| Su | Mo | Tu | We | Th | Fr | Sa |
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| 29 | 30 | 1 | 2 | 3 | 4 | 5 |
| 6 | 7 | 8 | 9 | 10 | 11 | 12 |
| 13 | 14 | 15 | 16 | 17 | 18 | 19 |
| 20 | 21 | 22 | 23 | 24 | 25 | 26 |
| 27 | 28 | 29 | 30 | 31 | 1 | 2 |
Have you ever wondered what your name says about you? At KoalaNames.com, we’ve decoded over 17,000 names to uncover the cosmic and numerical energies woven into every letter.
Our unique blend of astrology and numerology delivers:
At her best Nina Hagen was deliciously abrasive – an East German post-punk princess whose brash delivery was coupled with real musical talent and a wide vocal range. By the end of the '80s, however, she had descended into pop trash, rehashing the same kinds of synth-enforced songs again and again. Her self-titled album is no exception. Largely sung in English, it contains mostly questionable covers, including Janis Joplin's "Move Over," a version of the gospel classic "Hold Me," and a truly awful rendition of "Ave Maria." Two small bright spots on the album are a metal version of "Viva Las Vegas" and a odd rap song about Gorbachev called "Michail, Michail."
