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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Dead Can Dance - The Serpent's Egg (1988)

    Posted By: Designol
    Dead Can Dance - The Serpent's Egg (1988)

    Dead Can Dance - The Serpent's Egg (1988)
    EAC | FLAC | Image (Cue&Log) ~ 197 Mb | Mp3 (CBR320) ~ 83 Mb | Scans ~ 80 Mb
    Label: 4AD, Rough Trade | # RTD CD 92 | Time: 00:36:15
    Dark Wave, World Fusion, Ambient, Neo-Classical

    Perry and Gerrard continued to experiment and improve with The Serpent's Egg, as much a leap forward as Spleen and Ideal was some years previously. As with that album, The Serpent's Egg was heralded by an astounding first track, "The Host of Seraphim." Its use in films some years later was no surprise in the slightest – one can imagine the potential range of epic images the song could call up – but on its own it's so jaw-droppingly good that almost the only reaction is sheer awe. Beginning with a soft organ drone and buried, echoed percussion, Gerrard then takes flight with a seemingly wordless invocation of power and worship – her vocal control and multi-octave range, especially towards the end, has to be heard to be believed. Nothing else achieves such heights, but everything gets pretty darn close, a deserved testament to the band's conceptual reach and abilities.

    Dead Can Dance - Spleen and Ideal (1985)

    Posted By: Designol
    Dead Can Dance - Spleen and Ideal (1985)

    Dead Can Dance - Spleen and Ideal (1985)
    EAC | FLAC | Image (Cue&Log) ~ 206 Mb | Mp3 (CBR320) ~ 87 Mb | Scans ~ 97 Mb
    4AD, Rough Trade | # RTD 120.0032.2 | Time: 00:38:08
    Dark Wave, World Fusion, Ambient, Dream Pop

    With this amazing album, Dead Can Dance fully took the plunge into the heady mix of musical traditions that would come to define its sound and style for the remainder of its career. The straightforward goth affectations are exchanged for a sonic palette and range of imagination. Calling it "haunting" and "atmospheric" barely scratches even the initial surface of the album's power. The common identification of the duo with a consciously medieval European sound starts here – quite understandable, when one considers the mystic titles of songs, references to Latin, choirs, and other touches that make the album sound like it was recorded in an immense cathedral.

    Dead Can Dance - Aion (1990)

    Posted By: Designol
    Dead Can Dance - Aion (1990)

    Dead Can Dance - Aion (1990)
    EAC | FLAC | Image (Cue&Log) ~ 195 Mb | Mp3 (CBR320) ~ 83 Mb | Scans ~ 32 Mb
    4AD, Rough Trade | RTD CD 158 | Time: 00:36:11
    Neo-Classical, World Fusion, Ambient, Dark Wave

    Their reputation growing by leaps and bounds, including a huge underground following in the U.S. – they were able to tour there even without one domestic release available, while at one point Dead Can Dance was the biggest selling band in 4AD's history – Perry and Gerrard once again did the business with Aion. Its cover taken from Bosch, Aion's medievalism was worn more openly than ever before, with songs adapted from centuries-old material. The beautiful, entrancing "Saltarello," with lead performance by what sounds like an old wind instrument, comes from an Italian dance of the 14th century, while the mysterious moods of "The Song of the Sibyl" derive from 16th-century Catalonia. The group's command of not merely recording possibilities – witness the exquisite layering of vocals on the opening "The Arrival and the Reunion" – but of musical traditions, instruments, and more from around the world was arguably never stronger. Gerrard's vocals in particular have an even stronger, richer feeling than before, not merely able to command with its power but softly calm and seduce.

    Anne Clark - The Best Of Anne Clark (1992)

    Posted By: Designol
    Anne Clark - The Best Of Anne Clark (1992)

    Anne Clark - The Best Of Anne Clark (1992)
    EAC | FLAC | Tracks (Cue&Log) ~ 400 Mb | Mp3 (CBR320) ~ 186 Mb
    Label: Beehive | # beecd10 | Time: 01:15:37 | Scans included
    New Wave, Experimental Electronic, Synthpop, Alternative

    Songwriter and pianist Anne Clark has been a cult figure since the early '80s and has amassed a rather sizable catalog despite her small but rabid following. She writes nearly-Gothic love songs full of obsession and pathos, and pretty orchestral settings with clever instrumental figures and stinging piano runs and minor-key epiphanies. She's a consummate artist, playing to her strengths while trying to subtly, but surely, extend her reach, and always following her own muse, even when it takes her into dissonant territory. Most of her albums are out of print even on CD, and sell for collector's prices when they can be found. This is too bad, because Clark has assembled a solid, if quirky, and passionately honest body of work. This best-of issued by Beehive is truly that. It features 24 tracks and clocks in at over 75 minutes. Many of these are Clark's most lovely songs, such as "The Sitting Room," "All Night Party" (with Vini Reilly of Durutti Column), the "12" remix" of "Our Darkness," and "The Last Emotion," as well as instrumental themes such as "Swimming" and "An Ordinary Life".

