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Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Posted By: HDAtall
Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - The Complete Reissued SACD Collection (2007) [Remastered]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | Scans included | 60,6 GB
or FLAC 2.0 Stereo (converted to tracks) 24bit/96 kHz | Scans included | ~ 22,53 GB
Includes 18 discs | TT: > 15 hours 23 minutes | Features Stereo and Multichannel Surround Sound

Genesis were an English Rock band formed at Charterhouse School, Godalming, Surrey in 1967. The most commercially successful and longest-lasting line-up consisted of keyboardist Tony Banks, bassist/guitarist Mike Rutherford and drummer/singer Phil Collins. Significant former members were guitarist Steve Hackett and original lead singer Peter Gabriel. The band underwent many changes in musical style over its career, from folk music to progressive rock in the 1970s, before moving towards pop at the end of the decade. They have sold 21.5 million RIAA-certified albums in the United States and their worldwide sales are estimated to be between 100 million and 150 million. All of the group's studio work since signing to Charisma has been remastered and re-released in 2007 as SACD, except their debut album (due the copyright issue).


Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - Trespass (1970) [Remastered Reissue 2007]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 42:30 minutes | Scans included | 2,69 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1013 MB

Genesis' first truly progressive album, and their first record for the Charisma label (although Trespass was released in America by ABC, which is how MCA came to have it), is important mostly as a formative effort. Peter Gabriel, Tony Banks, and Michael Rutherford are here, but the guitarist is Anthony Phillips and the drummer is John Mayhew. Gabriel, Banks, Phillips, and Rutherford are responsible for the compositions, which are far more ambitious than the group's earlier efforts ("Silent Sun," etc.). Unfortunately, much of what is here is more interesting for what it points toward than what it actually does – the group reflects a peculiarly dramatic brand of progressive rock, very theatrical as music, but not very successful. The lyrics are complex enough but lack the unity and clarity that would make Genesis' subsequent albums among the most interesting of prog rock efforts to analyze. Gabriel's voice is very expressive but generally lacks power and confidence, while the conventional backup vocalizing by the others is wimpy, and Phillips' playing is muted. Tony Banks' keyboards are the dominant instruments, which isn't that bad, but it isn't the Genesis that everyone came to know. The soft, lyrical "Visions of Angels" and "Stagnation" are typical, gentle works by a band that later learned how to rock much harder. Only one of the songs here, "The Knife" – which rocks harder than anything else on Trespass and is easily the best track on the album – lasted in the group's concert repertory past the next album.

Tracklist:

01. Looking For Someone
02. White Mountain
03. Visions Of Angels
04. Stagnation
05. Dusk
06. The Knife

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Trespass
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -4.44 dB -20.64 dB 7:04 01-Looking For Someone
DR12 -4.43 dB -22.84 dB 6:44 02-White Mountain
DR12 -4.46 dB -21.02 dB 6:50 03-Visions Of Angels
DR12 -4.45 dB -21.65 dB 8:46 04-Stagnation
DR14 -4.39 dB -23.75 dB 4:10 05-Dusk
DR12 -4.42 dB -21.16 dB 8:56 06-The Knife
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 6
Official DR value: DR13

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Trespass
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -4.47 dB -15.99 dB 7:04 01-Looking For Someone
DR10 -4.53 dB -18.67 dB 6:44 02-White Mountain
DR9 -4.48 dB -16.65 dB 6:50 03-Visions Of Angels
DR8 -4.49 dB -17.37 dB 8:46 04-Stagnation
DR13 -4.56 dB -20.10 dB 4:10 05-Dusk
DR8 -4.45 dB -15.39 dB 8:56 06-The Knife
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 6
Official DR value: DR9

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 2,53 GB


Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - Nursery Cryme (1971) [Remastered Reissue 2007]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 39:33 minutes | Scans included | 2,54 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 946 MB

If Genesis truly established themselves as progressive rockers on Trespass, Nursery Cryme is where their signature persona was unveiled: true English eccentrics, one part Lewis Carroll and one part Syd Barrett, creating a fanciful world that emphasized the band's instrumental prowess as much as Peter Gabriel's theatricality. Which isn't to say that all of Nursery Cryme works. There are times when the whimsy is overwhelming, just as there are periods when there's too much instrumental indulgence, yet there's a charm to this indulgence, since the group is letting itself run wild. Even if they've yet to find the furthest reaches of their imagination, part of the charm is hearing them test out its limits, something that does result in genuine masterpieces, as on "The Musical Box" and "The Return of the Giant Hogweed," two epics that dominate the first side of the album and give it its foundation. If the second side isn't quite as compelling or quite as structured, it doesn't quite matter because these are the songs that showed what Genesis could do, and they still stand as pinnacles of what the band could achieve.

Tracklist:

01. The Musical Box
02. For Absent Friends
03. The Return Of The Giant Hogweed
04. Seven Stones
05. Harold The Barrel
06. Harlequin
07. The Fountain Of Salmacis

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Nursery Cryme
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.35 dB -21.41 dB 10:30 01-The Musical Box
DR11 -8.67 dB -24.82 dB 1:48 02-For Absent Friends
DR12 -4.51 dB -20.55 dB 8:09 03-The Return Of The Giant Hogweed
DR12 -4.50 dB -21.51 dB 5:08 04-Seven Stones
DR12 -4.51 dB -20.34 dB 3:01 05-Harold The Barrel
DR11 -4.57 dB -21.10 dB 2:56 06-Harlequin
DR11 -4.45 dB -19.37 dB 8:02 07-The Fountain Of Salmacis
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 7
Official DR value: DR12

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Nursery Cryme
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -4.42 dB -16.35 dB 10:30 01-The Musical Box
DR11 -8.63 dB -22.15 dB 1:48 02-For Absent Friends
DR9 -4.47 dB -16.51 dB 8:09 03-The Return Of The Giant Hogweed
DR9 -4.47 dB -17.68 dB 5:08 04-Seven Stones
DR10 -4.56 dB -17.05 dB 3:01 05-Harold The Barrel
DR10 -4.56 dB -19.24 dB 2:56 06-Harlequin
DR8 -4.54 dB -16.01 dB 8:02 07-The Fountain Of Salmacis
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 7
Official DR value: DR9

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 2,53 GB


Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - Foxtrot (1972) [Remastered Reissue 2007]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 51:17 minutes | Scans included | 3,28 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,22 GB

Foxtrot is where Genesis began to pull all of its varied inspirations into a cohesive sound – which doesn't necessarily mean that the album is streamlined, for this is a group that always was grandiose even when they were cohesive, or even when they rocked, which they truly do for the first time here. Indeed, the startling thing about the opening "Watcher of the Skies" is that it's the first time that Genesis attacked like a rock band, playing with a visceral power. There's might and majesty here, and it, along with "Get 'Em Out by Friday," is the truest sign that Genesis has grown muscle without abandoning the whimsy. Certainly, they've rarely sounded as fantastical or odd as they do on the epic 22-minute closer "Supper's Ready," a nearly side-long suite that remains one of the group's signature moments. It ebbs, flows, teases, and taunts, see-sawing between coiled instrumental attacks and delicate pastoral fairy tales. If Peter Gabriel remained a rather inscrutable lyricist, his gift for imagery is abundant, as there are passages throughout the album that are hauntingly evocative in their precious prose. But what impresses most about Foxtrot is how that precociousness is delivered with pure musical force. This is the rare art-rock album that excels at both the art and the rock, and it's a pinnacle of the genre (and decade) because of it.

