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Glenmor - Cet Amour-Là... (1970) FR 1st Pressing - LP/FLAC In 24bit/96kHz

Posted By: Fran Solo
Glenmor - Cet Amour-Là... (1970) FR 1st Pressing - LP/FLAC In 24bit/96kHz

Glenmor ‎- Cet Amour-Là…
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Barclay / 80.382 | Released: 1970 | Genre: Breton-Folk

A1 Sodome 3:30
A2 Le Retour 2:45
A3 Les Croisades 3:00
A4 Credo De La Joie 5:30
A5 Table D'Hote 2:30
A6 Les Oiseaux 2:30
-
B1 Cet Amour-Là 2:35
B2 Dieu Me Damne 2:45
B3 Dame Misère 3:15
B4 Il Se Fit Ane 2:30
B5 Je Rirai Peut-Etre Demain 3:30
B6 La Rose 2:30


Credits

Orchestra – Le Grand Orchestre De François Rauber*
Photography By – Alain Marouani
Written-By – Glenmor

Notes
Mono + Stereo.
Barcode and Other Identifiers

Other (Side A): yBarcx 69.613
Other (Side A): XBLY 80.382-1
Other (Side B): yBarcx 69.614
Other (Side B): XBLY 80.382-2


Glenmor - Cet Amour-Là... (1970) FR 1st Pressing - LP/FLAC In 24bit/96kHz

Glenmor - Cet Amour-Là... (1970) FR 1st Pressing - LP/FLAC In 24bit/96kHz

Glenmor - Cet Amour-Là... (1970) FR 1st Pressing - LP/FLAC In 24bit/96kHz



This Rip: 2013
This LP: With the gentle sponsorship of polux, merci beaucoup!
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE
Amplifier: Sansui 9090DB
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

Emile Le Scanf was born in 1931 at Mael-Carhaix. In 1941, he entered the small seminary in Quintin. After his military service in Paris, he obtained a licence de philosophie at Rennes in 1952. He then travelled extensively in Italy, Greece, Turkey, Yugoslavia and Russia until 1954. During this period he began writing and composing.
His musical career really began in 1959 with a recital in Paris before a small audience. He later released his first album as "Glenmor", Glenmor à la Mutualité. His stage name was derived from words for land (glen) and sea (mor) in Breton. His distinctive style led to popularity.
His songs aggressively asserted the unique cultural identity of Brittany. He portrayed himself as a political radical with anti-clerical and anarchist views. He wore a beard and his hair long, in a revival of the traditional Breton peasant style.
wikipedia.org
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