The Wild West meets the soulful sound of Italy. Fearless New York gangsters meet cowboys from the dusty prairie. Godfather meets Taxi Driver. And the magic of cinema meets the rich sound of a first-class symphony orchestra. This exclusive live concert production presents a unique selection of movie classics - from Sergio Leone's iconic Spaghetti Westerns to modern mafia masterpieces by Francis Ford Coppola and the cult movies of Tarantino. The Danish National Symphony Orchestra is conducted by Sarah Hicks and joined by a fistful of strong guest artists for this premiere performance of the authentic soundtracks by composer legends Ennio Morricone, Nino Rota, Sonny Bono and Bernard Herrmann.

A towering musical figure of the 20th century, saxophonist John Coltrane reset the parameters of jazz during his decade as a leader.

B.B. King unleashes his inner crooner on this collection of 13 of his sentimental favorites. With a five-piece studio band rather than his usual orchestra, the arrangements stay spare throughout, allowing King to exercise his classic vocal chops. His most heartfelt selection may be "A Mother's Love", a performance that seems to draw on the heartache he still carries from the loss of his own mother when he was a child, nearly 70 years ago.

Udo Lindenberg is one of the most influential German rock singers of all time. Developing a unique style mixing straight-ahead rock with occasional jazzy or symphonic influences and witty lyrics, he was the first to show that rock music with German lyrics was acceptable and could even be internationally successful.

Given the late-2010s influx of symphonic easy listening albums reviving old rock and R&B records, it's not surprising that a living, breathing singer would take advantage of this trend. Michael Bolton is the one who steps into this breach, issuing A Symphony of Hits in early 2019. Recorded with the West Australian Philharmonic Orchestra, the album still contains hints of slick adult contemporary – there's nary a string to be heard on a stiffly funky "Soul Provider," the whole thing has a patina of radio-ready gloss – yet it delivers what it promises: it has Michael Bolton singing with an orchestra.

The work of Robert Glasper and Terrace Martin can be found across the musical landscape. The men have contributed to music by Quincy Jones, Kendrick Lamar, Common, Kanye West, Mos Def and Q-Tip, to name just a few, and now they've teamed up with jazz trumpeter Christian Scott, bassist Derrick Hodge, drummer Justin Tyson and multi-instrumentalist Taylor McFerrin to form R+R=NOW, a band packed with influence from multiple musical genres, including jazz, soul, R&B and hip-hop.

Toru Takemitsu is widely regarded as the greatest Japanese composer of the 20th century. After the appearance of Folios in 1974 he was acknowledged as a formidable master of writing for the guitar, bringing to the instrument a sensibility and imaginative flair which have seldom been equalled. In the Woods was his final composition. Shin-ichi Fukada and Leo Brouwer were both close friends of Takemitsu, and this programme includes Brouwer’s two heartfelt homages in his memory.

'I'm always looking for ways to be surprised,' says composer and multi-instrumentalist Jeff Parker as he explains the process, and the thinking, behind 'Suite for Max Brown'. 'If I sit down at the piano or with my guitar, with staff paper and a pencil, I'm eventually going to fall into writing patterns, into things I already know. So, when I make music, that's what I'm trying to get away from-the things that I know.' Despite its musical departures, in presentation 'Suite for Max Brown' is an informal companion piece to 'The New Breed' (2016).

Stevie Ray Vaughan had always been a phenomenal guitarist, but prior to In Step, his songwriting was hit or miss. Even when he wrote a classic modern blues song, it was firmly within the genre's conventions; only on Soul to Soul's exquisite soul-blues "Life Without You" did he attempt to stretch the boundaries of the form. As it turns out, that was the keynote for In Step, an album where Vaughan found his own songwriting voice, blending blues, soul, and rock in unique ways, and writing with startling emotional honesty.