1962 en Californie. Les vacances se terminent. Belles américaines, musique à fond, drague à tout va… Curt, Steve, Lauri, Terry et tous les autres passent leurs nuits sur les routes et dans les drive-in, les selfs et les bals… Chaque minute qui passe est vécue intensément comme la dernière. L'essentiel, c'est de prendre le rythme et de le garder…

The team investigates the murder of Jason, a troubled computer geek working at a low-level casino support industry job who lures a colleague, Paulie, into a dangerous plan to make a working stiff's dream come true.

Andrew Davies isn't much of household name in the U.S., but he's the king of the BBC mini-series. His skillfully adapted scripts for Pride & Prejudice (the beloved Colin Firth version) and many, many more are peerless examples of classic novels done right–cunningly edited and shaped to let all the rich emotion and sharp intelligence spill over with zip and vigor. Bleak House is no exception; it's one of the best Dickens adaptations to date. The mini-series form allows Dickens' panoramic view, brimming with eccentric characters and complex turns of plot, to sprawl out without losing an iota of suspense or momentum. Two innocent young orphans (Patrick Kennedy and Carey Mulligan) are the potential heirs to a fortune, but their fates are snarled in a monumental legal battle known as Jarndyce and Jarndyce. But the heart of the story is another orphan, Esther Summerson (Anna Maxwell Martin), whose mysterious parentage proves to be intertwined with the fate of the Jarndyce wards and the aloof Lady Dedlock (Gillian Anderson, The X-Files). Dickens' story twines through an excoriating vision of the legal system to heartbreaking domestic drama to a murder investigation to near-Gothic horror, all broken into utterly delicious half-hour segments (after the hour-long opening episode). Martin is utterly beguiling, homely at one moment and luminous the next; Anderson's grippingly eerie and brittle performance will delight her fans. But to single out anyone seems absurd, because every character–from the vicious lawyer Tulkinghorn (Charles Dance, White Mischief) to the foppish parasite Skimpole (Nathaniel Parker, The Inspector Lynley Mysteries) to the simpering clerk Guppy (Burn Gorman)–is intricately drawn, all hitting a mesmerizing balance between caricature and stark emotional honesty. Bleak House demonstrates that humor, pathos, and social criticism can all be contained in one wonderfully entertaining package.

Two supreme court justices have been killed, and there seem to be no clues to unmask the murderer. Darby Shaw, a law student and an admirer of one of the murdered justices, decides to solve the case. She spends weeks doing research and comes up with a suspect and his possible motives. This brief stirs up a lot of concern in the upper echelons of the government, with waves of anxiety washing as high as the White House. Shaw soon realizes that everyone she shows the brief to seems to end up dead. When she finds herself being followed, she panics and runs. Not knowing whom to trust she turns to Gray Grantham, a reporter for The Washington Herald.

Dos jueces de la Corte Suprema estadounidense han sido asesinados y una solitaria estudiante de derecho formula sus sospechas sobre estas muertes en un informe especulativo que sacude a los más altos estamentos del gobierno. Ella y un decidido periodista de investigación quieren contarle al mundo lo que han destapado… si viven para contarlo. La carrera ha comenzado y ambos son un blanco en movimiento.

In this tutorial, Jeff Dykhouse a veteran recording engineer demonstrates the different types of equalizers and how to use them during recording, at mixdown and while mastering. Equalization, or EQ, is the process of changing the frequency envelope of a sound and by using a signal generator and spectrum analyzer, Jeff shows how EQs work on both generated sound and music. Jeff follows a recorded song through production to illustrate how and when to best use EQs to modify the sound of your music. By the end of this tutorial you will understand what an equalizer does, how to use them and most importantly when to equalization.

US drift stars, Ken Gushi and Rhys Millen challenge 2005 D1 Champion Yasuyuki Kazama for a drift battle. Ken even shows up with his 500hp Ford Mustang he competes in the Formula D, but hold on kid. To make all conditions equal, all three must drive the same car, a COMPLETELY stock Mazda MX-5 Roadster. Racing: BMW M5, Nismo R34 GT-R Z Tune, 911 Carrera S, Lambo Gallardo and M3 CSL.

From his musical debut at the age of four to his sudden, tragic death in 2009, Michael Jackson remained one of the world’s most successful, influential, and beloved pop stars. This unauthorized biography charts the singer’s eventful–and sometimes controversial–life and career through interviews with friends, family, and colleagues, delving into such topics as his charity work, his moving memorial service, and his permanent spot as a tabloid fixture.

Andrew Davies isn't much of household name in the U.S., but he's the king of the BBC mini-series. His skillfully adapted scripts for Pride & Prejudice (the beloved Colin Firth version) and many, many more are peerless examples of classic novels done right–cunningly edited and shaped to let all the rich emotion and sharp intelligence spill over with zip and vigor. Bleak House is no exception; it's one of the best Dickens adaptations to date. The mini-series form allows Dickens' panoramic view, brimming with eccentric characters and complex turns of plot, to sprawl out without losing an iota of suspense or momentum. Two innocent young orphans (Patrick Kennedy and Carey Mulligan) are the potential heirs to a fortune, but their fates are snarled in a monumental legal battle known as Jarndyce and Jarndyce. But the heart of the story is another orphan, Esther Summerson (Anna Maxwell Martin), whose mysterious parentage proves to be intertwined with the fate of the Jarndyce wards and the aloof Lady Dedlock (Gillian Anderson, The X-Files). Dickens' story twines through an excoriating vision of the legal system to heartbreaking domestic drama to a murder investigation to near-Gothic horror, all broken into utterly delicious half-hour segments (after the hour-long opening episode). Martin is utterly beguiling, homely at one moment and luminous the next; Anderson's grippingly eerie and brittle performance will delight her fans. But to single out anyone seems absurd, because every character–from the vicious lawyer Tulkinghorn (Charles Dance, White Mischief) to the foppish parasite Skimpole (Nathaniel Parker, The Inspector Lynley Mysteries) to the simpering clerk Guppy (Burn Gorman)–is intricately drawn, all hitting a mesmerizing balance between caricature and stark emotional honesty. Bleak House demonstrates that humor, pathos, and social criticism can all be contained in one wonderfully entertaining package.

Hitler promised his naval commanders that there would be no war in Europe before 1942. Accordingly, plans were laid for the best naval force in the world. So when Hitler precipitated the Second World War in 1939, only a fraction of the planned naval power was available and Germany did not even possess one aircraft carrier and despite having the battleships Bismarck and Tirpitz, the Kriegsmarine was always on the back foot, crippled by superior opponents and strangled by bureaucratic neglect at home.

The Adventures of Sherlock Holmes is the name given to the TV series of Sherlock Holmes adaptations produced by British television company Granada Television between 1984 and 1994, although only the first two series bore that title on screen. The series was broadcast on the ITV network in the UK, and starred Jeremy Brett as the famous detective.