastrucci (medieval lute), and Mauro Occhionero (historical percussion).

Sain’s Siglo de Oro, the Age of Gold, gave rise to some of the greatest sacred choral music of the Renaissance. Lead, Kindly Light is devoted to the music of two outstanding Spanish composers exploring majestic works by Cristóbal de Morales, famed throughout Europe and in the New World, and the exquisite polyphony of Sebastián de Vivanco, whose intricately crafted counterpoint adorned services at the cathedrals of Ávila and Salamanca during the late 1500s.

A veritable musical fresco inspired by the cyclical course of the sun, Circa Diem – "almost a day" – invites the listener on a sonic journey following the rhythm of light. From the peaceful darkness of the deep night to the gentle dawn, from the intense brightness of the zenith to the enveloping warmth of the golden hour, to the shifting shadows of dusk, each stage of the day finds its musical resonance here.

In their second Luigi Boccherini release, the Karski Quartet and cellist Raphaël Feye once again present four string quintets, including two world premieres. Composed for the unusual combination of two cellos, these pieces showcase Boccherini's versatility, ranging from Mediterranean warmth to the elegance of Viennese classicism. The album successfully combines historical awareness with contemporary depth, delivering a sophisticated and captivating portrait of the composer.

Welcome to the first volume of my Mozart Piano Sonata recordings. When I began this journey, I wanted to see if I could play Mozart’s piano music as if it were sung – not confined by the idea of being “pure” or “delicate,” but alive, breathing, and vividly expressive, like his operas. To me, Mozart’s keyboard writing is inseparable from his vocal world. His sonatas contain dialogue, wit, and drama – characters who love, tease, and suffer. Each phrase seems to ask not for perfection, but for truth. I hope this recording captures that spirit of Mozart speaking, laughing, and sighing through the piano’s voice.

For its sixth album on the Arcana label, Voces Suaves presents a programme dedicated to one of the most influential composers of the seventeenth century, the great Giacomo Carissimi. The album features Carissimi’s most famous work, the masterful oratorio Jephte, alongside two of his rarely performed virtuoso motets. It also includes the astonishingly theatrical Cristo smarrito, by Domenico Mazzocchi, Carissimi’s contemporary in Rome.