Tracklist:

01. Watcher Of The Skies
02. Time Table
03. Get 'Em Out By Friday
04. Can-utility And The Coastliners
05. Horizons
06. Supper's Ready

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Foxtrot
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -4.45 dB -20.50 dB 7:23 01-Watcher Of The Skies
DR13 -4.52 dB -21.35 dB 4:46 02-Time Table
DR14 -4.46 dB -22.48 dB 8:36 03-Get 'Em Out By Friday
DR13 -4.41 dB -21.58 dB 5:45 04-Can-utility And The Coastliners
DR11 -6.69 dB -23.22 dB 1:41 05-Horizons
DR12 -4.39 dB -20.98 dB 23:06 06-Supper's Ready
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 6
Official DR value: DR13

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Foxtrot
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -4.42 dB -16.25 dB 7:23 01-Watcher Of The Skies
DR10 -4.57 dB -17.98 dB 4:46 02-Time Table
DR10 -4.45 dB -17.10 dB 8:36 03-Get 'Em Out By Friday
DR9 -4.34 dB -16.81 dB 5:45 04-Can-utility And The Coastliners
DR11 -4.57 dB -19.56 dB 1:41 05-Horizons
DR9 -4.45 dB -17.21 dB 23:06 06-Supper's Ready
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 6
Official DR value: DR10

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 3,08 GB


Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - Selling England By The Pound (1973) [Remastered Reissue 2007]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 53:37 minutes | Scans included | 3,51 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,33 GB

Genesis proved that they could rock on Foxtrot but on its follow-up Selling England by the Pound they didn't follow this route, they returned to the English eccentricity of their first records, which wasn't so much a retreat as a consolidation of powers. For even if this eight-track album has no one song that hits as hard as "Watcher of the Skies," Genesis hasn't sacrificed the newfound immediacy of Foxtrot: they've married it to their eccentricity, finding ways to infuse it into the delicate whimsy that's been their calling card since the beginning. This, combined with many overt literary allusions – the Tolkeinisms of the title of "The Battle of Epping Forest" only being the most apparent – gives this album a storybook quality. It plays as a collection of short stories, fables, and fairy tales, and it is also a rock record, which naturally makes it quite extraordinary as a collection, but also as a set of individual songs. Genesis has never been as direct as they've been on the fanciful yet hook-driven "I Know What I Like (In Your Wardrobe)" – apart from the fluttering flutes in the fade-out, it could easily be mistaken for a glam single – or as achingly fragile as on "More Fool Me," sung by Phil Collins. It's this delicate balance and how the album showcases the band's narrative force on a small scale as well as large that makes this their arguable high-water mark.

Tracklist:

01. Dancing With The Moonlit Knight
02. I Know What I Like (In Your Wardrobe)
03. Firth Of Fifth
04. More Fool Me
05. The Battle Of Epping Forest
06. After The Ordeal
07. The Cinema Show
08. Aisle Of Plenty

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Selling England By The Pound
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -4.43 dB -21.83 dB 8:03 01-Dancing With The Moonlit Knight
DR12 -4.50 dB -20.34 dB 4:10 02-I Know What I Like (In Your Wardrobe)
DR13 -4.47 dB -21.69 dB 9:35 03-Firth Of Fifth
DR13 -5.70 dB -26.31 dB 3:11 04-More Fool Me
DR13 -4.28 dB -21.39 dB 11:43 05-The Battle Of Epping Forest
DR12 -4.49 dB -23.22 dB 4:15 06-After The Ordeal
DR10 -4.32 dB -19.81 dB 10:41 07-The Cinema Show
DR13 -4.79 dB -25.41 dB 1:58 08-Aisle Of Plenty
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR12

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Selling England By The Pound
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -4.41 dB -17.66 dB 8:03 01-Dancing With The Moonlit Knight
DR9 -4.51 dB -16.15 dB 4:10 02-I Know What I Like (In Your Wardrobe)
DR9 -4.48 dB -16.93 dB 9:35 03-Firth Of Fifth
DR12 -4.60 dB -21.64 dB 3:11 04-More Fool Me
DR10 -4.42 dB -17.18 dB 11:43 05-The Battle Of Epping Forest
DR10 -4.42 dB -18.60 dB 4:15 06-After The Ordeal
DR8 -4.37 dB -16.05 dB 10:41 07-The Cinema Show
DR12 -4.50 dB -21.22 dB 1:58 08-Aisle Of Plenty
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR10

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 3,25 GB


Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - The Lamb Lies Down On Broadway (2xSACD, 1974) [Remastered 2007]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 94:26 minutes | Scans included | 6,1 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 2,23 GB

Given all the overt literary references of Selling England by the Pound, along with their taste for epic suites such as "Supper's Ready," it was only a matter of time before Genesis attempted a full-fledged concept album, and 1974's The Lamb Lies Down on Broadway was a massive rock opera: the winding, wielding story of a Puerto Rican hustler name Rael making his way in New York City. Peter Gabriel made some tentative moves toward developing this story into a movie with William Friedkin but it never took off, perhaps it's just as well; even with the lengthy libretto included with the album, the story never makes sense. But just because the story is rather impenetrable doesn't mean that the album is as well, because it is a forceful, imaginative piece of work that showcases the original Genesis lineup at a peak. Even if the story is rather hard to piece together, the album is set up in a remarkable fashion, with the first LP being devoted to pop-oriented rock songs and the second being largely devoted to instrumentals. This means that The Lamb Lies Down on Broadway contains both Genesis' most immediate music to date and its most elliptical. Depending on a listener's taste, they may gravitate toward the first LP with its tight collection of ten rock songs, or the nightmarish landscapes of the second, where Rael descends into darkness and ultimately redemption (or so it would seem), but there's little question that the first album is far more direct than the second and it contains a number of masterpieces, from the opening fanfare of the title song to the surging "In the Cage," from the frightening "Back in NYC" to the soothing conclusion "The Carpet Crawlers." In retrospect, this first LP plays a bit more like the first Gabriel solo album than the final Genesis album, but there's also little question that the band helps form and shape this music (with Brian Eno adding extra coloring on occasion), while Genesis shines as a group shines on the impressionistic second half. In every way, it's a considerable, lasting achievement and it's little wonder that Peter Gabriel had to leave the band after this record: they had gone as far as they could go together, and could never top this extraordinary album.

