Known for his mariachi-inspired easy listening sound, trumpeter Herb Alpert is one of the most successful instrumental performers in pop history. He is also one of the entertainment industry's canniest businessmen, having co-founded A&M Records – a label that ranks among the most prosperous artist-owned companies ever established – with partner Jerry Moss. Collection includes: The Lonely Bull (1962); South Of The Border (1964); Whipped Cream & Other Delights (1965); !!Going Places!! (1965); What Now My Love (1966); S.R.O (1966); The Beat Of The Brass (1968); Rise (1979); Fandango (1982); Bullish (1984); Keep Your Eye On Me (1987); Classics, Volume 1 (1987); Steppin' Out (Featuring Lani Hall) (2013); In The Mood (2014); Come Fly With Me (2015).

A much-needed look at an overlooked side of the genius of Quincy Jones – not his jazz work, not his productions for famous soul artists, but instead his huge legacy of soundtrack material – a part of Q's career that really took off in the 60s! By the time he started working in films, Jones had already had a decade under his belt as one of the hippest arrangers, leaders, and composers in jazz – and the film business really respected those talents, and allowed Quincy to bring some really fresh styles into play – modes that really opened up the vibe of American cinema, and also paved the way for the funky styles of the 70s! As that decade approached, Jones left behind the cinema to take on some more higher-profile records of his own – but all the charms of those great albums can be found here at their roots – in this stunning collection of soundtrack material, some of which has never been on CD. The package is way more than just a sampler – and includes an album's worth of material from the films The Pawnbroker, Slender Thread, Mirage, The Deadly Affair, In The Heat Of The Night, In Cold Blood, Walk Don't Run, The Italian Job, Lost Man, and John & Mary – plus two versions of the love theme from The Getaway, and a bonus CD with 18 tracks – titled Q's highlights, and featuring tracks from his Mercury records – plus more by Billy Preston, Arthur Prysock, Bill Cosby, Shirley Horn, Letta Mbulu, Toots Thielemans, and others. Even features the "Sanford & Son" and "Ironside" themes!

Touch of Evil is one of Henry Mancini’s most celebrated film scores, originally composed for Orson Welles’ 1958 noir classic. The soundtrack stands out for its innovative fusion of cool jazz, Latin rhythms, blues, and early rock & roll influences, creating a vivid musical atmosphere that reflects the tension, corruption, and moral ambiguity of the film’s border-town setting. Mancini uses Afro-Cuban percussion, smoky jazz arrangements, and moody instrumental themes to evoke both danger and seduction, balancing dramatic suspense with an energetic nightlife feel. The score moves fluidly between ominous orchestral passages and lively club-inspired pieces, demonstrating Mancini’s versatility and cinematic instinct. Tracks such as “Main Title,” “Borderline Montuna,” and “Background To Murder” showcase his ability to build mood through rhythm and texture rather than traditional orchestral grandeur. Widely regarded as a landmark in film music history, the soundtrack remains an influential example of jazz-infused noir scoring and atmospheric cinematic composition.

Pornojazz is the debut album by Nuclear Losь, released in 2001, delivering a stylish fusion of acid jazz, downtempo grooves, and easy listening atmospheres. The album builds a relaxed yet sophisticated sonic environment, combining smooth jazz instrumentation with modern electronic production and subtle funk influences. Each track contributes to a cohesive mood that shifts between chilled lounge textures and rhythm-driven sections, making it suitable both for background listening and focused appreciation. Songs like “Cosmo Picnic,” “Smokey Dollar,” and “Grand Relaxed” highlight the group’s ability to merge organic jazz elements with electronic sound design. The production emphasizes warm basslines, crisp percussion, and melodic improvisation, creating a laid-back but polished listening experience. Pornojazz stands out as a creative and slightly experimental entry in the early 2000s downtempo scene, appealing to fans of jazz-infused electronic music and atmospheric lounge compositions.

Poker Lounge is an elegant four-disc compilation designed to capture the stylish and sophisticated atmosphere of casinos, cocktail bars, and upscale lounges. Released by Wagram in 2008, the collection blends smooth lounge grooves, timeless jazz standards, crooner classics, and chilled electronic textures into an immersive listening experience perfect for relaxed evenings and social gatherings. The first and fourth discs focus on modern lounge and downtempo productions filled with jazzy rhythms, sensual melodies, and laid-back beats, while the second disc celebrates legendary vocalists such as Frank Sinatra, Ella Fitzgerald, Dean Martin, Billie Holiday, and Ray Charles. The third disc dives deeper into classic jazz territory with iconic performances by Miles Davis, Charlie Parker, Count Basie, Dizzy Gillespie, and Django Reinhardt. The compilation balances vintage sophistication with contemporary lounge aesthetics, creating a refined soundtrack ideal for poker nights, late-night relaxation, and lovers of smooth jazz-infused ambiance.

Japanese original release. First box set of Andy Williams includes seven original albums "Canadian Sunset," "To You Sweetheart, Aloha," "Moon River and Other Great Movie Themes," "Days of Wine and Roses and Other TV Requests," "The Wonderful World of Andy Williams," "The Academy Award-Winning Call Me Irresponsible and Other Hit Songs from the Movies," and "The Great Songs from "My Fair Lady" and Other Broadway Hits" plus a bonus disc with Japanese version(s) of songs, rare tracks, and more. Features remastering and cardboard sleeve faithfully replicating its US LP jacket design. Comes with lyrics and a description. Second box set includes seven original albums "Andy Williams' Dear Heart," "The Shadow of Your Smile," "Born Free," "Love, Andy," "Honey," "Happy Heart," and "Love Theme from The Godfather" plus a bonus disc "Andy Williams Live In Japan," featuring live recordings from the concerts held at Osaka Festival Hall on May 15 & 16, 1973. This bonus CD becomes available as CD for the first time in the world. Features remastering and cardboard sleeve faithfully replicating its US LP jacket design. Comes with lyrics and a description.