    Enigma - Love Sensuality Devotion: Greatest Hits & Remixes (2016) 2CDs

    Posted By: Designol
    Enigma - Love Sensuality Devotion: Greatest Hits & Remixes (2016) 2CDs

    Enigma - Love Sensuality Devotion: Greatest Hits & Remixes (2016) 2CDs
    EAC | FLAC | Tracks (Cue&Log) ~ 944 Mb | Mp3 (CBR320) ~ 307 Mb | Scans ~ 57 Mb
    Label: Universal | # 06025 5711298 6 | Time: 02:14:24
    Electronic, Ambient, Ethnic Fusion, Downtempo

    LSD: Love, Sensuality and Devotion gathers over a decade's worth of Enigma's definitive tracks, including the song that started it all, "Sadeness, Pt. 1." "Return to Innocence," "Beyond the Invisible," and "Cross of Changes" are all featured as well, and though the collection ranges from the rock-tinged "I'll Love You…I'll Kill You" to atmospheric, electronic fare like "Shadows in Silence," since it's all essentially Michael Crétu's vision, it flows surprisingly well. Since Enigma's sound has varied fairly drastically over the years, LSD: Love, Sensuality and Devotion is the perfect starting point for anyone curious about Crétu's music, and the only Enigma album that casual fans might need.

    Howard Jones - The 12'' Album (1984)

    Posted By: Designol
    Howard Jones - The 12'' Album (1984)

    Howard Jones - The 12'' Album (1984)
    EAC | FLAC | Tracks (Cue&Log) ~ 250 Mb | Mp3 (CBR320) ~ 91 Mb | Scans included
    Synthpop, New Wave, Dance-Rock | Label: WEA | # 240 543-2 | Time: 00:37:42

    British singer/songwriter Howard Jones was a glinting jewel caught in the avalanche of synthesized music that overwhelmed the pop scene in the '80s. Jones had a true gift for crafting gleaming melodic hooks that make his hits some of the most memorable of the era. He used synthesizers not because they were "in," but because he could use them to create a delicious soundscape that couldn't be created without them. (Later in his career, he proved that he didn't need the electronics to write compelling pop music.) This 12" Album was released in support of his 1984 effort Humans Lib. It includes remixes of four of the hits from that record, including a previously unreleased extended mix of "Pearl in the Shell" and a "new version" of the now-classic "New Song," which features a reworked bass run and a new piano solo.

    Yellow Magic Orchestra (YMO) - Albums Collection 1978-2011 (20CD)

    Posted By: Designol
    Yellow Magic Orchestra (YMO) - Albums Collection 1978-2011 (20CD)

    Yellow Magic Orchestra (YMO) - Albums Collection 1978-2011 (20CD)
    EAC | FLAC | Tracks (Cue&Log) ~ 6.59 Gb | Mp3 (CBR320) ~ 2.53 Gb | Scans included
    Experimental Electronic, Synthpop, New Wave, Art Rock, Avant-Garde, J-Pop | Time: 16:30:46

    Pioneering Japanese synth-pop group second only to Kraftwerk in influence. Yellow Magic Orchestra (YMO) is a Japanese electronic music band consisting of principal members Haruomi Hosono (bass and keyboards and vocals), Yukihiro Takahashi (drums and lead vocals) and Ryuichi Sakamoto (keyboards and vocals). The band's former "fourth member" was music programmer Hideki Matsutake. Collection includes all studio albums, three live albums and three compilations.

    The Art Of Noise - Albums Collection 1984-1999 (9CD)

    Posted By: Designol
    The Art Of Noise - Albums Collection 1984-1999 (9CD)

    The Art Of Noise - Albums Collection 1984-1999 (9CD)
    EAC | FLAC | Image (Cue&Log) ~ 2.58 Gb | Mp3 (CBR320) ~ 1.21 Gb | Scans included
    Experimental Electronic, Experimental Rock, Synthpop, Art Pop, Dance-Rock, New Wave

    Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with "Kiss" and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators. Collection includes: (Who's Afraid Of?) The Art Of Noise! (1984); In Visible Silence (1986); In No Sense? Nonsense! (1987); Below The Waste (1989); The Ambient Collection (1990); The FON Mixes (1991); The Seduction Of Claude Debussy (1999).

