In the dense annual blizzard of holiday albums, A VERY SPECIAL ACOUSTIC CHRISTMAS shines like a gleaming treetop star from a warm, inviting living room, thanks to its organic, no-frills approach and its remarkable lineup of performers. Dan Tyminski (of O BROTHER, WHERE ART THOU? fame) offers up a charming version of "Frosty the Snowman," while Willie Nelson lends his legendary voice and guitar playing to a fine take on "Please Come Home for Christmas." Alison Krauss contributes her surprisingly poppy "Only You Can Bring Me Cheer (Gentleman's Lady)," Marty Stuart confides that "Even Santa Claus Gets the Blues," and Pat Green saunters through a relaxed "Winter Wonderland." Bringing the Yuletide album to an appropriate close is Norah Jones, in a beautiful solo rendition of Horace Silver's "Peace".

Recorded live at his 2019 Sydney Opera House showcase, this album takes you on a rollicking ride through Joseph’s milestone Concerto for Oud & Orchestra. Listeners are also treated to another nine of his most popular pieces that straddle the worlds of classical, jazz and world music. Upon release in June 2020, Live at the Sydney Opera House ran to the #1 position on the ARIA Classical charts, becoming the first release by an Australian artist to reach the top spot since 2019. Alongside his brother James Tawadros on Egyptian percussion, with the Sydney Symphony Orchestra conducted by maestro Benjamin Northey, Joseph creates sounds and moods like you have never heard before.

The internationally acclaimed Berlin-based Ethno-jazz band LELÉKA, dedicated to reviving ancient Ukrainian folk songs since its inception in 2016, presents its new album Rizdvo at the end of November. Together with the famous Ukrainian flutist Maksym Berezhniuk, virtuoso and collector of traditional woodwind instruments, the ensemble creates an extraordinary hom-mage to the incredibly rich tradition of Ukrainian Christmas music, breathing new life into it with contemporary arrangements, interpretations and improvisations.

"The Musician's Musician". "The Master of the Eclectic". There are probably a dozen more titles by which this "guitar player" is known. To even refer to him as a guitar player is probably a gross mislabeling of this musician. He defies any sort of categorization; this is his greatest strength and for some his weakness. The theme for these nine cuts is rhythm of all different ilk. I won't even give the parameters because he seems to have none. I wondered how many different instruments he played on this album (I thought I counted five different types of guitar); it only says guitar and vocal for his credits. Listen to his version of "All Shook Up," more bop and rhythm than Elvis could put into four of his songs. It seems musicians line up to play with him, and they feel he did them a favor by letting them play on his albums. He always gives them plenty of space to do what they do. This CD will make the dead start tapping their toes.

In Nowruz, their accomplished debut album, the Aga Khan Master Musicians (AKMM) draw on music from Central Asia, China, the Middle East, and North Africa to create a strikingly original body of work where living musical traditions meet and meld. Acclaimed virtuosos on their respective instruments, the six members of AKMM deftly blend pipa, qanun, dutar, viola d’amore, saxophone, and a panoply of percussion into a soulful new musical language that comes alive in these eloquent performances.

Astrud Gilberto, the Brazilian canary with the voice like honey and diction that defied belief, has been compiled many times on Verve, but rarely as well as on her entry in 2003's The Diva Series. A 21-track of her prime decade, the '60s, this one includes all of the classics associated with her: "The Girl From Ipanema," "Agua de Beber," "Corcovado (Quiet Nights of Quiet Stars)," "So Nice (Summer Samba)," and "Dindi." Not all of her LPs have been reissued on CD (in the States), so the compilers also added tracks that may surprise a few Gilberto fans, like "Eu e Voce" and "Canto de Ossanha (Let Go)."

Putumayo Presents: Brazilian Beat features 11 tracks that cover the spectrum of MPB, or Brazilian popular music, in its current forms. Of course, bossa nova and samba are here, virtually part of the nation's musical DNA by now. Some of it's not even Brazilian – BungaLove, for example, are Italian, but play perfectly convincing Brazilian music, while singer Monica da Silva was born in the U.S. yet manages a laid-back, suave groove on "Ai Então." There's plenty of Brazilian-flavored funk, with both Bruna Caram and Rogê carrying on and updating the '70s sound, adding more beats to the mix. What's apparent from this selection is that there is plenty of good Brazilian music around, building on the traditions that have been forged over the years, and that in artists like Tita Lima and Fino Coletivo the future is in sure hands.

Eddi Reader has proven her worth as a sublime singer of pop and folk material (and beyond), but this returns her full-bore to her Scottish roots. Born from the concerts she did at the 2002 Celtic Connections festival, it's a decidedly lush performance that hauls in several well-known Celtic names like Phil Cunningham, John McCusker, and Ian Carr to help her along. But it's Reader's rendition of Robert Burns' classics that's the key here. She picked familiar material, songs that have become part of the folk continuum that can be both a blessing and a curse. But she reinvents something like "My Love Is Like a Red Red Rose," investing it with rich emotion. She positively flies on the more romantic songs, such as "Ae Fond Kiss," but she brings a surprising depth to "Charlie Is My Darling" and the chestnut "Auld Lang Syne," and "Ye Jacobites" sizzles with tension. The arrangements go for the cinematic rather than the intimate, putting them on the dangerous edge of new age. But such is the quality of everyone involved that there's no danger of teetering over and it becomes a tour de force. It is one of the highlights of Reader's splendid career, and even "Wild Mountainside," decidedly not a Burns song, fits in perfectly.

Like Greatest Hits of the Kali Yuga, The Best of Krishna Das samples the singer's earlier devotional works, here drawing upon his albums One Track Heart, Pilgrim Heart, Breath of the Heart, Live on Earth, and Door of Faith. A devotee of Maharaj Ji Neem Karoli Baba, Krishna Das has spent much of his adult life making good on his vow to use his singing voice to alleviate suffering in the world. Krishna Das is that most wonderful blend of Eastern and Western cultures; originally a resident of Long Island, N.Y., he studied in northern India as a young man and has since spent decades reinterpreting the sacred music of that land in ways that are pleasant and often surprising. As a man who sounds at times like Waylon Jennings and who is obviously enamored of the "lila" or divine playfulness, Krishna Das seems to enjoy deliberately toying with the unusual and even humorous aspects of the East/West dichotomy, as when on the album One Track Heart he sang a "Krishna Waltz" that sounded more than a little like the old cowboy tune "Get Along Little Dogies." As an encapsulation of his life's work, this Krishna Das best-of collection is entirely devoted to Sri Neem Karoli Baba and through him to the One Deity with a thousand names and as many aspects as there are atoms in the universe.