Among the many instrumental pieces that remained incomplete at Mozart's death there were four particularly beautiful fragments for violin and piano. Timothy Jones has made multiple new completions of these fragments based on Mozart's evolving style during the 1780s, exploring the open-endedness of the fragments and the different directions the music might have taken. Rachel Podger and Christopher Glynn present the world premiere recordings, which include two completions of each Sonata fragment, enabling listeners to take alternative journeys through Mozart's material.

Brothers and Sisters is the fourth studio album by American rock band The Allman Brothers Band. Co-produced by Johnny Sandlin and the band, the album was released in August 1973 in the United States by Capricorn Records. The album represented the Allmans' commercial peak: it has sold over seven million copies worldwide, landing it at the time atop of the Top 200 Pop Albums for five weeks. "Ramblin' Man" became the band's first and only hit single, peaking at number two on the Billboard Hot 100 in 1973.

Duke Jordan established his credentials as pianist during 1947-48 when he was Charlie Parker's pianist. His composing skills did not emerge until the arrival of hard bop in the mid fifties. Flight To Jordan, recorded on August 4, 1960 was his first full album as a leader and features the distinctive frontline of Stanley Turrentine and Dizzy Reece.

Sorcerer is an album recorded in May 1967 by the Miles Davis quintet. It is the third of six albums that this quintet recorded. It also includes one track from a 1962 session with vocalist Bob Dorough, which was the first time Wayne Shorter recorded with Davis. Davis does not play on the second track, "Pee Wee". The album's cover is a profile photo of actress Cicely Tyson, who at the time was Davis's girlfriend (and many years later his wife).

4, also known as Foreigner 4, is the fourth studio album by the British-American rock band Foreigner. Several singles from the album were hits, including "Urgent", "Waiting for a Girl Like You" and "Juke Box Hero". The album was a success worldwide, holding the #1 position on the Billboard album chart for a total of 10 weeks. It eventually sold over seven million copies in the US alone.

Jeff Wayne's Musical Version of The War of the Worlds is a 1978 concept album by Jeff Wayne, retelling the story of The War of the Worlds by H. G. Wells. Its format is progressive rock and string orchestra, using narration and leitmotifs to carry the story via rhyming melodic lyrics that express the feelings of the various characters. The two-disc album remains a bestseller, having sold millions of records around the world, and is the 38th best selling album of all time in the UK.

The Velvet Underground & Nico is the debut album by American rock band the Velvet Underground, released in March 1967 by Verve Records. It was recorded in 1966 while the band were featured on Andy Warhol's Exploding Plastic Inevitable tour, which gained attention for its experimental performance sensibilities and controversial lyrical topics, including drug abuse, prostitution, sadomasochism and sexual deviancy. Many subgenres of rock music and forms of alternative music were significantly informed by the album, including art rock, punk, garage, shoegazing, goth, and indie. It sold poorly and was mostly ignored by contemporary critics, but later became regarded as one of the most influential albums in the history of popular music.

Paradise Theatre is the tenth album by the rock band Styx. It was the most successful album by Styx, peaking at #1 for 3 weeks on the Billboard Album Chart in April and May 1981. The song "The Best of Times" has been featured in multiple films. Paradise Theatre became Styx's only US #1 album. It was the band's fourth consecutive triple-platinum album.

Warriors of the World is the ninth album by heavy metal band Manowar. Amongst its varied tracks are tributes to Wagner, Pavarotti, and Elvis Presley. The song Nessun Dorma was dedicated to Adams' mother who had died earlier that year.

Miles Smiles is an album by jazz musician Miles Davis, released in January 1967 on Columbia Records. It was recorded by Davis and his second quintet at Columbia 30th Street Studio in New York City on October 24 and October 25, 1966. It is the second of six albums recorded by Davis's second great quintet, which featured saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams.

Oscar-winning composer Jerry Goldsmith has written scores and themes for well over 250 films and TV shows. His work has been thrilling fans for nearly fifty years. Widely acknowledged by his colleagues as a master of his art, Goldsmith has received (in addition to the Oscar for his score to The Omen in 1976) five Emmy Awards, nine Golden Globe nominations, and seventeen additional Academy Award nominations.

'Four' & More: Recorded Live in Concert is a live album by Miles Davis, recorded at the Philharmonic Hall of Lincoln Center, New York City, NY on February 12, 1964, but not released until 1966. Two albums were assembled from the concert recording: the up-tempo pieces were issued on this album, while My Funny Valentine consists of the slow and medium-tempo numbers.

Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley.

George Harrison returned to the stage for the first time in years in 1991; that Japanese tour is documented on the fine double-disc set Live in Japan. Backed by a stellar supporting band led by Eric Clapton, Harrison turns in surprisingly strong versions of his best solo material; it easily surpasses Paul McCartney's double-disc Tripping the Live Fantastic or Paul Is Live. Not bad for a guy who doesn't like to give concerts.

The title track is one of the most recorded jazz songs in history and Billie Holiday's interpretation on this 1957 release is arguably considered one of the best, if not the definitive version. Producer Norman Granz brings out the best of her voice on this album from late in her career, accompanied by a superb band that includes Ben Webster on tenor sax.