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    The Art Of Noise - Albums Collection 1984-1999 (9CD)

    Posted By: Designol
    The Art Of Noise - Albums Collection 1984-1999 (9CD)

    The Art Of Noise - Albums Collection 1984-1999 (9CD)
    EAC | FLAC | Image (Cue&Log) ~ 2.58 Gb | Mp3 (CBR320) ~ 1.21 Gb | Scans included
    Experimental Electronic, Experimental Rock, Synthpop, Art Pop, Dance-Rock, New Wave

    Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with "Kiss" and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators. Collection includes: (Who's Afraid Of?) The Art Of Noise! (1984); In Visible Silence (1986); In No Sense? Nonsense! (1987); Below The Waste (1989); The Ambient Collection (1990); The FON Mixes (1991); The Seduction Of Claude Debussy (1999).

    Hamza El Din - Albums Collection 1964-1999 (5CD)

    Posted By: Designol
    Hamza El Din - Albums Collection 1964-1999 (5CD)

    Hamza El Din - Albums Collection 1964-1999 (5CD)
    EAC | FLAC | Tracks (Cue&Log) ~ 1.27 Gb | Mp3 (CBR320) ~ 634 Mb | Scans included
    Genre: World Music, Middle Eastern Folk, East African | Time: 03:59:35

    Often referred to as the "King of Nubian Music," the Egyptian musician has enjoyed a remarkably varied career. Collection includes: Music of Nubia (1964); Al Oud: Instrumental and Vocal Music of Nubia (1965); Eclipse (1978); Muwashshah (1995); A Wish (1999).

    VA - Africa Express Presents... Bahidorá (2025)

    Posted By: delpotro
    VA - Africa Express Presents... Bahidorá (2025)

    VA - Africa Express Presents… Bahidorá (2025)
    WEB FLAC (tracks) - 493 Mb | MP3 CBR 320 kbps - 185 Mb | 01:15:30
    World | Label: BMG Rights Management

    Africa Express, known for its groundbreaking cross-cultural musical collaborations, ventures into new territory with its latest project, a new album recorded at Bahidorá Festival in Mexico. The 21-track album showcases an exceptional lineup of talent with a groundbreaking fusion of Latin pop, reggaeton, hip hop and traditional African sounds. Featured artists include renowned Malian singer Fatoumata Diawara, multi-instrumentalist and singer/songwriter Joan As Police Woman, Nick Zinner (Yeah Yeah Yeahs), Damon Albarn (Blur, Gorillaz) and St. Lucia artist Poté, with contributions from Django Django and Bonobo, alongside some of the best new talent out of Mexico, including Mare Advertencia, La Bruja de Texcoco, Eme Malafe and Luisa Almaguer. By bridging cultural divides and encouraging creative collaboration, this project not only highlights the richness of global music but also provides audiences with an eclectic listening experience.

    Lisa Gerrard & Pieter Bourke - Duality (1998)

    Posted By: Designol
    Lisa Gerrard & Pieter Bourke - Duality (1998)

    Lisa Gerrard & Pieter Bourke - Duality (1998)
    EAC | FLAC | Image (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 105 Mb | Scans ~ 50 Mb
    Label: 4AD/Rough Trade | # RTD 120.2142.2 | Time: 00:45:49
    Genre: World Fusion, Modern Classical, Ambient

    Duality is at once sacred and playful. It is both dark and light, organic and refined, masculine and feminine. Dead Can Dance's Lisa Gerrard partners with Pieter Bourke, formerly of Aussie band Eden, to create this compositional dance of partnership that is classical, ancient, and thoroughly modern. Gerrard's voice is multitracked at times, conjuring a cathedral choir and the droning chants of monks. Drums and synth snake from desert to brilliant stormy sky to shaking earth and the bodies that inhabit those spaces. There are lush multiple layers of strings, bagpipe drone, and, quite literally, the laughter of children. The vocals sans "real" words and multicultural instrumentation will be familiar to Dead Can Dance listeners. Yet there is something more exclusive, more womblike about the music of Bourke and Gerrard; rather than two distinct bodies making music, like mother and in utero child sharing blood and breath, they are mutually dependent.