Susan Wong was born in Hong Kong and immigrated to Sydney, Australia with her family at the age of seven. Musically inclined from a young age, she learned to play the piano at age five and later she also learned the violin. At Kambala in Sydney, she sang alto in the choir and appeared in the school dramas (Gilbert & Sullivan & the like) and entered a number of piano competitions. She received an associate diploma (ATCL) in piano from Trinity College London.

Susan Wong's album "A Night at the Movies" is a collection of classic film soundtracks and cinematic tunes, featuring her signature warm, sentimental vocal style suited for audiophiles. The album features cover versions of beloved songs, including "As Time Goes By" and "Smile," offering a relaxing, romantic listening experience focused on nostalgic cinematic classics.

“Close To You,” originally released in 2002, is Susan Wong’s groundbreaking debut album. The Chinese-Australian singer quickly established herself as one of the most beloved voices on the audiophile music scene: each of her performances is delivered with a natural, captivating presence that showcases her flawless phrasing and emotional depth. Thanks to its intimate atmosphere, tasteful and unpretentious arrangements, and Susan Wong’s distinctive and soulful vocals, “Close To You” remains an absolute fan favorite. The tracklist is a masterclass in light jazz and soft pop, featuring fantastic cover versions of classics like “Close To You,” “Stay Awhile,” “Killing Me Softly With His Song,” and “Love Will Keep Us Alive.”

Sentimental Fools is a 2007 album by Bluelagoon that blends Euro house production with reggae-pop influences and light pop melodies, creating a relaxed yet rhythm-driven listening experience. The album is built around catchy hooks, warm tropical instrumentation, and a soft dancefloor sensibility typical of mid-2000s European pop-dance releases. Covering both original material and reinterpretations of well-known songs, the record maintains a consistent breezy atmosphere, combining sentimental lyrical themes with upbeat rhythmic foundations. Tracks such as “Isle Of Paradise,” “Beautiful Day,” and “Call From Babylon” highlight the fusion of island-inspired grooves and polished electronic production. The inclusion of “Break My Stride” as a bonus track adds a nostalgic pop reference that fits naturally within the album’s smooth and accessible style. Overall, Sentimental Fools delivers a laid-back blend of eurodance and reggae-pop designed for easy listening, summer playlists, and melodic dance environments.

Amadeus by Rondo Classico is an elegant instrumental release that blends timeless classical themes with modern pop sensibilities and accessible crossover arrangements. Centered around the music of Wolfgang Amadeus Mozart, the album reinterprets famous melodies with polished production, contemporary rhythm sections, and melodic instrumental textures that make the compositions approachable for a wide audience. Familiar works such as Alla Turca, selections from Symphony No. 40, and overtures from The Magic Flute and The Abduction from the Seraglio are presented alongside original compositions inspired by the same spirit. The performances are refined, melodic, and cinematic, creating a relaxing yet sophisticated listening experience. Ideal for fans of easy listening classical fusion, the album balances tradition and innovation with charm. Amadeus remains an enjoyable collection that celebrates Mozart’s enduring genius through tasteful modern interpretation and graceful musicianship.

KnuffelRock is a classic early 90s double-disc compilation designed around timeless ballads, heartfelt pop songs, and soft rock favorites. Released in 1992, this collection brings together internationally recognized artists whose emotional performances and memorable melodies made them radio staples across decades. The track selection balances romantic slow songs, reflective anthems, and polished adult contemporary classics, creating an ideal listening experience for relaxed evenings and nostalgic moments. Featuring artists such as George Michael, Elton John, Rod Stewart, Phil Collins, Toto, Scorpions, Eagles, and many more, the compilation showcases the enduring appeal of strong songwriting and expressive vocals. KnuffelRock became well known for presenting accessible, emotionally resonant hits in one package, making it popular with listeners who appreciate melodic songwriting and warm production. It remains a rewarding retrospective of pop and soft rock’s most cherished era-spanning recordings.

For this orchestra date, Phil Woods is backed by strings, brass, woodwinds and a rhythm section arranged and conducted by Michel Legrand (who also contributed three pieces). Altoist Woods is showcased throughout on some then-current pop tunes (including "The Windmills of Your Mind," "A Song for You" and a nice version of "We've Only Just Begun"), plus Debussy's "Clair de Lune" and Legrand's lengthy "Images." The overall results are not as essential as Woods' typical combo dates, but the altoist's tone does sound quite passionate at times.

One of the most successful contemporary jazz singers: at home with ballads, bluesy numbers and bop flag-wavers. Collectiom includes: Never Never Land (2000); Come Dream With Me (2001); In The Sun (2002); Taking A Chance On Love (2004); Surrender (2007); The Lovers, The Dreamers And Me (2009).

The Collection by Vicky Brown is a 1993 compilation released by BMG that showcases a refined blend of pop and classical crossover interpretations. The album highlights a diverse selection of vocal performances that bridge contemporary pop songwriting with classical and traditional repertoire influences. Through elegant arrangements and a polished production style, the record emphasizes emotional expression, melodic clarity, and a smooth listening experience suitable for both easy listening and crossover classical audiences. The inclusion of classical pieces such as Bach-inspired works alongside modern pop compositions demonstrates the versatility of the artist’s vocal approach. The orchestration is soft yet expressive, often relying on piano, strings, and gentle instrumental backing to support the vocal line without overpowering it. The result is a cohesive collection that reflects early 1990s crossover trends, appealing to listeners who appreciate accessible interpretations of both popular and classical material.