Tracklist:

Disc One:
01. The Lamb Lies Down On Broadway
02. Fly On A Windshield
03. Broadway Melody Of 1974
04. Cuckoo Cocoon
05. In The Cage
06. The Grand Parade Of Lifeless Packaging
07. Back In NYC
08. Hairless Heart
09. Counting Out Time
10. Carpet Crawlers
11. The Chamber Of 32 Doors

Disc Two:
01. Lilywhite Lilith
02. The Waiting Room
03. Anyway
04. Here Comes The Supernatural Anaesthetist
05. The Lamia
06. Silent Sorrow In Empty Boats
07. The Colony Of Slippermen (The Arrival / A Visit To The Doktor / Raven)
08. Ravine
09. The Light Dies Down On Broadway
10. Riding The Scree
11. In The Rapids
12. It

foobar2000 1.1.17 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / The Lamb Lies Down On Broadway - Disc One
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -4.53 dB -18.19 dB 4:52 01-The Lamb Lies Down On Broadway
DR10 -4.57 dB -18.37 dB 2:45 02-Fly On A Windshield
DR10 -4.62 dB -19.84 dB 2:11 03-Broadway Melody Of 1974
DR12 -4.70 dB -21.80 dB 2:13 04-Cuckoo Cocoon
DR9 -4.42 dB -18.74 dB 8:12 05-In The Cage
DR10 -4.59 dB -19.03 dB 2:46 06-The Grand Parade Of Lifeless Packaging
DR10 -4.56 dB -16.73 dB 5:45 07-Back In NYC
DR9 -4.53 dB -20.09 dB 2:10 08-Hairless Heart
DR9 -4.50 dB -17.15 dB 3:41 09-Counting Out Time
DR11 -4.59 dB -19.26 dB 5:15 10-Carpet Crawlers
DR11 -4.55 dB -19.43 dB 5:45 11-The Chamber Of 32 Doors
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR10

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / The Lamb Lies Down On Broadway - Disc Two
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -4.59 dB -17.87 dB 2:49 01-Lilywhite Lilith
DR10 -4.54 dB -18.49 dB 5:17 02-The Waiting Room
DR9 -4.53 dB -17.38 dB 3:17 03-Anyway
DR11 -4.58 dB -19.57 dB 2:49 04-Here Comes The Supernatural Anaesthetist
DR9 -4.53 dB -18.58 dB 6:58 05-The Lamia
DR11 -5.54 dB -23.58 dB 3:01 06-Silent Sorrow In Empty Boats
DR10 -4.50 dB -18.34 dB 8:12 07-The Colony Of Slippermen (The Arrival / A Visit To The Doktor / Raven)
DR10 -7.93 dB -24.45 dB 2:06 08-Ravine
DR8 -4.59 dB -16.85 dB 3:32 09-The Light Dies Down On Broadway
DR8 -4.53 dB -17.80 dB 4:07 10-Riding The Scree
DR8 -4.50 dB -18.34 dB 2:22 11-In The Rapids
DR8 -4.55 dB -15.19 dB 4:19 12-It
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR9

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / The Lamb Lies Down On Broadway - Disc One
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -4.55 dB -14.79 dB 4:52 01-The Lamb Lies Down On Broadway
DR7 -4.58 dB -15.30 dB 2:45 02-Fly On A Windshield
DR9 -4.58 dB -16.66 dB 2:11 03-Broadway Melody Of 1974
DR9 -4.59 dB -16.78 dB 2:13 04-Cuckoo Cocoon
DR7 -4.47 dB -14.23 dB 8:12 05-In The Cage
DR8 -4.57 dB -16.03 dB 2:46 06-The Grand Parade Of Lifeless Packaging
DR7 -4.55 dB -13.86 dB 5:45 07-Back In NYC
DR8 -4.59 dB -17.13 dB 2:10 08-Hairless Heart
DR8 -4.56 dB -14.27 dB 3:41 09-Counting Out Time
DR7 -4.56 dB -15.17 dB 5:15 10-Carpet Crawlers
DR8 -4.57 dB -16.14 dB 5:45 11-The Chamber Of 32 Doors
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR8

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64
================================================================================
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / The Lamb Lies Down On Broadway - Disc Two
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -4.56 dB -14.83 dB 2:49 01-Lilywhite Lilith
DR8 -4.51 dB -16.46 dB 5:17 02-The Waiting Room
DR7 -4.58 dB -14.86 dB 3:17 03-Anyway
DR8 -4.58 dB -15.49 dB 2:49 04-Here Comes The Supernatural Anaesthetist
DR7 -4.56 dB -15.60 dB 6:58 05-The Lamia
DR11 -4.62 dB -21.45 dB 3:01 06-Silent Sorrow In Empty Boats
DR8 -4.52 dB -15.10 dB 8:12 07-The Colony Of Slippermen (The Arrival / A Visit To The Doktor / Raven)
DR10 -6.37 dB -20.80 dB 2:06 08-Ravine
DR7 -4.57 dB -13.91 dB 3:32 09-The Light Dies Down On Broadway
DR7 -4.58 dB -14.56 dB 4:07 10-Riding The Scree
DR7 -4.58 dB -16.32 dB 2:22 11-In The Rapids
DR7 -4.57 dB -13.19 dB 4:19 12-It
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR8

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 2,79 + 2,97 GB


Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - Extras Tracks 1970-1975 (2007)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 46:42 minutes | Scans included | 3,01 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,15 GB

This supplemental disc has the exceptional B-side "Twilight Alehouse," the single-only "Happy the Man," the demo of the terrific "Going Out to Get You," and the BBC session that produced "Shepherd," "Pacidy," and "Let Us Now Make Love" – all tracks that showed up on the 1998 box set Genesis Archives, Vol. 1: 1967-1975, but the real treat is the first official release of the four songs that comprise Genesis Plays Jackson, the band's soundtrack to a show by artist Michael Jackson. Add to this the video material – limited to interviews on Trespass and Nursery Cryme, but containing full performances on Foxtrot and Selling England, plus the original slide shows used for the stage show of Lamb – and this box turns into something extraordinary: a nearly complete portrait of a restlessly creative band at their peak, whose output only sounds more distinctive with each passing year.