    V.A. - Chillout Moods [8CD Box Set] (2001)

    Posted By: gribovar
    V.A. - Chillout Moods [8CD Box Set] (2001)

    V.A. - Chillout Moods [8CD Box Set] (2001)
    EAC Rip | FLAC (image+.cue+log) - 3,58 GB | MP3 CBR 320 kbps (LAME 3.93) - 1,47 GB | Covers included
    Genre: New Age, Electronic, World | RAR 3% Rec. | Label: Disky Communications (BX 647752)

    This 8 CD box set of 128 tracks will blow your mind with a wide range of chill out music from various artists. It ranges from artists of the 70s such as Brian and Roger Eno, Mike Oldfield, Tangerine Dream, Klaus Schulze, Jon Anderson, Rick Wakeman, Genesis, to world music from artists like Shelia Chandra, Govinda, Joi, Baaba Maal, to classical themes by Ennio Morricone, Tasmin Little, Michael Nyman and Barrington Pheloung, to New Age and Celtic music from Enigma, Matt Molloy, Mae McKenna, David Byrne, Sacred Spirit, Adiemus, Douglas Spotted Eagle, Yulara, Clear Sound Project, Penquin Cafe Orchestra plus many many more varieties of artists and music. This box set will satisfy everyones taste and mood for chillout music.

    Dead Can Dance - Dead Can Dance (1984)

    Posted By: Designol
    Dead Can Dance - Dead Can Dance (1984)

    Dead Can Dance - ΔΞΛΔ CΛΝ ΔΛΝCΞ (1984)
    EAC | FLAC | Image (Cue&Log) ~ 306 Mb | Mp3 (CBR320) ~ 130 Mb | Scans included
    4AD, Rough Trade | # RTD 120.0051.2 | Time: 00:51:07
    Dark Wave, Post-Punk, Gothic, World Fusion

    Dead Can Dance is the debut studio album by Australian musical act Dead Can Dance. It was released on 27 February 1984 by record label 4AD. This album differs greatly from later Dead Can Dance releases in its incorporation of post-punk and gothic rock musical styles. AllMusic commented on the album's sound: "Bearing much more resemblance to the similarly gripping, dark early work of bands like the Cocteau Twins and The Cure than to the later fusions of music that would come to characterize the duo's sound, Dead Can Dance is as goth as it gets in many places."

    Ryuichi Sakamoto - Neo Geo (1987)

    Posted By: Designol
    Ryuichi Sakamoto - Neo Geo (1987)

    Ryuichi Sakamoto - Neo Geo (1987)
    EAC | FLAC | Tracks (Cue&Log) ~ 207 Mb | Mp3 (CBR320) ~ 86 Mb | Scans included
    Experimental, Electronic, World Fusion | Label: Epic | # EK 40994 | 00:34:46

    Sakamoto's all-star blend of Western and Eastern music styles is a triumphant success for the composer, and a consistently good listen. On the title track he takes a traditional Japanese folk song and blends it into a funk groove provided by Bootsy Collins, Bill Laswell, and Sly Dunbar. Unlike Byrne and Eno's My Life in the Bush of Ghosts, this blend of cultures is coming from the opposing angle and stays truer to the source material. But that track is only one of Sakamoto's approaches, and on several other tracks he joins with Laswell to create a crisp, techno-cultural hybrid that sounds like nothing except like pure Sakamoto. On "Risky," a subdued Iggy Pop lends vocals and lyrics, and doesn't come across as an interloper. And on "Okinawa Song," Sakamoto seamlessly integrates the southern island culture into his grand scheme.

    Morelenbaum 2 & Ryuichi Sakamoto - Albums Collection 2001-2003 (3CD)

    Posted By: Designol
    Morelenbaum 2 & Ryuichi Sakamoto - Albums Collection 2001-2003 (3CD)

    Morelenbaum² / Sakamoto - Albums Collection 2001-2003 [3CD]
    EAC | FLAC | Tracks (Cue&Log) ~ 1 Gb | Mp3 (CBR320) ~ 516 Mb | Scans included
    Bossa Nova, Brazilian Jazz, Lounge, Experimental, World Fusion | Time: 03:01:40

    Morelenbaum² / Sakamoto is a trio formed with Japanese composer and pianist Ryuichi Sakamoto by Brazilian cellist Jaques Morelenbaum and his wife, vocalist Paula Morelenbaum. In 2002, they released a debut album Casa (meaning "house" in Portuguese). The album is a tribute to Antonio Carlos Jobim with an emphasis on a lesser-known material, recorded at Jobim's home in Rio. Paula and Jaques had been touring in a band with Antonio Carlos in 1984–1994, and Sakamoto played in a bossa nova group as a teenager, returning to the genre in his mature qualification. Morelenbaum² / Sakamoto second album A Day In New York presents five more compositions of Jobim plus three extra tracks from other composers, as well as new versions of songs from Casa. Collection includes: Casa (2001); Live In Tokyo (2001) and A Day in New York (2003).

