Plot: From the creator of Family Guy and the co-creator of American Dad comes a brand-new animated series of pop culture parodies, skewered stories, and fabulously filthy fun nuggets. Uncensored, uninhibited and unbelievably hilarious, Seth MacFarlane’s Cavalcade of Cartoon Comedy is brimming with the kind of raunchy, twisted humor you can’t see on television no matter how hard you try. So sit back, veg out and enjoy the show. The possibilities are endless… and so are the laughs!

Nemesis is the hottest rapper in rap's hottest city Miami, the 305. But he has a little secret…he's not really a rapper. As a boy the artistic Nate Harris drew cartoons and dreamed of changing the world. A record label discovers Nate's talent, and offers to make him a star, as a rapper. They create Nemesis, a Hip Hop gangster designed to sell records and spit hate. Fame quickly follows, but at a price. The fans demand true street cred, and to get it, Nate's label turns a fellow rapper and former childhood friend against Nate, spawning a rap feud. The feud quickly escalates into a war, and Nate is trapped in the reality of the fiction he has created. Nate is faced with a choice: Either become a superstar by giving Hip-Hop what it wants a war between two rap rivals, or, give it what it needs destroy his real rival, the fictional character and become a true hero he has the ability to save hip hop…but can he save himself?

"…Фильм не такой уж новый. Но актуальности он не потерял. Все, что было раньше, происходит и сейчас, только в гораздо больших размерах. Криминальная революция, судя по всему, завершилась полной победой жуликов, великая духовная страна на глазах превращается в страну воров и негодяев". Станислав Говорухин

Spanish film pioneer Segundo de Chomón spent most of his influential career associated with Pathé Laboratories. Chomón joined the company in 1901 and set up a laboratory for adding color to film in Barcelona. He started directing newsreels the following year. Chomón's innovations include the development of several camera tricks, including single-frame techniques, optical dissolves, and complicated traveling shots. In 1902, Chomón successfully combined live-action with miniatures in the short Choque de Trenes/Collision of Trains. In 1905, he was the first Spanish filmmaker to use stop-motion techniques in Eclipse de Sol/Eclipse of the Sun. Toward the end of 1905, Chomón relocated to Paris to direct over 100 short films for Pathé; he also shared his techniques with other directors. He first used the traveling shot (the first time it was ever used) in a scene for La Vie et la Passion de Notre Seigneur Jesus Christ/The Life and Passion of Jesus Christ (1907), which was directed by Ferdinand Zecca and Lucien Nonguet. Chomón accomplished the shot by devising a special skating device, and perfected the special shot while filming Cabiria for Italian director Giovanni Pastrone in 1914. In 1909, Chomón was among the first to use silhouettes in one of the first animated films, the surreal Une Excursion Incoherente/Traveler's Nightmare. Chomón returned to Barcelona in 1910 and worked closely with Juan Fuster to create a series of short fiction films. In 1911, he produced a series of travel documentaries for Pathé and later in the year founded Ibérico, his own production company (he released his films through Pathé). Chomón moved to Italy in 1912 and worked as a cinematographer and special effects technician with the Italia Film company, for whom Chomón also directed several animated shorts. Chomón co-invented a two-tone color process in the 1920s with Swiss engineer Ernest Zollinger. The pair later exhibited two color films at various science expos. Chomón died of illness in Paris in 1929 shortly after returning from Morocco where he was shooting color footage.

A former Russian mobster named Ruslan, who is now a crime novelist, returns home and discovers his daughter is marrying his arch nemesis. His past also comes back to haunt him when his family is threatened. Hungry for justice, Ruslan returns to the life he once knew…with a vengeance.

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