Death Cab For Cutie - We Have The Facts And We're Voting Yes (2000)
FLAC (tracks) 24-bit/88,2 kHz | Time - 41:53 minutes | 791 MB
Studio Master, Official Digital Download | Artwork: Front cover
Released in 2000, "We Have the Facts and We're Voting Yes" is the second studio album by Death Cab for Cutie, and is considered to be a landmark indie rock album of the early 2000s.
Like the also-great Idaho or Wheat, to file Death Cab for Cutie under the mellow-pop umbrella that shelters tranquil chamber outfits such as Red House Painters, Low, or (post-dance-pop) Talk Talk would do them a gross, miscalculated service. While they're no strangers to the tickling knelling of guitars searching out the extra space found in laggard tempos, that predilection only encompasses a fourth of Death Cab for Cutie's output (like on "Title Track" and "Little Fury Bugs"). Heck, they're not even remotely quiet for half of We Have the Facts and We're Voting Yes – the best and brightest LP of their three fine albums to date. Ben Gibbard has turned into a sublime composer, using melodies sparingly but with splendid tunefulness, as all four players marinate his writing with delicately plucked, picked, and pulled arpeggios, ringing chords, and non-obvious atmosphere building. Verily, the slow, broody stuff is but a change of pace; it's when the volume doubles (if only occasionally crashes), when the band shows potency, that We Have the Facts starts flying, soaring with exigency beyond even the threatening storm clouds from the last flight plan, 1998's Something About Airplanes. "Lowell, MA" and "Company Calls" are perfect examples: drummer Nathan Good actually gets to punish his snare and toms, the other three dig in with him, and the words "indie pop" suddenly sounds fresh and alive, with real aggressive, post-dream pop guitar popscapes. Loud and soft, or most of all both, and plenty of points in between, DCFC write and record finished songs that emote, that do more than merely fill a slot in a form in a preconceived genre. In short, they're superb. And getting greater.
Tracklist:
01 - Title Track
02 - The Employment Pages
03 - For What Reason
04 - Lowell, MA
05 - 405
06 - Little Fury Bugs
07 - Company Calls
08 - Company Calls Epilogue
09 - No Joy in Mudville
10 - Scientist Studies
Produced by Chris Walla.
Mastered by Tony Lash.
Analyzed: Death Cab for Cutie / We Have the Facts and We're Voting Yes
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -0.31 dB -12.42 dB 3:29 01-Title Track
DR11 -0.33 dB -14.03 dB 4:04 02-The Employment Pages
DR9 -0.36 dB -10.45 dB 2:52 03-For What Reason
DR9 -0.48 dB -10.84 dB 3:29 04-Lowell, MA
DR11 -0.34 dB -14.00 dB 3:36 05-405
DR10 -0.37 dB -14.11 dB 3:48 06-Little Fury Bugs
DR7 -0.40 dB -10.66 dB 3:19 07-Company Calls
DR9 -0.50 dB -13.02 dB 5:16 08-Company Calls Epilogue
DR11 -0.46 dB -15.45 dB 6:03 09-No Joy in Mudville
DR9 -0.30 dB -11.96 dB 5:55 10-Scientist Studies
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR10
Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2712 kbps
Codec: FLAC
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––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -0.31 dB -12.42 dB 3:29 01-Title Track
DR11 -0.33 dB -14.03 dB 4:04 02-The Employment Pages
DR9 -0.36 dB -10.45 dB 2:52 03-For What Reason
DR9 -0.48 dB -10.84 dB 3:29 04-Lowell, MA
DR11 -0.34 dB -14.00 dB 3:36 05-405
DR10 -0.37 dB -14.11 dB 3:48 06-Little Fury Bugs
DR7 -0.40 dB -10.66 dB 3:19 07-Company Calls
DR9 -0.50 dB -13.02 dB 5:16 08-Company Calls Epilogue
DR11 -0.46 dB -15.45 dB 6:03 09-No Joy in Mudville
DR9 -0.30 dB -11.96 dB 5:55 10-Scientist Studies
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR10
Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2712 kbps
Codec: FLAC
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Thanks to the Original customer!