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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
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    Carpenters (1971) 24-Bit/96-kHz Vinyl Rip

    Posted By: nettz
    Carpenters (1971) 24-Bit/96-kHz Vinyl Rip

    Carpenters
    Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | cue | no log | Covers | FS, MU, HF | 625 MB 3% rec
    1971 | Genre: Pop Vocal | Label: A&M | SP-3502 | US pressing

    Carpenters (1971) 24-Bit/96-kHz Vinyl Rip

    Carpenters is the third studio album by the Carpenters. Released on May 14, 1971, the album was successful, reaching #2 on the Billboard 200 chart and #12 in the UK. With the hit songs "For All We Know", "Rainy Days and Mondays" and "Superstar", Carpenters solidified Karen Carpenter as one of her generation's most endearing pop vocalists.
    It has been said that the strength of these recordings is what caused Richard Carpenter to ask his sister to front the band for their live performances instead of playing behind the drums. Amongst many fans, the album has simply been referred to as "The Tan Album," because the original LP cover, complete with overlapping flap, looked like an oversized tan envelope, and is presumably a play on The Beatles' so-called White Album.
    In Cash Box's Top 100 Albums of 1971, Carpenters peaked at #8. This is the first album to feature the familiar Carpenters logo.
    (wikipedia)

    This is where the duo began running a little short of material for albums, having raided many of the song catalogs with which the Carpenters were most familiar on their two previous LPs – although it didn't seem it to anyone at the time except Richard Carpenter, since there were three hit singles present that ensured the album's popularity: "For All We Know," the huge-selling "Superstar" (done on the first take because it was a little uncertain how comfortable Karen Carpenter would be with the sexually suggestive lyrics to the Leon Russell song), and "Rainy Days and Mondays." The unusual jacket design, like an invitation with a decorative picture of the duo (similar to a graduation photo), seemed to go over well with older listeners while not repelling teens, which is lost in the transformation to CD packaging. In retrospect, Carpenters is a very MOR album – "Superstar" aside, its influences are more pop than rock, and any of the duo's original interest in jazz is long gone as well. The Bacharach/David medley, in particular, was distinctly more appealing to the over-30 set than to teenage listeners, and "Saturday" made them few new friends.
    (Bruce Eder - AllMusic Guide)


    Track Listing:

    A1. Rainy Days and Mondays
    A2. Saturday
    A3. Let Me Be the One
    A4. (A Place to) Hideaway
    A5. For All We Know [From Lovers and Other Strangers]
    B1. Superstar
    B2. Druscilla Penny
    B3. One Love
    B4. Bacharach/David Medley: Knowing When to Leave/Make It Easy on Yourself
    B5. Sometimes


    Turntable: Roksan Radius III
    Tonearm: Audioquest PT-9
    Cartridge: Ortofon X5-MC (Moving Coil)
    Phono Cable: Van den Hul D-502 Hybrid
    Pre-amplifier: Counterpoint SA 5.1 (vacuum tube Sovtek 6922)
    Interconnect: balanced, Belden 1813A cable with Neutrik XLR connectors
    Analog to Digital Converter: EMU 1212M (configured for balanced input +4dBu, 0 dB Gain)
    Capture software: Goldwave 5.58
    Post processing: ClickRepair, setting: 20, reverse, wavelet x2
    Download (megaupload):

    Part 1 | Part 2 | Part 3


    Mirror (filesonic):

    Part 1 | Part 2 | Part 3


    Mirror (HotFile):

    Part 1 | Part 2 | Part 3


    Password: nettz