Recorded March 14, 19, and 27, 1968. Limited Edition Hybrid SACD! Featuring ESOTERIC's Proprietary Re-Mastering Process to Achieve the Highest Level of Sound Quality! Japanese Pressing, Deluxe Digi-pak Packaging, THE Definitive Performance on SACD!

Joni Mitchell Counterbalances Love and Trust with Freedom and Confusion on Court and Spark: Ranked the 110th Greatest Album of All Time by Rolling Stone. Mobile Fidelity's Numbered-Edition Hybrid SACD Plays with Revealing Detail, Clarity, Presence, and Openness. Court and Spark, the most commercially successful album of Joni Mitchell's trailblazing career, arrived after a year in which she took some time to breathe and kept a low profile. The pause led to more breakthroughs for the singer-songwriter. Marking Mitchell's increasing drift toward jazz (and affinity for Miles Davis and John Coltrane), Court and Spark garnered four Grammy nominations, earned the Best Album of the Year vote in the prestigious Pazz & Jop poll, and ranks #110 on Rolling Stone’s list of the 500 Greatest Albums of All Time.

Van Halen Taps into a Mean Streak on Fair Warning: The Darkest and Fiercest Album of the Band's Career
Double-Platinum 1981 Record Sounds Unrelenting on Mobile Fidelity's Numbered-Edition Hybrid SACD: Audiophile Reissue Plays with Stunning Dynamics. The song titles on Van Halen's aptly titled Fair Warning don't lie. The likes of "Unchained," "Mean Street," "Push Comes to Shove," "One Foot Out the Door," and more indicate the mood the band channels on its double-platinum 1981 record — the nastiest, darkest, and fiercest album of the group's storied career. For the fourth time in four years, Van Halen throws down the gauntlet to all challengers and emerges victorious.

The best-selling Paris live performances by the great Karajan with the BPO and VPO are now available on SACD! The bestseller is back again with a new remastering and a surprise reissue of the bestseller, featuring the most coveted performances of Beethoven, Locatelli, R. Strauss and more. This is a remarkable disc with a new charm different from the CD version, carefully remastered using the original INA sound source (24bit/192kHz). The 180 minutes of content is recorded on a single disc, taking advantage of the recording time available only on SACD. The 1960 recording with the Berlin Philharmonic is from the final day of the Beethoven Ticles in Paris, which began on April 21 of the same year.The 1962 recording with the Vienna Philharmonic is also available in stereo. The very rare concerto concerto by Locatelli is sublime and gorgeous, and Boskovsky's solo is a gem. From the main work, Schubert's "Unfinished," to Karajan's eponymous "Zarathustra," to the encore, you will be struck by the seamless and magnificent sound. King International

THE SOULFUL ROCK ‘N’ ROLL REVUE ON WHICH BRUCE SPRINGSTEEN BECOMES THE BOSS: THE WILD, THE INNOCENT & THE E STREET SHUFFLE TEEMS WITH DISCOVERY. Mastered on Mobile Fidelity's Renowned Mastering System: Numbered-Edition Hybrid SACD Plays with Expressive Clarity. Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humor, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid color, breathtaking detail, and poetic action.

The Album That Invented Hardcore Hip-Hop and Spread Its Gospel: Run-D.M.C. Changed the Sound of Music and Popular Culture, Includes “Rock Box” 40th Anniversary Edition of Run-D.M.C.'s 1984 Debut Benefits from Definitive Restorative Treatment: Mobile Fidelity's Hybrid SACD Is Strictly Limited to 2,000 Numbered Copies

Japanese SHM-SACD pressing. Blue Note. 2024.

Hybrid SACD reissue from Analogue Productions. Mastered by Bernie Grundman. Features "Fallen", "Stupid" and "World on Fire" The Analogue Productions/QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits: Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.

This is the DSD file produced by RKS during the same session he recently remastered the the album for the Acoustic Sounds Verve Reissue Series.

Coltrane is accompanied by an all-star ensemble of Eric Dolphy (alto sax/bass clarinet), Garvin Bushell (oboe/contrabassoon), Ahmed Abdul-Malik (oud), McCoy Tyner (piano), Jimmy Garrison (bass), Reggie Workman (bass), Elvin Jones (drums), and Roy Haynes (drums). Their presence is as equally vital as Coltrane's – inspiring as well as informing the dimensions of improvisation.

Mastered directly from the original analog tape to Direct-Stream-Digital. Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! A journey through the blues, from the timeless sax legend! Hybrid Stereo SACD Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Fleetwood Mac —Mirage. Numbered edition Hybrid SACD. Plays with absorbing clarity and insightful detail. Fleetwod Mac delivers soft-rock bliss on album featuring addictive pop hooks and three Top 25 hits!

A Universe of Pop: Fleetwood Mac’s Tango in the Night Features Meticulous Production, Includes the Hits “Big Love,” “Everywhere,” “Seven Wonders,” and “Little Lies” Mobile Fidelity’s Numbered-Edition Hybrid SACD of 1987 Album Captures the Perfectionist Details, Plays with Extraordinary Airiness and Clarity.

Mastering and production by Intervention Records. Mastered Direct-to-DSD FROM THE ORIGINAL ANALOG MASTER TAPES. Mastered by Kevin Gray At CoHEARent Audio. Hybrid CD/SACD Plays On All CD and SACD Players. Super Jewel Box Packaging.

in 1974, the Eagles released their third studio album, an LP that earned them their first - but certainly not their last - hit single. Produced by Glynn Johns ("You Never Cry Like a Lover" and "Best of My Love") and Bill Szymczyk (everything else) during sessions at Record Plant Studios in Los Angeles and Olympic Studios in London, ON THE BORDER was the first Eagles album with guitarist Don Felder in the lineup, but it could have been a very different album if the guys in the band hadn't tired of Johns' efforts to play country in their rock. Johns' argument was, "The Who is a rock and roll band, and you're not," and you can imagine how well that went over. After working with Johns in London for six weeks, the Eagles returned to L.A., where they teamed up with Szymczyk, and it was during those sessions that Felder joined the band. Admittedly, he joined rather late, so he can only be heard on two tracks - "Good Day in Hell" and "Already Gone" - but it was enough to make a name for himself and be officially accepted into the band.