Tracklist:

01. Happy The Man
02. Twilight Alehouse
03. Going Out To Get You
04. Shepherd
05. Pacidy
06. Let Us Now Make Love
07. Provocation
08. Frustration
09. Manipulation
10. Resignation

foobar2000 1.1.17 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Extras Tracks 1970 - 1975
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.52 dB -21.47 dB 3:12 01-Happy The Man
DR14 -4.34 dB -21.40 dB 7:48 02-Twilight Alehouse
DR11 -4.83 dB -21.70 dB 4:55 03-Going Out To Get You
DR15 -4.69 dB -27.66 dB 4:04 04-Shepherd
DR11 -5.47 dB -23.80 dB 5:44 05-Pacidy
DR10 -5.56 dB -22.52 dB 6:16 06-Let Us Now Make Love
DR10 -6.07 dB -21.67 dB 4:10 07-Provocation
DR11 -5.70 dB -22.31 dB 3:42 08-Frustration
DR10 -6.46 dB -22.96 dB 3:49 09-Manipulation
DR12 -6.25 dB -27.10 dB 3:03 10-Resignation
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR12

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Extras Tracks 1970 - 1975
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -4.50 dB -18.83 dB 3:12 01-Happy The Man
DR9 -4.37 dB -17.18 dB 7:48 02-Twilight Alehouse
DR11 -4.51 dB -18.34 dB 4:55 03-Going Out To Get You
DR14 -4.53 dB -23.40 dB 4:04 04-Shepherd
DR11 -4.51 dB -19.51 dB 5:44 05-Pacidy
DR9 -4.52 dB -18.44 dB 6:16 06-Let Us Now Make Love
DR10 -4.96 dB -17.37 dB 4:10 07-Provocation
DR10 -4.96 dB -18.03 dB 3:42 08-Frustration
DR9 -5.13 dB -18.72 dB 3:49 09-Manipulation
DR12 -4.91 dB -22.81 dB 3:03 10-Resignation
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR11

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 2,74 GB


Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - A Trick Of The Tail (1976) [Remastered Reissue 2007]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 51:22 minutes | Scans included | 3,4 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,26 GB

After Peter Gabriel departed for a solo career, Genesis embarked on a long journey to find a replacement, only to wind back around to their drummer, Phil Collins, as a replacement. With Collins as their new frontman, the band decided not to pursue the stylish, jagged postmodernism of The Lamb Lies Down on Broadway – a move that Gabriel would do in his solo career – and instead returned to the English eccentricity of Selling England by the Pound for its next effort, A Trick of the Tail. In almost every respect, this feels like a truer sequel to Selling England by the Pound than Lamb; after all, that double album was obsessed with modernity and nightmare, whereas this album returns the group to the fanciful fairy tale nature of its earlier records. Also, Genesis were moving away from the barbed pop of the first LP and returning to elastic numbers that showcased their instrumental prowess, and they sounded more forceful and unified as a band than they had since Foxtrot. Not that this album is quite as memorable as Foxtrot or Selling England, largely because its songs aren't as immediate or memorable: apart from "Dance on a Volcano," this is about the sound of the band playing, not individual songs, and it succeeds on that level quite wildly – to the extent that it proved to longtime fans that Genesis could possibly thrive without its former leader in tow.

Tracklist:

01. Dance On A Volcano
02. Entangled
03. Squonk
04. Mad Man Moon
05. Robbery, Assault And Battery
06. Ripples
07. A Trick Of The Tail
08. Los Endos

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / A Trick Of The Tail
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -4.32 dB -19.30 dB 5:58 01-Dance On A Volcano
DR11 -4.55 dB -21.25 dB 6:27 02-Entangled
DR12 -4.48 dB -19.41 dB 6:30 03-Squonk
DR11 -4.45 dB -20.14 dB 7:35 04-Mad Man Moon
DR11 -4.34 dB -18.80 dB 6:19 05-Robbery, Assault And Battery
DR10 -4.93 dB -20.28 dB 8:05 06-Ripples
DR12 -4.46 dB -20.22 dB 4:35 07-A Trick Of The Tail
DR10 -4.43 dB -18.42 dB 5:52 08-Los Endos
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR11

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / A Trick Of The Tail
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -4.32 dB -15.38 dB 5:58 01-Dance On A Volcano
DR10 -4.49 dB -18.18 dB 6:27 02-Entangled
DR9 -4.39 dB -15.07 dB 6:30 03-Squonk
DR8 -4.51 dB -17.19 dB 7:35 04-Mad Man Moon
DR9 -4.44 dB -15.41 dB 6:19 05-Robbery, Assault And Battery
DR8 -4.93 dB -17.47 dB 8:05 06-Ripples
DR9 -4.42 dB -16.61 dB 4:35 07-A Trick Of The Tail
DR8 -4.40 dB -15.97 dB 5:52 08-Los Endos
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR9

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 2,79 + 2,97 GB



Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - Wind & Wuthering (1976) [Remastered Reissue 2007]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 50:57 minutes | Scans included | 3,36 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,23 GB

Wind & Wuthering followed quickly on the heels of A Trick of the Tail and they're very much cut from the same cloth, working the same English eccentric ground that was the group's stock in trade since Trespass. But if A Trick of the Tail played like Genesis' attempt at crafting a great Genesis record without Peter Gabriel, as a way of finding their footing as a quartet, Wind & Wuthering finds Genesis tentatively figuring out what their identity will be in this new phase of their career. The most obvious indication of this is Mike Rutherford's "Your Own Special Way," which is both the poppiest tune the group had cut and also the first that could qualify as a love song. It stands out on a record that is, apart from that, a standard Genesis record, but quite a good one in that regard.

Tracklist:

01. Eleventh Earl Of Mar
02. One For The Vine
03. Your Own Special Way
04. Wot Gorilla?
05. All In A Mouse's Night
06. Blood On The Rooftops
07. Unquiet Slumbers For The Sleepers
08. In That Quiet Earth
09. Afterglow

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Wind And Wuthering
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -4.35 dB -18.86 dB 7:44 01-Eleventh Earl Of Mar
DR11 -4.40 dB -20.01 dB 10:00 02-One For The Vine
DR12 -4.40 dB -20.77 dB 6:18 03-Your Own Special Way
DR11 -4.46 dB -20.27 dB 3:21 04-Wot Gorilla?
DR10 -4.42 dB -17.74 dB 6:39 05-All In A Mouse's Night
DR11 -4.30 dB -21.27 dB 5:28 06-Blood On The Rooftops
DR9 -7.97 dB -22.59 dB 2:20 07-Unquiet Slumbers For The Sleepers
DR10 -4.35 dB -18.39 dB 4:54 08-In That Quiet Earth
DR11 -4.45 dB -19.17 dB 4:14 09-Afterglow
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR11

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Wind And Wuthering
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -4.39 dB -14.75 dB 7:44 01-Eleventh Earl Of Mar
DR8 -4.42 dB -16.17 dB 10:00 02-One For The Vine
DR9 -4.47 dB -16.97 dB 6:18 03-Your Own Special Way
DR8 -4.47 dB -15.52 dB 3:21 04-Wot Gorilla?
DR8 -4.33 dB -14.20 dB 6:39 05-All In A Mouse's Night
DR9 -4.34 dB -17.52 dB 5:28 06-Blood On The Rooftops
DR10 -5.86 dB -18.63 dB 2:20 07-Unquiet Slumbers For The Sleepers
DR8 -4.44 dB -14.27 dB 4:54 08-In That Quiet Earth
DR8 -4.47 dB -15.24 dB 4:14 09-Afterglow
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR8

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 3,17 GB


Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - And Then There Were Three (1978) [Remastered Reissue 2007]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 53:37 minutes | Scans included | 3,61 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,32 GB

And Then There Were Three, more than either of its immediate predecessors, feels like the beginning of the second phase of Genesis – in large part because the lineup had indeed dwindled down to Tony Banks, Mike Rutherford, and Phil Collins, a situation alluded to in the title. But it wasn't just a whittling of the lineup; the group's aesthetic was also shifting, moving away from the fantastical, literary landscapes that marked both the early Genesis LPs and the two transitional post-Gabriel outings, as the bandmembers turned their lyrical references to contemporary concerns and slowly worked pop into the mix, as heard on the closing "Follow You Follow Me," the band's first genuine pop hit. Its calm, insistent melody, layered with harmonies, is a perfect soft rock hook, although there's a glassy, almost eerie quality to the production that is also heard throughout the rest of the record. These chilly surfaces are an indication that Genesis don't quite want to abandon prog at this point, but the increasing emphasis on melody and tight song structures points the way toward the group's '80s work.