    Pet Shop Boys - Albums Collection 1986-2013 (19CD) Japanese Releases

    Posted By: Designol
    Pet Shop Boys - Albums Collection 1986-2013 (19CD) Japanese Releases

    Pet Shop Boys - Albums Collection 1986-2013 (19CD) Japanese Releases
    EAC | FLAC | Image (Cue&Log) ~ 6.96 Gb | Mp3 (CBR320) ~ 2.36 Gb | Scans ~ 1.37 Gb
    Electronic, Synthpop, House, Dance Pop, Dance Rock | Time: 17:33:49

    Collection includes twelve studio albums, one EP, and also tree compilations: "Please" (1986); "Actually" (1987); "Introspective" (1988); "In Depth" EP (1988); "Behaviour" (1990); "Discography" (1991); "Very" (1993); "Bilingual" (1997); "Essential" (1998); "Nightlife" (1999); "Release" (2002); "PopArt" (2003); "Fundamental" (2006); "Yes" (2009); "Elysium" (2012); and "Electric" (2013).

    Talk Talk - Albums Collection 1982-1998 (16CD+DVD)

    Posted By: Designol
    Talk Talk - Albums Collection 1982-1998 (16CD+DVD)

    Talk Talk - Albums Collection 1982-1998 (16CD+DVD)
    EAC | FLAC | Image (Cue&Log) ~ 4.5 Gb | Mp3 (CBR320) ~ 1.76 Gb | Scans ~ 2.3 Gb | Time: 13:03:08
    DVD5 | PAL | 720x576 (4:3) VBR | LPCM 2ch 1536 kbit/s | 49 min | ~ 3.3 Gb
    Early Years: New Wave, Synth Pop / Later Years: Post Rock, Art Rock, Experimental

    Collection includes all studio albums and two compilations by English musical group Talk Talk. The group had a string of international hit singles including "Today", "Talk Talk", "It's My Life", "Such a Shame", "Dum Dum Girl", "Life's What You Make It" and "Living in Another World". In their later years the band's commercial appeal receded, but their critical reputation increased as they moved from synthpop to a more experimental form. Their final two albums, Spirit of Eden and Laughing Stock, were highly acclaimed and remain influential to experimental alternative rock genres, especially post-rock.

    Radiohead - Amnesiac (2001) [Japanese Reissue, 2006]

    Posted By: Designol
    Radiohead - Amnesiac (2001) [Japanese Reissue, 2006]

    Radiohead - Amnesiac (2001) [Japanese Reissue, 2006]
    EAC | FLAC | Image (Cue&Log) ~ 280 Mb | Mp3 (CBR320) ~ 101 Mb | Scans ~ 285 Mb
    Label: EMI, Parlophone | # TOCP-53858 (7243 5 32764 2 3) | Time: 00:43:56
    Experimental Rock, Electronic, Art Rock, Alternative Rock

    Amnesiac is the fifth studio album by the English rock band Radiohead, released in June 2001 by Parlophone. Recorded during the same sessions as Radiohead's previous album Kid A (2000) with producer Nigel Godrich, the album incorporates similar influences of electronic music, 20th-century classical music, jazz and krautrock. Its lyrics and artwork explore themes influenced by memory and reincarnation, with influences from ancient Greek and Egyptian mythology. Singer Thom Yorke described it as "another take on Kid A, a form of explanation." Though many critics considered it inferior to Kid A, Amnesiac received positive reviews and in 2012 Rolling Stone ranked it number 320 in their updated version of The 500 Greatest Albums of All Time. In 2009, Pitchfork ranked Amnesiac the 34th best album of the 2000s. The album was also included in the book 1001 Albums You Must Hear Before You Die.

