The Unnatural History series puts obscure, collectable, and out of print singles, compilation tracks, and soundtracks on CD, making those ultra-limited works available all in one place.
Unnatural History (1990). The tracks were recorded during the 1983-86 timeline and include not only the classic Balance / Christopherson mind bending electronic surreality as Coil but also include three tracks with Boyd Rice when they were known as Sickness of Snakes which released one EP titled "Nightmare Culture"…

There was a time when you could walk into your average record store and find the singles section by spotting the big block of black rows. These rows signaled the whereabouts of the Ds and tended to eat up a disproportionate space of the singles section. In 2004, the Mute label condensed all of these releases into Remixes 81-04, which itself was ironically (or fittingly) presented in multiple versions. This particular version is a triple-disc set that attempts to function as a representative sampling of Depeche Mode's innumerable remixes. It does an admirable job, making a point to highlight glorified extended versions and radical reworkings alike.

If you have an idea of Northern regions of the world or if you have travelled around Scandinavia then you already know something about Joel Tammik’s works. There’s a lot of space, small fragments and crispness, easily found in first chilly winter days or warm summer nights.
Joel Tammik began his musical journey at the beginning of the 90s playing bass guitar in different school bands. After Estonia’s emancipation and the collision of the iron curtain several cultures of western electronic music appeared on the local world of music and different raves took place in abandoned factory buildings. Around 1996 Joel met with the members of local jungle duo LU:K where he at first played the bass but some years later began also to compose tracks…

Written and recorded during 2020, a year marked by forced quarantine with in turn proved to be a prolific time for musical composition. It is an album about change, aging and the fading memories one has, often more of a product of the current state of a person than an accurate description of those remembered moments. With age we tend to forget or lose contact with particular moments and parts of our own story and context become erased forever, as though they never happened. With this album, Peter Bjärgö takes the first steps into something new, bringing along his signature sound from past projects into a slowly evolving transition to a sonic world beyond his previous achievements. Leaning towards a more ethnic, rhythmic sound, integrated with his now trademark melancholic guitar work and deep solemn vocals, these are the first steps to a new horizon he’s ceaselessly crafting for our listening pleasure. CD Edition of 500 copies in 6 panels Digipak.

Italian pianist turned DJ Robert Miles scored a massive international hit with his wonderful, dreamy dance cut "Children" (one of the 1990s biggest and best dance hits) from his debut album Dreamland. The album at times sounds as if it were one continuous song (or set of beats with similar chord progressions) stretched over an hour, which may detract some, but, in essence, is what makes his sonic dreamscape so engaging. It's at once both dancefloor and chill out material; one of those discs where one can hit the play button, drift into a different dimension, and forget about worldly worries. Dreamland, which is both melancholy and blissful, succeeds in its simplicity. Highlights include the second single, "Fable," which continues with the same formula he utilized in "Children," this time using ethereal female chant-like vocals (also included is an instrumental version of "Fable").

The late Oscar Menzel, who recorded as Airwaves, left a significant legacy that the electronic music community has routinely failed to acknowledge or come to grips with. An admirer and obvious colleague-in-spirit to pioneers Tangerine Dream, Klaus Schulze, Robert Schroeder, Pete Namlook, and so many other recognized synthi boffins, Menzel’s small but important catalog bristles with enough ideas to fill dozens of albums, accomplishing within a mere handful of recordings what lesser artists spend a lifetime attempting.

How one goes about surfing in the Arctic remains to be seen; perhaps our changing climate will make such a thing soon possible. Until then, we have to perform such a feat metaphorically, or at least do so vicariously, through the windswept beatscapes provided by the duo of Jarkko Turkulainen and Petter Friberg. The two Surfers manage to do a helluva job navigating their way across an icy tundra of expertly designed rhythm programming, over which skirt jittery synths making the most of sharp angles, steep inclines, and immaculately poised atmospheric tribbles that reflect a multitude of sun-dappled colors.

The initial 1999 version of Astral Disaster on Prescription was an ultra-limited release in a symbolic edition of 99 copies on vinyl only. The CD reissue of what must be one of Coil's more collectable cult items has been slightly remixed, and includes an extra track not on the original as a consolation to the fanatics who missed out on the Holy Grail LP version. Not comparable to the sublime brilliance the group achieved on Musick to Play in the Dark, Astral Disaster mines different territory altogether, and is a strong album that features a notable folk influence. With this approach transfigured through industrial and electronic means, the album bears striking similarities to Current 93 in its exploration of esoteric and mystical themes.

Released in 2002 after a series of high-toned concept recordings, Tres Lunas is a bit of a return to straight-up, new age mood music for Mike Oldfield. The musician/composer once again spins carefully layered guitar and keyboard performances into a seemingly endless stream of space-age lullabies supported by the faintest of beats – most of which rarely exceed the intensity of a weak pulse…

This is one of the first albums written by Ron Boots, the famous electronic composer from the Netherlands. It was first released in cassette format (in 1987) and in 2000 it was re-issued in CD format by Ron's Groove Unlimited record company. This is a set of ominous sci-fi space music. The music has a experimental feel with sinister synth washes and drones.

The '90s version of prog-rock meets the real thing on 1995's Deseo Remixes. Global Communication, Trans-Global Underground, Future Sound of London, and Deep Forest each contribute remixes of the world music project by Yes' Jon Anderson. The Deep Forest and Global Communication tracks are the highlights.