Tracklist:

01. Down And Out
02. Undertow
03. Ballad Of Big
04. Snowbound
05. Burning Rope
06. Deep In The Motherlode
07. Many Too Many
08. Scenes From A Night's Dream
09. Say It's Alright Joe
10. The Lady Lies
11. Follow You Follow Me

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / And Then There Were Three
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -4.42 dB -17.61 dB 5:27 01-Down And Out
DR10 -4.39 dB -19.20 dB 4:47 02-Undertow
DR11 -4.43 dB -18.19 dB 4:51 03-Ballad Of Big
DR10 -4.42 dB -18.20 dB 4:31 04-Snowbound
DR12 -4.37 dB -19.31 dB 7:10 05-Burning Rope
DR10 -4.43 dB -18.32 dB 5:16 06-Deep In The Motherlode
DR11 -4.52 dB -20.15 dB 3:32 07-Many Too Many
DR11 -4.39 dB -18.40 dB 3:30 08-Scenes From A Night's Dream
DR9 -4.46 dB -20.40 dB 4:21 09-Say It's Alright Joe
DR11 -4.40 dB -18.50 dB 6:08 10-The Lady Lies
DR11 -4.35 dB -18.59 dB 4:03 11-Follow You Follow Me
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR11

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / And Then There Were Three
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -4.47 dB -13.88 dB 5:27 01-Down And Out
DR8 -4.48 dB -16.38 dB 4:47 02-Undertow
DR9 -4.48 dB -15.08 dB 4:51 03-Ballad Of Big
DR8 -4.48 dB -15.36 dB 4:31 04-Snowbound
DR8 -4.47 dB -14.99 dB 7:10 05-Burning Rope
DR8 -4.47 dB -15.37 dB 5:16 06-Deep In The Motherlode
DR9 -4.45 dB -16.70 dB 3:32 07-Many Too Many
DR8 -4.45 dB -13.69 dB 3:30 08-Scenes From A Night's Dream
DR9 -4.54 dB -18.57 dB 4:21 09-Say It's Alright Joe
DR8 -4.47 dB -13.74 dB 6:08 10-The Lady Lies
DR9 -4.42 dB -15.52 dB 4:03 11-Follow You Follow Me
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR8

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 3,4 GB



Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - Duke (1980) [Remastered Reissue 2007]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 55:05 minutes | Scans included | 3,67 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,36 GB

If And Then There Were Three suggested that Genesis were moving toward pop, Duke is where they leaped into the fray. Not that it was exactly a head-first leap: the band may have peppered the album with pop songs, but there was still a heavy dose of prog, as the concluding "Duke" suite made clear. This is modernist art rock, quite dissimilar to the fragile, delicate Selling England by the Pound, and sometimes the precision of the attack can be a little bombastic. Nevertheless, this is a major leap forward in distinguishing the sound of Genesis, the band, and along with a new signature sound come pop songs, particularly in the guise of "Misunderstanding" and "Turn It on Again." The first is a light, nearly soulful, heartache song, the latter is a thunderous arena rocker, and both showcase the new version of Genesis at its absolute best. The rest of the record comes close to matching them.

Tracklist:

01. Behind The Lines
02. Duchess
03. Guide Vocal
04. Man Of Our Times
05. Misunderstanding
06. Heathaze
07. Turn It On Again
08. Alone Tonight
09. Cul-de-sac
10. Please Don't Ask
11. Duke's Travels
12. Duke's End

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Duke
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -4.34 dB -19.20 dB 5:31 01-Behind The Lines
DR11 -4.50 dB -19.64 dB 6:37 02-Duchess
DR11 -10.66 dB -27.15 dB 1:21 03-Guide Vocal
DR12 -4.51 dB -19.55 dB 5:35 04-Man Of Our Times
DR12 -4.35 dB -20.79 dB 3:15 05-Misunderstanding
DR13 -4.44 dB -20.26 dB 5:00 06-Heathaze
DR13 -4.40 dB -20.30 dB 3:52 07-Turn It On Again
DR12 -4.52 dB -20.11 dB 3:57 08-Alone Tonight
DR12 -4.37 dB -19.20 dB 5:05 09-Cul-de-sac
DR11 -4.50 dB -20.30 dB 4:02 10-Please Don't Ask
DR12 -4.40 dB -19.50 dB 8:38 11-Duke's Travels
DR9 -4.41 dB -16.09 dB 2:10 12-Duke's End
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR12

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Duke
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -4.43 dB -14.25 dB 5:31 01-Behind The Lines
DR8 -4.46 dB -15.63 dB 6:37 02-Duchess
DR12 -8.45 dB -22.77 dB 1:21 03-Guide Vocal
DR8 -4.43 dB -14.74 dB 5:35 04-Man Of Our Times
DR9 -4.36 dB -15.25 dB 3:15 05-Misunderstanding
DR9 -4.48 dB -15.94 dB 5:00 06-Heathaze
DR9 -4.46 dB -15.07 dB 3:52 07-Turn It On Again
DR8 -4.54 dB -15.59 dB 3:57 08-Alone Tonight
DR8 -4.49 dB -15.29 dB 5:05 09-Cul-de-sac
DR9 -4.48 dB -16.00 dB 4:02 10-Please Don't Ask
DR9 -4.45 dB -15.81 dB 8:38 11-Duke's Travels
DR7 -4.45 dB -13.15 dB 2:10 12-Duke's End
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR9

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 3,47 GB



Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - Abacab (1981) [Remastered Reissue 2007]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 47:07 minutes | Scans included | 3,11 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,16 GB

Duke showcased a new Genesis – a sleek, hard, stylish trio that truly sounded like a different band from its first incarnation – but Abacab was where this new incarnation of the band came into its own. Working once again with producer Hugh Padgham, the group escalated the innovations of Duke, increasing the pop hooks, working them seamlessly into the artiest rock here. And even if the brash, glorious pop of "No Reply at All" – powered by the percolating horns of Earth, Wind & Fire, yet polished into a precise piece of nearly new wave pop by Padgham – suggests otherwise, this is still art rock at its core, or at least album-oriented rock, as the band works serious syncopations and instrumental forays into a sound that's as bright, bold, and jagged as the modernist artwork on the cover. They dabble in other genres, lacing "Me and Sarah Jane" with a reggae beat, for instance, which often adds dimension to their sound, as when "Dodo" rides a hard funk beat and greasy organ synths yet doesn't become obvious; it turns inward, requiring active listening. Truly, only "No Reply at All," the rampaging title track (possibly their hardest-rocking song to date), and the sleek and spooky "Man on the Corner" (which hides a real melancholy heart underneath its glistening surface) are immediate and accessible – although the Mockney jokes of "Who Dunnit?" could count, it's too much of a geeky novelty to be pop. The rest of Abacab is truly modern art rock, their last album that could bear that tag comfortably.

