Samucha lives in the mountains of Tusheti, a tiny region in Georgia on the border with Chechnya. He's a fabulous horse rider, a shepherd, a musician, singer and storyteller. Every springtime, Samucha migrates with his flock of 2,000 sheep to reach the high plains of the Caucasus, located at an altitude of 4000 metres. But he feels tired and old and after this season, will finally retire.

Documentary chronicling our ever-changing love affair with the British singles chart on the occasion of its 60th anniversary. From the first NME chart in 1952, via Pick and Top of the Pops to home-taping the Radio One chart show and beyond, we have measured out our lives to a wonderful churn of pop driven, unbeknownst to us, by a clandestine world of music biz hustle.

A colorful extreme display of the Israeli director. Matana MiShamayim (gift from heaven) is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women, for example, are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are kidnapped, threatened, locked in a closet and often molested in order to channel shame on their husbands (countless knickers are pulled down revealing genitalia in public). On the other hand, they are always the center of attention, encompassing every aspect of desire men have, thus they can control and manipulated men, but only to a certain extent - the head of the family (played by the amazing actor Mony Moshonov). Actors are doing a great job under Kosashvili's direction, and one can find similarities between him and Kusturica. The weakest part of the film is in the script, which fluctuates from brilliance to embarrassment. The bottom line, I warmly recommend.

Two wealthy and beautiful women, a mother and her daughter, try to outdo each other - sexually.