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First Name: Carmen (1983) Prénom Carmen

Posted By: MirrorsMaker
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First Name: Carmen (1983) Prénom Carmen

First Name: Carmen (1983)
The protagonist is Carmen X, a female member of a terrorist gang. She asks her uncle Jean, a washed-up film director if she can borrow his beachside house to make a film with some friends, but they are in fact planning to rob a bank. During the robbery she falls in love with a security guard. The film intercuts between Carmen's escape with the guard, her uncle's attempt to make a comeback film, and a string quartet attempting to perform Beethoven.

Six in Paris (1965) Paris vu par...

Posted By: MirrorsMaker
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Six in Paris (1965) Paris vu par...

Six in Paris (1965)
Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

Pierrot le fou (1965) [Criterion Collection]

Posted By: RSU75
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Pierrot le fou (1965) [Criterion Collection]

Pierrot le Fou (1965)
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

Pierrot le fou (1965) [Criterion Collection]

Posted By: RSU75
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Pierrot le fou (1965) [Criterion Collection]

Pierrot le fou (1965) [Criterion Collection, Spine #421]
BDRip 1080p | MKV | AVC 1920x820, ~ 3.7 Mbps | 1hr 50mn | 3.19 GB | French (Français): AC3, 1 ch, 448 kbps
BDRip 720p | MKV | AVC 1280x548, ~ 2.6 Mbps | 1hr 50mn | 2.20 GB | French (Français): AC3, 1 ch, 256 kbps
Subtitles: English
Genre: Crime, Drama, Romance | Director: Jean-Luc Godard | Stars: Jean-Paul Belmondo, Anna Karina

Dissatisfied in marriage and life, Ferdinand (Jean-Paul Belmondo) takes to the road with the babysitter, his ex-lover Marianne Renoir (Anna Karina), and leaves the bourgeois world behind. Yet this is no normal road trip: the tenth feature in six years by genius auteur Jean-Luc Godard is a stylish mash-up of anticonsumerist satire, au courant politics, and comic-book aesthetics, as well as a violent, zigzag tale of, as Godard called them, “the last romantic couple.” With blissful color imagery by cinematographer Raoul Coutard and Belmondo and Karina at their most animated, Pierrot le fou is one of the high points of the French New Wave, and was Godard’s last frolic before he moved ever further into radical cinema.

Contempt (1963) Le mépris

Posted By: Helladot
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Contempt (1963) Le mépris

Contempt (1963)
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang (as himself) to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

La chinoise (1967)

Posted By: Helladot
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La chinoise (1967)

La Chinoise (1967)
A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

Histoire(s) du cinéma (1989–1999) + Bonus

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Histoire(s) du cinéma (1989–1999) + Bonus

Histoire(s) du cinéma (1988)
Daunting, provocative, and very beautiful, this meditative essay looks at the history of the 20th century through cinema and vice versa, mainly through a rich assortment of clips (sometimes superimposing more than one), sound tracks (sometimes paired with visuals from other films), poetic commentary (with plenty of metaphors), and captions.

Weekend (1967) Week End [The Criterion Collection]

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Weekend (1967) Week End [The Criterion Collection]

Weekend (1967)
A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.

Two or Three Things I Know About Her (1967) 2 ou 3 choses que je sais d'elle

Posted By: MirrorsMaker
Two or Three Things I Know About Her (1967) 2 ou 3 choses que je sais d'elle

2 or 3 Things I Know About Her (1967)
As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

Made in U.S.A (1966)

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Made in U.S.A (1966)

Made in U.S.A (1966)
Paula Nelson (Anna Karina), a female version of Humphrey Bogart's hard boiled detectives, goes to Atlantic City to meet her lover, Richard Politzer, at an unknown point in the future (maybe 1969). Once there, she learns that Richard is dead and decides to investigate his death. In her hotel room, she meets Typhus, whom she ends up knocking out. His corpse is later found in the apartment of David Goodis (Yves Afonso), a writer. Paula is arrested and interrogated. From then on, she encounters many gangsters.

Every Man For Himself (1980) [The Criterion Collection]

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Every Man For Himself (1980) [The Criterion Collection]

Every Man for Himself (1980)
A look at the sexual and professional lives of three people—a television director, his ex-girlfriend, and a sex worker.

Soft and Hard (1985)

Posted By: MirrorsMaker
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Soft and Hard (1985)

Soft and Hard (1985)
Jean-Luc Godard and Anne-Marie Mieville talk about their films, while doing everyday tasks around their house.

The Oldest Profession / Le plus vieux métier du monde (1967)

Posted By: RSU75
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The Oldest Profession / Le plus vieux métier du monde (1967)

The Oldest Profession (1967)
A collection of sketches on prostitution through the ages. 1) "The Prehistoric Era": A caveman discovers that a cavewoman is more attractive when cave paint is applied to her face. And she can earn more seashells that way. 2) "Roman Nights": The Emperor goes out seeking a little nocturnal amusement, only to find that the high-priced, Oriental courtesan he hires is his wife, the Empress. 3) "Mademoiselle Mimi": In revolutionary France, Mimi finds that her client, the nephew of a marquis, is more interested in watching the guillotinings out her window than he is in going to bed. 4) "The Gay Nineties": When Nini discovers by accident that her antiquated customer is a banker, she pretends to be an honest woman who has fallen in love with him. She even pays him, just like a gigolo! 5) "Paris Today": Two girls pick up clients by driving around in a car...

Jean Cocteau: Lies and Truths (1997) Jean Cocteau, mensonges et vérités

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Jean Cocteau: Lies and Truths (1997) Jean Cocteau, mensonges et vérités

Jean Cocteau: Lies and Truths (1997)
This documentary consists mainly of archive interviews of Jean Cocteau, and it features interesting contributions by Jean Marais and especially Jean-Luc Godard, who discusses Cocteau's foray into cinema. The film documents all the artistic media explored by a man who defined himself, first and foremost, as a poet.

Grandeur and Decadence of a Small-Time Filmmaker (1986)

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Grandeur and Decadence of a Small-Time Filmmaker (1986)

Rise and Fall of a Small Film Company (1986)
An absurdly brutal and minimalist examination of the desperate search for financial backing by two small-time filmmakers, 'Rise and Fall' is knowingly self-referential, sad, and appropriately enough, a film shot on a miniscule budget in 16mm. Based on a novel by James Hadley Chase, with script by Jean-Luc Godard.