Tracklist:

01. Abacab
02. No Reply At All
03. Me And Sarah Jane
04. Keep It Dark
05. Dodo / Lurker
06. Who Dunnit?
07. Man On The Corner
08. Like It Or Not
09. Another Record

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Abacab
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.27 dB -21.19 dB 6:57 01-Abacab
DR14 -4.43 dB -21.05 dB 4:34 02-No Reply At All
DR12 -4.39 dB -21.68 dB 6:02 03-Me And Sarah Jane
DR12 -4.34 dB -19.10 dB 4:32 04-Keep It Dark
DR12 -4.41 dB -20.10 dB 7:32 05-Dodo / Lurker
DR12 -4.52 dB -19.11 dB 3:25 06-Who Dunnit?
DR14 -4.49 dB -21.31 dB 4:27 07-Man On The Corner
DR13 -4.26 dB -21.38 dB 4:59 08-Like It Or Not
DR13 -4.44 dB -21.55 dB 4:39 09-Another Record
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR13

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Abacab
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -4.45 dB -17.01 dB 6:57 01-Abacab
DR9 -4.37 dB -15.53 dB 4:34 02-No Reply At All
DR9 -4.38 dB -16.86 dB 6:02 03-Me And Sarah Jane
DR8 -4.43 dB -14.91 dB 4:32 04-Keep It Dark
DR9 -4.36 dB -15.51 dB 7:32 05-Dodo / Lurker
DR9 -4.53 dB -14.72 dB 3:25 06-Who Dunnit?
DR9 -4.43 dB -17.16 dB 4:27 07-Man On The Corner
DR10 -4.33 dB -17.07 dB 4:59 08-Like It Or Not
DR11 -4.43 dB -17.10 dB 4:39 09-Another Record
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR9

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 2,93 GB


Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - Extras Tracks 1976-1982 (2007)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 59:03 minutes | Scans included | 3,95 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,52 GB

Extra Tracks 1976 to 1982, is a second disc of rarities. Drawing from the band's wealth of non-album tracks, the compilation contains 13 songs including the hit single "Paperlate" and "You Might Recall" from the EP 3X3 (1982) along with "Match Of The Day" and "Inside and Out" from the EP Spot The Pigeon (1977). Included among the disc's many b-sides are "It's Yourself," "Open Door," "Submarine" and "Evidence Of Autumn," the flip side to the single "Misunderstanding."

Tracklist:

01. Paperlate
02. Evidence Of Autumn
03. Pigeons
04. You Might Recall
05. Naminanu
06. Inside And Out
07. Vancouver
08. Me And Virgil
09. It's Yourself
10. Match Of The Day
11. Open Door
12. The Day The Light Went Out
13. Submarine

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Extra Tracks 1976 - 1982
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.46 dB -19.47 dB 3:25 01-Paperlate
DR12 -4.55 dB -22.30 dB 4:58 02-Evidence Of Autumn
DR12 -4.47 dB -19.25 dB 3:16 03-Pigeons
DR14 -4.42 dB -20.89 dB 5:35 04-You Might Recall
DR12 -4.38 dB -21.44 dB 3:54 05-Naminanu
DR12 -4.46 dB -21.81 dB 6:48 06-Inside And Out
DR10 -4.52 dB -20.15 dB 3:03 07-Vancouver
DR13 -4.45 dB -21.94 dB 6:19 08-Me And Virgil
DR12 -4.50 dB -21.11 dB 6:16 09-It's Yourself
DR12 -4.33 dB -19.33 dB 3:30 10-Match Of The Day
DR12 -5.57 dB -24.94 dB 4:07 11-Open Door
DR11 -4.40 dB -18.31 dB 3:13 12-The Day The Light Went Out
DR10 -4.52 dB -21.01 dB 4:38 13-Submarine
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR12

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Extra Tracks 1976 - 1982
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -4.47 dB -14.93 dB 3:25 01-Paperlate
DR10 -4.41 dB -17.05 dB 4:58 02-Evidence Of Autumn
DR8 -5.44 dB -15.15 dB 3:16 03-Pigeons
DR10 -4.40 dB -15.89 dB 5:35 04-You Might Recall
DR9 -4.39 dB -15.78 dB 3:54 05-Naminanu
DR9 -4.44 dB -17.80 dB 6:48 06-Inside And Out
DR9 -5.50 dB -16.76 dB 3:03 07-Vancouver
DR10 -4.51 dB -17.11 dB 6:19 08-Me And Virgil
DR9 -4.55 dB -17.25 dB 6:16 09-It's Yourself
DR10 -4.33 dB -15.61 dB 3:30 10-Match Of The Day
DR11 -4.57 dB -19.73 dB 4:07 11-Open Door
DR8 -4.92 dB -14.47 dB 3:13 12-The Day The Light Went Out
DR8 -4.44 dB -17.07 dB 4:38 13-Submarine
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR9

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 3,64 GB


Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - Genesis (1983) [Remastered Reissue 2007]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 46:19 minutes | Scans included | 3,07 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,14 GB

Moments of Genesis are as spooky and arty as those on Abacab – in particular, there's the tortured howl of "Mama," uncannily reminiscent of Phil Collins' Face Value, and the two-part "Second Home by the Sea" – but this eponymous 1983 album is indeed a rebirth, as so many self-titled albums delivered in the thick of a band's career often are. Here the art rock functions as coloring to the pop songs, unlike on Abacab and Duke, where the reverse is true. Some of this may be covering their bets – to ensure that the longtime fans didn't jump ship, they gave them a bit of art – some of it may be that the band just couldn't leave prog behind, but the end result is the same: as of this record, Genesis was now primarily a pop band. Anybody who paid attention to "Misunderstanding" and "No Reply at All" could tell that this was a good pop band, primarily thanks to the rapidly escalating confidence of Phil Collins, but Genesis illustrates just how good they could be, by balancing such sleek, pulsating pop tunes as "That's All" with a newfound touch for aching ballads, as on "Taking It All Too Hard." They still rocked – "Just a Job to Do" has an almost nasty edge to its propulsion – and they could still get too silly as on "Illegal Alien," where Phil's Speedy Gonzalez accident is an outright embarrassment (although in some ways it's not all that far removed from his Artful Dodger accent on the previous album's "Who Dunnit?"), and that's why the album doesn't quite gel. It has a little bit too much of everything – too much pop, too much art, too much silliness – so it doesn't pull together, but if taken individually, most of these moments are very strong, testaments to the increasing confidence and pop power of the trio, even if it's not quite what longtime fans might care to hear.

