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Fount & Origin & James Tomlinson - The Sword & the Lily: 15th-Century Polyphony for Judgement Day (2022) [24/96]
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Fount & Origin & James Tomlinson - The Sword & the Lily: 15th-Century Polyphony for Judgement Day (2022)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 67:55 minutes | 1,2 GB
Classical, Sacred, Choral | Label: Inventa Records, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 67:55 minutes | 1,2 GB
Classical, Sacred, Choral | Label: Inventa Records, Official Digital Download
In their debut album, early music ensemble Fount & Origin present a musical meditation on the Franco-Flemish painter Rogier van der Weyden’s altarpiece image of The Last Judgement at the End of time. This multi-panelled work survives as a monument of fifteenth-century art, relating in vivid detail and colour van der Weyden’s dynamic and terrifying account of the world’s final moments. The nine polyphonic settings recorded here were composed in Europe in the mid- to late-fifteenth century and include works by composers such as Johannes Ockeghem, Johannes Regis, Johannes Martini and Antoine Brumel, with each piece thematically tied to an element or figure in the painting.
Tracklist:
1. Requiem: Domine Jesu Christe (07:26)
2. Exultet celum laudibus (05:59)
3. Clare sanctorum senatus (04:10)
4. Missa L’homme armé / Dum sacrum mysterium: Kyrie (06:30)
5. Ut queant laxis (08:19)
6. Magnificat (Mode IV) (10:45)
7. Venite benedicti patris (02:22)
8. Urbs beata Jerusalem (08:44)
9. Requiem: Dies irae (13:38)
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2022-10-07 13:28:39
––––––––––––––––––––––––––––––––––––––––
Analyzed: Fount & Origin / The Sword & the Lily: 15th-Century Polyphony for Judgement Day
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -9.75 dB -26.85 dB 7:26 01-Requiem: Domine Jesu Christe
DR12 -6.83 dB -24.40 dB 5:59 02-Exultet celum laudibus
DR13 -12.97 dB -30.78 dB 4:11 03-Clare sanctorum senatus
DR13 -5.48 dB -24.69 dB 6:30 04-Missa L’homme armé / Dum sacrum mysterium: Kyrie
DR13 -1.09 dB -21.70 dB 8:19 05-Ut queant laxis
DR14 -2.89 dB -24.98 dB 10:46 06-Magnificat (Mode IV)
DR12 -11.54 dB -27.50 dB 2:22 07-Venite benedicti patris
DR13 -7.34 dB -26.03 dB 8:44 08-Urbs beata Jerusalem
DR14 -6.31 dB -27.03 dB 13:39 09-Requiem: Dies irae
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 9
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2471 kbps
Codec: FLAC
================================================================================
log date: 2022-10-07 13:28:39
––––––––––––––––––––––––––––––––––––––––
Analyzed: Fount & Origin / The Sword & the Lily: 15th-Century Polyphony for Judgement Day
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -9.75 dB -26.85 dB 7:26 01-Requiem: Domine Jesu Christe
DR12 -6.83 dB -24.40 dB 5:59 02-Exultet celum laudibus
DR13 -12.97 dB -30.78 dB 4:11 03-Clare sanctorum senatus
DR13 -5.48 dB -24.69 dB 6:30 04-Missa L’homme armé / Dum sacrum mysterium: Kyrie
DR13 -1.09 dB -21.70 dB 8:19 05-Ut queant laxis
DR14 -2.89 dB -24.98 dB 10:46 06-Magnificat (Mode IV)
DR12 -11.54 dB -27.50 dB 2:22 07-Venite benedicti patris
DR13 -7.34 dB -26.03 dB 8:44 08-Urbs beata Jerusalem
DR14 -6.31 dB -27.03 dB 13:39 09-Requiem: Dies irae
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 9
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2471 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer!