Field recordings of Hawaii. Captured in stereo on the islands of Oahu, Hawaii, Kauai, and Maui. Aloha ʻĀina means love for the land in ‘Ōlelo Hawai‘i.

Field recordings of Hawaii. Captured in stereo on the islands of Oahu, Hawaii, Kauai, and Maui. Aloha ʻĀina means love for the land in ‘Ōlelo Hawai‘i.

Field recordings of Hawaii. Captured in stereo on the islands of Oahu, Hawaii, Kauai, and Maui. Aloha ʻĀina means love for the land in ‘Ōlelo Hawai‘i.

Field recordings of Hawaii. Captured in stereo on the islands of Oahu, Hawaii, Kauai, and Maui. Aloha ʻĀina means love for the land in ‘Ōlelo Hawai‘i.

Field recordings of Hawaii. Captured in stereo on the islands of Oahu, Hawaii, Kauai, Moloka‘i and Maui. Aloha ʻĀina means love for the land in ‘Ōlelo Hawai‘i.

Ruptured World is the cinematic ambient project of Alistair Rennie (UK), who is also known as an author of Weird Fantasy and Horror Fiction.

Returning to Def Jam after more than two decades, Public Enemy is back and louder than ever! What You Gonna Do When The Grid Goes Down is the revitalized social justice anthem of 2020 and the body of work is a call to action, inciting justice for the black community. The album features artists such as DJ Premier, Mike D, Ice-T, PMD, Run DMC, and Jahi.

In a world narrative dominated and controlled by powerful, wealthy individuals with vested interests in skewing the truth, what trust can be placed in our governments, our leaders and our sources of information to guide us to evolve as a species?

Dead Lord’s fourth record “Surrender” is a one-stop shop of everything from sweet licks and stylish solos, to simply remarkable catchy songs that hit you in the feels and fill the gas tank to the brim. Stellar guitar rock, fresh and unleashed, as Dead Lord reinvigorates and rewires a long-lost style, rocketing it into a new era with stone-cold future studio classics.

The 1982 session caught the band still in search of a new musical direction. "We All Stand" and "5-8-6" appeared on the subsequent album Power, Corruption & Lies. The songs "Too Late" and "Turn the Heater On", the latter a Keith Hudson reggae cover, were only ever recorded for the Peel session, and neither was performed live. "Turn the Heater On" was known to be one of Ian Curtis's favourite songs‚ and it is for this reason that New Order recorded their version as a tribute to him. Ian's admiration of reggae artists such as Keith Hudson and Toots and the Maytals is also mentioned by his wife Deborah Curtis in her book Touching From a Distance. These tracks were broadcast on 1 June 1982 though were presumably recorded in spring 1982.

Sarah Vaughan, sometimes incorrectly referred to as Sarah Vaughan with Clifford Brown, is a 1954 jazz album featuring singer Sarah Vaughan and trumpeter Clifford Brown, released on the EmArcy label.

These twelve astonishing tracks are drawn from a broad spectrum of early 70s West African psychedelic classics. Yet the fact that they scarcely registered on the Richter scale of contemporary underground music must surely be one of the greatest ironies of modern popular music, given that western counterculture drew so heavily on the musical, aesthetic and visual traditions of Africa.

À l’aube revenant est le quatorzième album studio de Francis Cabrel. Un recueil de treize nouvelles chansons tant attendues, le premier depuis In Extremis , paru il y a cinq ans.

Jaga Jazzist return with their new album Pyramid, where the legendary Norwegian eight-piece takes a deep dive into post-rock, jazz and psychedelia influences. It’s their first album since 2015’s Starfire, their ninth album in a career now spanning four decades, but it marks the group’s debut on Brainfeeder, the LA-based imprint curated by Flying Lotus. On Pyramid, Jaga Jazzist have crafted a suitably cosmic sound to match their new label home, all the while nodding to forebears spanning from 80s jazz band Out To Lunch and Norwegian synth guru Ståle Storløkken, to contemporaries Tame Impala, Todd Terje and Jon Hopkins.

Johannes Auvinen is regarded among the best to ever wield a 303, but here commits his love for classic European synth music in a convincing style that holds up to comparison with inspirations ranging from Ash Ra Temple’s Jenseits to the iciest contours of the Sähkö label.