Tutorial: Merkava Mk II for 3d max | 45 Mb
• Real case: how to create a 3D model for a Merkava Mk II
• 20-25 training days (is really a fll 3D course!!)
• Great detail level and step by step explanation
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Tutorial: Merkava Mk II for 3d max
Date: 6 Jul 2009 09:07:00
Tutorial: Merkava Mk II for 3d max | 45 Mb
• Real case: how to create a 3D model for a Merkava Mk II
• 20-25 training days (is really a fll 3D course!!)
• Great detail level and step by step explanation
videotutorial Zbrush 3.1 zclassroom
Date: 17 Oct 2008 02:07:00
videotutorial Zbrush 3.1 zclassroom
English | 35 links | .mov | .rar | ~700 MB each
Descarga el pack de videos zclassrooms de zbrush 3.1, muy buena calidad y faciles de aprender.
Digital Tutors Introduction to Dynamics in Maya
Date: 10 Dec 2007 17:36:00
Digital Tutors Introduction to Dynamics in Maya | 1.5 GB
3DS MAX TUTORIAL FROM TENSUN3D
Date: 13 Nov 2007 13:25:00
12 Video Tutorial 3DSMAX, Fume FX, Vray, Modeling | 1.2 GB
Turbo Training: 3DS MAX Cloth Techniques by Beau Perschall
Date: 23 Jul 2007 21:40:00
Turbo Training: 3DS MAX Cloth Techniques by Beau Perschall
Full DVD | 2,47 Gb (50 archives; RS links)
Full DVD | 2,47 Gb (50 archives; RS links)
With the recent inclusion of the cloth tools (known as clothfx to many users) into the Autodesk Subscription Program for 3ds Max, more animators than ever have begun to look for training to help them get more out of the product than the basic tutorials provide.
This DVD training goes above and beyond normal flags and curtains cloth examples, and shows you how to create far more complex garments using the GarmentMaker modifier, as well as giving you an arsenal of information that will help you be more productive in less time.
Gnomon Workshop - Matchmoving Essential Production Techniques
Date: 13 Jul 2007 07:54:00
Gnomon Workshop - Matchmoving Essential Production Techniques
180 Minutes of Lecture | 1.21 GB
180 Minutes of Lecture | 1.21 GB
In this DVD, Tim Dobbert walks you through the steps involved in a typical production-level matchmove, also known as camera tracking. In order to integrate CG elements with live-action footage, the essential first step is to align the 3D camera with the real-world camera. Tim demonstrates how matchmoving software uses photogrammetry to reproduce the camera-move and how to get the best results possible.
Gnomon Workshop - Matchmoving Object Tracking in Production
Date: 11 Jul 2007 21:39:00
Gnomon Workshop - Matchmoving Object Tracking in Production
135 Minutes of Lecture | 1.12 GB (Highly Compressed Original ISO) (37x30 + 13 Mb)
135 Minutes of Lecture | 1.12 GB (Highly Compressed Original ISO) (37x30 + 13 Mb)
In visual effects work, it is common to have an element in the live-action footage that needs to be tracked. This is often the case when you need to add an effect to an actor's face, attach a CG object to a moving vehicle, or even add lip sync to an animal's performance. In this DVD, Tim Dobbert shows you how to track an object's motion using matchmoving software. You'll learn how to use the solution to drive an object's animation in Maya and how to properly evaluate your results.
Gnomology: ZBrush3 Topology Reconstruction with Meats Meier
Date: 11 Jul 2007 20:51:00
Gnomology: ZBrush3 Topology Reconstruction with Meats Meier | 386 Mb
Gnomon workshop - Matchmoving Advanced Production Techniques
Date: 6 Jul 2007 10:49:00
Gnomon workshop - Matchmoving Advanced Production Techniques
170 Minutes of Lecture | 1.17 GB (Highly Compressed Original ISO) (40x30 Mb)
170 Minutes of Lecture | 1.17 GB (Highly Compressed Original ISO) (40x30 Mb)
In this DVD, Tim Dobbert takes you through the more advanced aspects of matchmoving and camera tracking. He discusses how to use survey data to force a camera solution to fit a pre-built environment and how to use camera tracking for paint work. He also covers blending, enhancing and extending match- moved cameras. Tim shows you how to prepare for a live-action shoot and how to get the right information once you're on-set. There's also a section on advanced object tracking that shows how to use an object's motion to create a camera move.