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Armida Quartett - Mozart: String Quartets, Vol. 2 (2019) [Official Digital Download 24/96]

Posted By: SERTiL
Armida Quartett - Mozart: String Quartets, Vol. 2 (2019) [Official Digital Download 24/96]

Armida Quartett - Mozart: String Quartets, Vol. 2 (2019)
FLAC (tracks) 24-bit/96 kHz | Time - 69:05 minutes | 1.29 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The new album MOZART Vol. 2 of the Armida Quartet will be released on 28 June 2019 on CAvi-music. The recording was co-produced by Bayrischer Rundfunk BR-KLASSIK and features KV 80, KV 458 (The Hunt) and KV 499 (Hoffmeister Quartet) by Wolfgang Amadeus Mozart. A special feature for all string quartet fans is the use of the new Mozart Urtext Edition by G.Henle Verlag!

"A composer’s manuscript obviously represents the most important stage of composition, the first valid formulation of a work. But in this case the discrepancies in the first edition are so striking that we must assume that Mozart made the changes himself, thus transcending the manuscript stage. For example, at the beginning of the development section in the first movement of the “Hoffmeister” Quartet K. 499, all previous editions indicated forte. The new Henle edition omits it, since it was added later. The Armida Quartet plays the passage pianissimo, and I find this thoroughly convincing.“ (Wolf-Dieter Seiffert, G.Henle Verlag)

The Armida Quartet is holding an unusual kind of rehearsal, skimming through three Mozart string quartets with musicologist and Henle’s publishing director Wolf-Dieter Seiffert. The focus this time is not on sound quality, musical character, or developing an extended formal overview – all qualities for which the Armida Quartet is well-known – but on achieving a good match between philological accuracy and practical music-making.

Seiffert is working on a new edition of the Mozart string quartets for his publishing house in Munich, and has sought out direct contact with the members of the Berlin string quartet to clarify doubts regarding dynamics, ties and tempi (see the interview with Mr. Seiffert in the booklet). When a case is truly difficult, the most technically feasible or desirable alternative helps him decide which variant will ultimately figure in the new Urtext edition: will it be a variant from Mozart’s autograph, or from the first printed edition? This method is particularly productive when an editor can work with ensembles as well-versed in historical performance practice and aesthetics as the Armida Quartet.

The publishing house is not the only partner to profit from this new form of dialogue between musicology and practical music-making. Martin Funda, the Armida Quartet’s first violinist, says that he has thereby gained a better grasp of several matters not often mentioned among performers: “For instance, we have become familiarized with several stages of the procedure from the autograph manuscript to the copyist, then leading to the first and second editions: back then, much of the work involved in publishing music was truly laborious, and for us it is fascinating.”

A closer look at the process ultimately shows that any modern edition is a compromise between several sources, some of which stand in contradiction with one another. The much-vaunted “last authorized version” may have existed in the case of a perfectionist 20th-century egomaniac such as Karlheinz Stockhausen, but we seldom encounter it in pragmatically oriented geniuses of the likes of Bach or Mozart. (Excerpt from the booklet notes by Michael Struck-Schloen)

Tracklist:
1 String Quartet No. 1 in G Major, K. 80: I. Adagio 05:19
2 String Quartet No. 1 in G Major, K. 80: II. Allegro 04:12
3 String Quartet No. 1 in G Major, K. 80: III. Menuetto 03:36
4 String Quartet No. 1 in G Major, K. 80: IV. Rondeau. Allegro 02:41
5 String Quartet No. 17 in B-Flat Major, K. 458: I. Allegro vivace assai 09:06
6 String Quartet No. 17 in B-Flat Major, K. 458: II. Menuetto. Moderato 04:49
7 String Quartet No. 17 in B-Flat Major, K. 458: III. Adagio 06:21
8 String Quartet No. 17 in B-Flat Major, K. 458: IV. Allegro assai 06:21
9 String Quartet No. 20 in D Minor, K. 499: I. Allegretto 09:11
10 String Quartet No. 20 in D Minor, K. 499: II. Menuetto. Allegretto 03:30
11 String Quartet No. 20 in D Minor, K. 499: III. Adagio 07:27
12 String Quartet No. 20 in D Minor, K. 499: IV. Molto Alegro 06:32

Personnel:
Martin Funda, violin
Johanna Staemmler, violin
Teresa Schwamm, viola
Peter-Philipp Staemmler, cello

foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2019-07-19 13:54:48

––––––––––––––––––––––––––––––––––––––––
Analyzed: Armida Quartett / Mozart: String Quartets, Vol. 2
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -7.44 dB -26.62 dB 5:20 01-String Quartet No. 1 in G Major, K. 80: I. Adagio
DR16 -1.93 dB -21.81 dB 4:12 02-String Quartet No. 1 in G Major, K. 80: II. Allegro
DR15 -1.25 dB -23.21 dB 3:36 03-String Quartet No. 1 in G Major, K. 80: III. Menuetto
DR15 -3.03 dB -22.59 dB 2:41 04-String Quartet No. 1 in G Major, K. 80: IV. Rondeau. Allegro
DR15 -3.58 dB -22.93 dB 9:06 05-String Quartet No. 17 in B-Flat Major, K. 458: I. Allegro vivace assai
DR13 -6.96 dB -25.32 dB 4:49 06-String Quartet No. 17 in B-Flat Major, K. 458: II. Menuetto. Moderato
DR15 -6.94 dB -28.68 dB 6:21 07-String Quartet No. 17 in B-Flat Major, K. 458: III. Adagio
DR15 -0.10 dB -22.34 dB 6:21 08-String Quartet No. 17 in B-Flat Major, K. 458: IV. Allegro assai
DR15 -1.34 dB -23.34 dB 9:12 09-String Quartet No. 20 in D Minor, K. 499: I. Allegretto
DR13 -3.99 dB -22.51 dB 3:30 10-String Quartet No. 20 in D Minor, K. 499: II. Menuetto. Allegretto
DR14 -5.09 dB -24.38 dB 7:27 11-String Quartet No. 20 in D Minor, K. 499: III. Adagio
DR14 -1.93 dB -22.39 dB 6:33 12-String Quartet No. 20 in D Minor, K. 499: IV. Molto Alegro
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR15

Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2690 kbps
Codec: FLAC
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Thanks to the Original customer.