Ever the iconoclast, if there is one thing that Brian Eno has done with any degree of consistency throughout his varied career, it is presenting his art in an array of perpetually "out of the box" forums. All that changed – in a manner of speaking – with the release of two companion multi-disc compilations. Eno Box I: Instrumentals (1994) condenses his wordless creations, while Eno Box II: Vocals (1993) does the same for the rest of his major works on a similarly sized volume. Interestingly – and in his typically contrary fashion – this initial installment was actually issued last. Each of Eno Box I: Instrumentals' three CDs respectively concentrates on a specific facet of the artist's copious back catalog.

There’s also a CD of Frippertronics, Collaborations and Rarities, compiled by Robert Fripp, including Brian Eno, David Sylvian, Andy Summers, The League of Gentlemen and more.

The sophomore leader date from Norwegian trumpeter, composer, and sonic architect Nils Petter Molvaer marks a definitive and historically crucial turning point in the late-twentieth-century evolution of electro-acoustic fusion. Released via the esteemed ECM Records imprint, this landmark conceptual production expands brilliantly upon the pioneering structures of his debut, seamlessly dissolving the lines that traditionally separate live contemporary jazz improvisation from hyper-modern underground electronic rhythms. Molvaer surrounds his fragile, heavily mutated trumpet phrasing—frequently filtered through an array of digital delays, harmonizers, and vocoders—with an imposing, industrialized rhythmic framework built out of dark ambient synthesizers, precise turntablism, aggressive loops, and deep drum-and-bass grooves. The resulting soundscapes alternate effortlessly between moments of stark, meditative vulnerability and heavy sonic tension, delivering a deeply influential masterwork that redefines the parameters of modern Scandinavian future-jazz design.

Pioneering electronic artist Roach's LA ROSA is a zenith in the fourth decade of his legendary live career. Blending new pieces born from the performance experience with essential classics, the 2-hour set captures a riveting soundcurrent of styles and moods. From electronic space music to deep reflective multi-dimensional sequencers to dreamtime material, LA ROSA is heard as it was performed, created and mixed from the stage with no later overdubs or edits.

This CD is interesting on several levels. It is refreshing to hear EC branch out and try new and different things. Great driving music. Some really pretty things too. My Eric Clapton tribute band, Slowhand, uses Retail Therapy as warm up music and between the opener and main show. We usually get at least a few comments on the choice, nearly always favourable. This CD is a must for any serious Clapton collector.

Balance is a spectacularly serene, deeply therapeutic, and masterfully textured ambient studio masterpiece by the acclaimed electronic composer and sound designer Chuck Wild, recording under his prominent musical moniker Liquid Mind, released in 1999 by the premier New Age archival label Real Music. Spanning over 56 minutes across 5 long-form, highly cohesive instrumental tracks, this high-fidelity studio document stands as a defining monument in the evolution of functional therapeutic music. Created deliberately to reduce anxiety and assist with sleep, meditation, and stress management, Chuck Wild completely bypasses predictable melodic resolution and sudden percussive rhythmic shifts, opting instead to build a luxurious, continuous flow of zero-beat sonic environments.

Soundscape Gallery 2 is a spectacularly atmospheric, deeply immersive, and masterfully curated compilation album, issued in 1998 by the highly respected American experimental electronic imprint Lektronic Soundscapes. Spanning nearly 69 minutes across 9 sprawling, long-form instrumental tracks, this high-fidelity studio document stands as a defining peak monument to late-1990s dark ambient, space music, and drone-based soundscape evolution. The anthology gathers a world-class tier of visionary underground synthesists and traditional acoustic innovators, employing an exceptionally rich sonic strategy: weaving lush analog padding, sweeping cosmic frequencies, and evolving deep-listening sub-bass arrays with field recordings, ethereal vocals, and meditative multi-instrumental texturing.

Enamoured is a spectacularly atmospheric, deeply cinematic, and masterfully textured electronic-acoustic studio masterpiece by the acclaimed ambient-world project Bella Sonus, released in 2004 and issued regionally by the prominent Russian licensing label Pravitelstvo Zvuka (Правительство Звука). Spanning over 71 minutes across 17 beautifully cohesive tracks, this high-fidelity studio document stands as a vital statement in the golden era of enigmatic pop and ethnic chillout crossover design. Spearheaded by producer and multi-instrumentalist Robert Smith, Bella Sonus crafts an incredibly lush sonic blueprint that seamlessly weaves sharp modern electronic textures with traditional acoustic instrumentation, creating an evocative landscape that captures the passionate spirit of Mediterranean romance and ethereal soundscape design.

Spiritual Chillout is a spectacularly immersive, deeply meditative, and masterfully paced electronic compilation album, curated and issued in 2004 by the independent new age and world fusion imprint Intentcity Records. Spanning nearly 58 minutes across 12 beautifully integrated tracks, this high-fidelity studio document stands as a shining example of the turn-of-the-millennium ambient pop and ethnic chillout phenomenon. The overarching production strategy features a luxurious, highly cinematic sonic matrix: blending rolling downtempo breakbeats, hypnotic sub-bass grooves, and warm analog synthesizers with traditional acoustic instruments from around the globe, sacred choral chants, and ethereal vocal textures designed to evoke a deeply relaxed state of consciousness.

Like all Studio Kosmische records, Electronic Meditation for Inner Space Travel is less a collection of tracks than a single, unbroken experience. It flows with purpose, every note a step in a silent procession toward understanding.

Morgenstund is the tenth studio album of the music project Schiller created by the German electronic musician Christopher von Deylen. The album was released on 22 March 2019. On this album, Schiller has collaborated with the singers Nena, Tricia McTeague, Yalda Abbasi, Schwarz, Jhyve and Rebecca Ferguson, the musicians Giorgio Moroder and Jan Blomqvist and the music group Tangerine Dream. It was released in different editions, including the limited "Ultra Deluxe Edition".

Aes Dana is the main moniker for Vincent Villuis, a French composer, sound designer, Dj and co-owner of Ultimae records as well as one of the founding members of Asura. Bass player and singer in several coldwave and industrial bands as a teenager, Vincent then moved on to composing with machines and specialised in sampling and layering of acoustic sounds digitally transmuted. His music is a fusion of Deep Ambient, Downtempo, IDM, infused with hints of Neo-Classsical Electronica, Industrial and Liquid Drum 'n' Bass.
As Aes Dana, he produced solo albums, an audio samples library, participated to about 3 dozen compilations while collaborating on three albums with Swedish artist Magnus Birgersson under moniker H.U.V.A. Network and with Greek artist Miktek on the release of EPs and the Fragments Libraries…

Created on the Leviasynth by ASM and Oberheim Xpander.

Hotel rarely shows, in any shape or form, traceable inspiration from the new wave and post-punk era Moby advertised as being in full effect. More surprising is that apart from the lovely ambient instrumentals that open and close it, the album is all valley and no peaks, suggesting that the shelving of his sampling device was the worst creative move he could've made. The first half contains simple - as in basic and/or emaciated, so we're talking poor - modern rock songs that tend to be anthemic and soul-searching in nature. Lead single "Beautiful" is one exception, a tongue-in-cheek thing Moby has imagined being sung by vacant celebrity couples. No matter how affable, vegan, liberal, bespectacled, or vertically challenged he is, the real irony is that a millionaire and former love interest of Natalie Portman has made a song of this kind (see also: Aerosmith's "Eat the Rich")…