Tracklist:

01. Mama
02. That's All
03. Home By The Sea
04. Second Home By The Sea
05. Illegal Alien
06. Taking It All Too Hard
07. Just A Job To Do
08. Silver Rainbow
09. It's Gonna Get Better

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Genesis
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.52 dB -22.03 dB 6:52 01-Mama
DR14 -4.41 dB -21.09 dB 4:26 02-That's All
DR12 -4.39 dB -19.46 dB 5:08 03-Home By The Sea
DR10 -4.34 dB -18.72 dB 6:07 04-Second Home By The Sea
DR12 -4.26 dB -20.20 dB 5:15 05-Illegal Alien
DR12 -4.42 dB -19.50 dB 3:58 06-Taking It All Too Hard
DR12 -4.32 dB -19.51 dB 4:47 07-Just A Job To Do
DR11 -4.48 dB -18.48 dB 4:31 08-Silver Rainbow
DR12 -4.25 dB -19.27 dB 5:14 09-It's Gonna Get Better
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR12

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Genesis
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -4.48 dB -19.80 dB 6:52 01-Mama
DR12 -4.48 dB -18.75 dB 4:26 02-That's All
DR11 -4.51 dB -17.32 dB 5:08 03-Home By The Sea
DR9 -4.43 dB -16.35 dB 6:07 04-Second Home By The Sea
DR11 -4.50 dB -17.49 dB 5:15 05-Illegal Alien
DR10 -4.37 dB -16.58 dB 3:58 06-Taking It All Too Hard
DR10 -4.38 dB -16.70 dB 4:47 07-Just A Job To Do
DR10 -4.41 dB -15.87 dB 4:31 08-Silver Rainbow
DR10 -4.42 dB -17.05 dB 5:14 09-It's Gonna Get Better
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR11

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 2,88 GB


Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - Invisible Touch (1986) [Remastered Reissue 2007]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 46:15 minutes | Scans included | 3,08 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,12 GB

Delivered in the wake of Phil Collins' massive success as a solo star, Invisible Touch was seen at the time as a bit of a Phil Collins solo album disguised as a Genesis album, and it's not hard to see why. Invisible Touch is, without a doubt, Genesis' poppiest album, a sleek, streamlined affair built on electronic percussion and dressed in synths that somehow seem to be programmed, not played by Tony Banks. In that sense, it does seem a bit like No Jacket Required, and the heavy emphasis on pop tunes does serve the singer, not the band, but it's not quite fair to call this a Collins album, and not just because there are two arty tunes that could have fit on its predecessor, Genesis. There is a difference between Collins and Genesis – on his own, Phil was lighter, and Genesis was often a bit chillier. Of course, the title track is the frothiest thing the band ever did, while "In Too Deep" and "Throwing It All Away" are power ballads that could be seen as Phil projects, but "Land of Confusion" was a protest tune and "Tonight, Tonight, Tonight" was a stark, scary tale of scoring dope (which made its inclusion in a Michelob campaign in the '80s almost as odd as recovering alcoholic Eric Clapton shilling for the brewery). But those songs had big hooks that excused their coldness, and the arty moments sank to the bottom, obscured by the big, bold pop hooks here – pop that was the sound of the mainstream in the late '80s, pop that still effortlessly evokes its time.

Tracklist:

01. Invisible Touch
02. Tonight, Tonight, Tonight
03. Land Of Confusion
04. In Too Deep
05. Anything She Does
06. Domino
07. Throwing It All Away
08. The Brazilian

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Invisible Touch
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -4.38 dB -19.60 dB 3:30 01-Invisible Touch
DR11 -4.40 dB -18.85 dB 8:54 02-Tonight, Tonight, Tonight
DR11 -4.36 dB -16.92 dB 4:46 03-Land Of Confusion
DR12 -4.49 dB -19.61 dB 5:03 04-In Too Deep
DR12 -4.31 dB -18.45 dB 4:21 05-Anything She Does
DR11 -4.26 dB -18.37 dB 10:45 06-Domino
DR11 -4.33 dB -18.56 dB 3:51 07-Throwing It All Away
DR11 -4.43 dB -18.39 dB 5:04 08-The Brazilian
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR11

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Invisible Touch
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -4.47 dB -15.52 dB 3:30 01-Invisible Touch
DR9 -4.35 dB -15.35 dB 8:54 02-Tonight, Tonight, Tonight
DR9 -4.43 dB -15.15 dB 4:46 03-Land Of Confusion
DR10 -4.57 dB -16.35 dB 5:03 04-In Too Deep
DR10 -4.41 dB -15.56 dB 4:21 05-Anything She Does
DR8 -4.36 dB -15.57 dB 10:45 06-Domino
DR9 -4.46 dB -15.81 dB 3:51 07-Throwing It All Away
DR9 -4.47 dB -16.46 dB 5:04 08-The Brazilian
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR9

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 2,93 GB


Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - We Can't Dance (1991) [Remastered Reissue 2007]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 71:48 minutes | Scans included | 4,71 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,82 GB

After spending the 1980s moving in an increasingly pop-friendly direction, 1991's We Can't Dance marked a return to earlier aesthetics for Genesis. Edgier with more prominent guitars and live drums than on Invisible Touch, the record was the band's strongest musical statement in over a decade. With "Driving the Last Spike" and the dark "Dreaming While You Sleep" the group revisited one of their forgotten strengths, telling extended stories. That's not to say the album is a return to The Lamb Lies Down on Broadway or Trick of the Tail. Indeed, while there are several extended pieces on the record, there is none of the eccentricities, odd meters, or extended virtuoso solos of the band's progressive heyday. The album's closer, "Fading Lights," comes the closest, featuring an outstanding instrumental mid-section. Unfortunately, the record also contains some gutless ballads and paeans for world understanding that sound miles away from any immediacy. However, the surprisingly gritty singles "No Son of Mine," "Jesus He Knows Me," and "I Can't Dance" help make up for the album's weaker moments.