    Santa Esmeralda - The Best (1993)

    Posted By: Designol
    Santa Esmeralda - The Best (1993)

    Santa Esmeralda - The Best (1993)
    EAC | FLAC | Tracks (Cue&Log) ~ 503 Mb | Mp3 (CBR320) ~ 193 Mb | Scans included
    Disco, Pop, Latin | Label: Versailles, Sony | # VER 474233 2 | Time: 01:16:13

    As disco became an important part of the international music business, European producers began working in exotic flavors into the disco beat to create unique and competitive recordings. A good example of this trend is Santa Esmeralda, a Spanish-themed studio group that wove elements of flamenco, salsa, and other Latin musical styles into its Euro-disco sound. Although the group's sound was about as genuinely Spanish as Herb Alpert & the Tijuana Brass (Santa Esmeralda was the brainchild of French record producers), the result was a crossover success that spawned several club-favorite albums and a notable pop hit in the band's Latinized cover of "Don't Let Me Be Misunderstood".

    Ryuichi Sakamoto - Beauty (1990)

    Posted By: Designol
    Ryuichi Sakamoto - Beauty (1990)

    Ryuichi Sakamoto - Beauty (1990)
    EAC | FLAC | Tracks (Cue&Log) ~ 312 Mb | Mp3 (CBR320) ~ 137 Mb | Scans ~ 81 Mb
    World Fusion, Experimental Pop/Rock, Electronic | Label: Virgin | # 7 91294-2 | 00:59:56

    Beauty is the eighth solo studio album by Japanese musician Ryuichi Sakamoto. Beauty is notable for its "collage of styles" that range from rock, techno, and classical to flamenco, African, and Japanese traditional. In discussing whether music is narrative and illustrative or an abstract medium, Sakamoto said, "I have visions sometimes when I'm writing contemporary music, even when it's very logical. For example, for one of my songs on the album Beauty, I was always having visions of Amazonian rainforests, a little plane flying very low over the trees. Trees, trees, trees, and some birds. But the title of the song is 'Calling from Tokyo'." Recorded at various sound studios throughout Tokyo, New York, and Los Angeles, Beauty features many collaborators that include Arto Lindsay, Brian Wilson, Robbie Robertson, and Sly Dunbar.

    Dead Can Dance - Spiritchaser (1996) [Non-Remastered]

    Posted By: Designol
    Dead Can Dance - Spiritchaser (1996) [Non-Remastered]

    Dead Can Dance - Spiritchaser (1996) [Non-Remastered]
    EAC | FLAC | Image (Cue&Log) ~ 296 Mb | Mp3 (CBR320) ~ 119 Mb | Scans ~ 38 Mb
    Label: 4AD / Rough Trade | # RTD 120.2050.2 | Time: 00:51:57
    World Fusion, Ethnic, Dark Wave, Neo-Classical, Dream Pop, Alternative

    Spiritchaser is the seventh studio album by Dead Can Dance, and the last before Brendan Perry and Lisa Gerrard went their separate ways. It expands on its exploration of world music, and like Into the Labyrinth, was recorded at Quivvy Church, Perry's personal studio in Ireland. The album was dedicated to Lisa Gerrard's deceased brother, Mark Gerrard. The track "Indus" contains a melody that is very similar to that of "Within You Without You", a Beatles song that George Harrison wrote and recorded with Indian musicians in 1967. Although not deliberate, Perry and Gerrard were asked to contact Harrison for his permission to use it; he granted it, but the record company insisted that they give him partial songwriting credit on "Indus".

    VA - Sounds And Silence: Music For The Film (2011)

    Posted By: Designol
    VA - Sounds And Silence: Music For The Film (2011)

    VA - Sounds And Silence: Music For The Film (2011)
    Arvo Pärt - Eleni Karaindrou - Georges I. Gurdjieff - Nik Bärtsch - Marilyn Mazur
    Giovanni G. Kapsberger - Anouar Brahem - Dino Saluzzi - Vincente Greco

    EAC | FLAC | Tracks (Cue&Log) ~ 308 Mb | Mp3 (CBR320) ~ 173 Mb | Scans ~ 65 Mb
    Label: ECM | # ECM 2250, 277 0080 | Time: 01:15:56
    Contemporary Classical, World, Jazz, Avant-Garde

    Over a period of five years, Swiss directors Norbert Wiedmer and Peter Guyer documented the activity of legendary producer Manfred Eicher, the founder and driving force behind ECM Records, whose advocacy of progressive jazz and of classical composers like Arvo Pärt, Meredith Monk, Valentin Silvestrov, and György Kurtág changed the landscape of contemporary music in the late 20th and early 21st centuries. The film Sounds and Silence: Travels with Manfred Eicher was released in 2009 and this 2011 soundtrack album is made up largely of tracks taken from previously released ECM albums that Eicher produced, some from as early as 1980. Most of the pieces are low-key and understated and feature chamber ensembles, although there are several piano tracks and several featuring orchestra or chorus. The album has a mix of selections from ECM's classical and jazz repertoire, and from the label's specialty, the many pieces that lie somewhere in between the two.

    Dead Can Dance - The Serpent's Egg (1988)

    Posted By: Designol
    Dead Can Dance - The Serpent's Egg (1988)

    Dead Can Dance - The Serpent's Egg (1988)
    EAC | FLAC | Image (Cue&Log) ~ 197 Mb | Mp3 (CBR320) ~ 83 Mb | Scans ~ 80 Mb
    Label: 4AD, Rough Trade | # RTD CD 92 | Time: 00:36:15
    Dark Wave, World Fusion, Ambient, Neo-Classical

    Perry and Gerrard continued to experiment and improve with The Serpent's Egg, as much a leap forward as Spleen and Ideal was some years previously. As with that album, The Serpent's Egg was heralded by an astounding first track, "The Host of Seraphim." Its use in films some years later was no surprise in the slightest – one can imagine the potential range of epic images the song could call up – but on its own it's so jaw-droppingly good that almost the only reaction is sheer awe. Beginning with a soft organ drone and buried, echoed percussion, Gerrard then takes flight with a seemingly wordless invocation of power and worship – her vocal control and multi-octave range, especially towards the end, has to be heard to be believed. Nothing else achieves such heights, but everything gets pretty darn close, a deserved testament to the band's conceptual reach and abilities.

    Dead Can Dance - Spleen and Ideal (1985)

    Posted By: Designol
    Dead Can Dance - Spleen and Ideal (1985)

    Dead Can Dance - Spleen and Ideal (1985)
    EAC | FLAC | Image (Cue&Log) ~ 206 Mb | Mp3 (CBR320) ~ 87 Mb | Scans ~ 97 Mb
    4AD, Rough Trade | # RTD 120.0032.2 | Time: 00:38:08
    Dark Wave, World Fusion, Ambient, Dream Pop

    With this amazing album, Dead Can Dance fully took the plunge into the heady mix of musical traditions that would come to define its sound and style for the remainder of its career. The straightforward goth affectations are exchanged for a sonic palette and range of imagination. Calling it "haunting" and "atmospheric" barely scratches even the initial surface of the album's power. The common identification of the duo with a consciously medieval European sound starts here – quite understandable, when one considers the mystic titles of songs, references to Latin, choirs, and other touches that make the album sound like it was recorded in an immense cathedral.

    Dead Can Dance - Aion (1990)

    Posted By: Designol
    Dead Can Dance - Aion (1990)

    Dead Can Dance - Aion (1990)
    EAC | FLAC | Image (Cue&Log) ~ 195 Mb | Mp3 (CBR320) ~ 83 Mb | Scans ~ 32 Mb
    4AD, Rough Trade | RTD CD 158 | Time: 00:36:11
    Neo-Classical, World Fusion, Ambient, Dark Wave

    Their reputation growing by leaps and bounds, including a huge underground following in the U.S. – they were able to tour there even without one domestic release available, while at one point Dead Can Dance was the biggest selling band in 4AD's history – Perry and Gerrard once again did the business with Aion. Its cover taken from Bosch, Aion's medievalism was worn more openly than ever before, with songs adapted from centuries-old material. The beautiful, entrancing "Saltarello," with lead performance by what sounds like an old wind instrument, comes from an Italian dance of the 14th century, while the mysterious moods of "The Song of the Sibyl" derive from 16th-century Catalonia. The group's command of not merely recording possibilities – witness the exquisite layering of vocals on the opening "The Arrival and the Reunion" – but of musical traditions, instruments, and more from around the world was arguably never stronger. Gerrard's vocals in particular have an even stronger, richer feeling than before, not merely able to command with its power but softly calm and seduce.