    Radiohead - Kid A (2000) Japanese Reissue, 2006

    Posted By: Designol
    Radiohead - Kid A (2000) Japanese Reissue, 2006

    Radiohead - Kid A (2000) [Japanese Reissue, 2006]
    EAC | FLAC | Image (Cue&Log) ~ 292 Mb | Mp3 (CBR320) ~ 115 Mb | Scans ~ 197 Mb
    Label: EMI, Parlophone | # TOCP-53835 (7243 5277532 3) | Time: 00:49:58
    Experimental Rock, Art Rock, Electronic, Alternative Rock

    Kid A is the fourth studio album by the English rock band Radiohead, released on 2 October 2000 by Parlophone. After having suffered a mental breakdown promoting Radiohead's acclaimed 1997 album OK Computer, songwriter Thom Yorke envisioned a radical change in direction. The band replaced their rock sound with synthesisers, drum machines, the ondes Martenot, string orchestras and brass instruments, and incorporated influences from electronic music, krautrock, jazz, and 20th-century classical music. They recorded Kid A with OK Computer producer Nigel Godrich in Paris, Copenhagen, Gloucestershire and their hometown Oxford, England. The sessions produced over 20 tracks, and Radiohead split the work into two albums: Kid A, and Amnesiac, released the following year. In 2001, Kid A received a Grammy Award nomination for Album of the Year and won the award for Best Alternative Album.

    Goddess - Goddess (2025)

    Posted By: Fizzpop
    Goddess - Goddess (2025)

    Goddess - Goddess (2025)
    WEB FLAC (Tracks) 250 MB | Cover | 40:01 | MP3 CBR 320 kbps | 92 MB
    Post-Punk, Electronica, Dream-Pop, Indie-Rock | Label: Bella Union

    Goddess is the bold new musical project from Fay Milton, best known as the drummer of the acclaimed post-punk band Savages. Conceived during Savages' hiatus, Goddess emerged from Fay’s desire to step into a larger creative role—celebrating sisterhood, feminine energy, and the collaborative spirit of the London independent music scene.

    Lisa Gerrard - The Silver Tree (2006) [14 Tracks Edition, 2007]

    Posted By: Designol
    Lisa Gerrard - The Silver Tree (2006) [14 Tracks Edition, 2007]

    Lisa Gerrard - The Silver Tree (2006) [14 Tracks Edition, 2007]
    EAC | FLAC | Image (Cue&Log) ~ 304 Mb | Mp3 (CBR320) ~ 148 Mb | Scans ~ 58 Mb
    Label: Rubber Records | # RUB224 | Time: 01:04:38
    Experimental Ambient, Modern Classical, Mystical Minimalism

    One listen to Lisa Gerrard's The Silver Tree (originally available only digitally, then as an Australia-only import, and finally, as a U.S. release) is enough to convince anybody – who isn't already convinced – that there's a very specific reason she has been courted by directors to compose soundtracks. There are 13 tracks here full of wispy ambient soundscapes, on top of which the former Dead Can Dance vocalist places her almost otherworldly gift of a voice. Sung nearly as prayers or meditative mantras, Gerrard employs monosyllabic glimpses of other languages – and occasionally English – to create her own tapestry of dreams. Some may be tempted to call this "new age" music, but it's so much more melancholy than much of what passes for that trash, and it's nearly sacred in its approach to articulation, creating the feeling in places ("Come Tenderness," "The Sea Whisperer," and "Abwoon," to name a few) that she is actually singing inside a cathedral. In other places, such as "Wandering Star" and "Serenity," her voice offers a drone approach that is as subtle – yet powerful – as her instrumentation.

    Lisa Gerrard & Patrick Cassidy - Immortal Memory (2004)

    Posted By: Designol
    Lisa Gerrard & Patrick Cassidy - Immortal Memory (2004)

    Lisa Gerrard & Patrick Cassidy - Immortal Memory (2004)
    EAC | FLAC | Tracks (Cue&Log) ~ 281 Mb | Mp3 (CBR320) ~ 132 Mb | Scans included | 00:57:07
    Modern Classical, Vocal Music, World Fusion, Ambient | Label: 4AD | # CAD 2403 CD

    Immortal Memory is a collaboration between vocalist Lisa Gerrard and Irish composer Patrick Cassidy. Billed as a cycle of life and death and rebirth, Immortal Memory is better described as an orphaned film score. Cassidy's warm arrangements allow the former Dead Can Dance singer to step out of the dark medieval world that she's called home for nearly 20 years – though there is much of that world within these castle walls – and focus on the simplicity of love, faith, and loss with a grace that's bereft of the icy perfection of her previous work. Gerrard, whose voice has aged like the finest oak, displays an almost supernatural mastery of the material. Her effortless contralto wraps itself around the ten Gaelic, Latin, and Aramaic spirituals like an evening prayer, making each stunning entrance the equivalent of audio comfort food.