Tracklist:

01. No Son Of Mine
02. Jesus He Knows Me
03. Driving The Last Spike
04. I Can't Dance
05. Never A Time
06. Dreaming While You Sleep
07. Tell Me Why
08. Living Forever
09. Hold On My Heart
10. Way Of The World
11. Since I Lost You
12. Fading Lights

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / We Can't Dance
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -4.38 dB -18.83 dB 6:40 01-No Son Of Mine
DR12 -4.42 dB -18.46 dB 4:17 02-Jesus He Knows Me
DR12 -4.42 dB -19.59 dB 10:09 03-Driving The Last Spike
DR13 -4.41 dB -19.76 dB 4:01 04-I Can't Dance
DR12 -4.45 dB -18.53 dB 3:50 05-Never A Time
DR11 -4.46 dB -19.02 dB 7:17 06-Dreaming While You Sleep
DR12 -4.26 dB -18.90 dB 4:59 07-Tell Me Why
DR13 -4.42 dB -19.87 dB 5:41 08-Living Forever
DR12 -4.37 dB -19.89 dB 4:38 09-Hold On My Heart
DR12 -4.33 dB -19.38 dB 5:40 10-Way Of The World
DR10 -4.54 dB -17.89 dB 4:10 11-Since I Lost You
DR12 -4.44 dB -19.85 dB 10:27 12-Fading Lights
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR12

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / We Can't Dance
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -4.47 dB -16.01 dB 6:40 01-No Son Of Mine
DR9 -4.50 dB -15.27 dB 4:17 02-Jesus He Knows Me
DR10 -4.44 dB -16.81 dB 10:09 03-Driving The Last Spike
DR11 -4.53 dB -17.59 dB 4:01 04-I Can't Dance
DR10 -4.36 dB -15.85 dB 3:50 05-Never A Time
DR8 -4.49 dB -16.47 dB 7:17 06-Dreaming While You Sleep
DR10 -4.40 dB -16.44 dB 4:59 07-Tell Me Why
DR10 -4.42 dB -16.03 dB 5:41 08-Living Forever
DR10 -4.48 dB -16.84 dB 4:38 09-Hold On My Heart
DR10 -4.40 dB -16.63 dB 5:40 10-Way Of The World
DR8 -4.48 dB -14.47 dB 4:10 11-Since I Lost You
DR9 -4.40 dB -17.05 dB 10:27 12-Fading Lights
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR10

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 4,36 GB


Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - Calling All Stations (1997) [Remastered Reissue 2007]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 67:59 minutes | Scans included | 4,57 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,68 GB

Phil Collins left Genesis following the We Can't Dance tour and many observers expected Tony Banks and Michael Rutherford to finally call it a day. They decided to persevere instead, hiring former Stiltskin vocalist Ray Wilson to replace Collins. Given that Stiltskin was a European neo-prog band, it isn't a total surprise that Genesis returned to their art rock roots on Calling All Stations, their first album with Wilson. The music on Calling All Stations is long, dense, and lugubrious, but it's given the same immaculate, pristine production that was the hallmark of their adult contemporary work with Collins. It wants to be an art rock album, but not at the expense of losing the pop audience – which makes it all the stranger that the group doesn't really write pop songs on Calling All Stations. That may be because Wilson's voice isn't suited for pop, but works well with languid, synthesized prog settings. But even ponderous prog rock has to have musical themes worth exploring, and on that level, Genesis come up dry on Calling All Stations.

Tracklist:

01. Calling All Stations
02. Congo
03. Shipwrecked
04. Alien Afternoon
05. Not About Us
06. If That's What You Need
07. The Dividing Line
08. Uncertain Weather
09. Small Talk
10. There Must Be Some Other Way
11. One Man's Fool

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Calling All Stations
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -4.32 dB -16.88 dB 5:46 01-Calling All Stations
DR12 -4.35 dB -18.52 dB 4:53 02-Congo
DR11 -4.27 dB -18.92 dB 4:24 03-Shipwrecked
DR11 -4.30 dB -18.71 dB 7:54 04-Alien Afternoon
DR12 -4.41 dB -19.14 dB 4:40 05-Not About Us
DR12 -4.51 dB -19.19 dB 5:13 06-If That's What You Need
DR12 -4.38 dB -18.38 dB 7:45 07-The Dividing Line
DR11 -4.49 dB -19.29 dB 5:30 08-Uncertain Weather
DR13 -4.35 dB -20.31 dB 5:02 09-Small Talk
DR13 -4.36 dB -19.56 dB 7:56 10-There Must Be Some Other Way
DR11 -4.37 dB -18.33 dB 8:58 11-One Man's Fool
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR12

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Calling All Stations
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -4.48 dB -14.72 dB 5:46 01-Calling All Stations
DR10 -4.40 dB -15.88 dB 4:53 02-Congo
DR9 -4.50 dB -15.46 dB 4:24 03-Shipwrecked
DR8 -4.41 dB -16.21 dB 7:54 04-Alien Afternoon
DR10 -4.51 dB -17.01 dB 4:40 05-Not About Us
DR9 -4.51 dB -15.52 dB 5:13 06-If That's What You Need
DR9 -4.43 dB -15.34 dB 7:45 07-The Dividing Line
DR8 -4.68 dB -15.05 dB 5:30 08-Uncertain Weather
DR10 -4.32 dB -15.88 dB 5:02 09-Small Talk
DR8 -4.43 dB -15.50 dB 7:56 10-There Must Be Some Other Way
DR9 -4.37 dB -16.33 dB 8:58 11-One Man's Fool
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR9

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 4,3 GB


Genesis - The Complete Reissued SACD Collection (2007) MCH PS3 ISO + Hi-Res FLAC / Combined Re-Up

Genesis - Extras Tracks 1983-1998 (2007) [2.0 & 5.1]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 45:36 minutes | Scans included | 3,06 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,11 GB

Genesis concludes with Extra Tracks 1983 to 1998, is a third disc of rarities. The compilation features eight songs including "On The Shoreline" and "Do The Neurotic."

Tracklist:

01. On The Shoreline
02. Hearts On Fire
03. Do The Neurotic
04. Feeding The Fire
05. I'd Rather Be You
06. Anything Now
07. Sign Your Life Away
08. Run Out Of Time

foobar2000 1.1.17 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Extra Tracks 1983 - 1998
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -4.24 dB -19.15 dB 4:50 01-On The Shoreline
DR11 -4.40 dB -17.51 dB 5:17 02-Hearts On Fire
DR12 -4.38 dB -19.59 dB 7:08 03-Do The Neurotic
DR12 -4.45 dB -18.96 dB 5:53 04-Feeding The Fire
DR12 -4.42 dB -20.20 dB 4:04 05-I'd Rather Be You
DR12 -4.37 dB -17.74 dB 7:03 06-Anything Now
DR11 -4.38 dB -17.48 dB 4:45 07-Sign Your Life Away
DR12 -4.21 dB -18.55 dB 6:36 08-Run Out Of Time
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR12

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Genesis / Extra Tracks 1983 - 1998
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -4.47 dB -15.62 dB 4:50 01-On The Shoreline
DR9 -4.44 dB -14.86 dB 5:17 02-Hearts On Fire
DR10 -4.41 dB -16.08 dB 7:08 03-Do The Neurotic
DR9 -4.48 dB -15.61 dB 5:53 04-Feeding The Fire
DR10 -4.44 dB -15.79 dB 4:04 05-I'd Rather Be You
DR9 -4.43 dB -15.24 dB 7:03 06-Anything Now
DR8 -4.48 dB -14.71 dB 4:45 07-Sign Your Life Away
DR9 -4.19 dB -15.45 dB 6:36 08-Run Out Of Time
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR9

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64


Uncompressed SACD ISO size > 2,91 GB
Thanks to the Original rippers!