Ivan Petričević - Guitar Intersections (2023) [Official Digital Download 24/96]

The starting point for our attention here is the work of the Spanish composer, guitarist and guitar teacher Francisco Tarrega ( 1852-1909), whose "school" influenced numerous Spanish composers who, like Tarrega himself, saw the guitar as Spain's national instrument. The 19th century was a time when large concert halls were being constructed, something which, as the guitar began to enjoy increasing popularity, became rather problematic for guitarists, particularly as far as the acoustics were concerned. It was the Spanish guitar maker Antonio Torres ( 1817-1892) who, basing his designs on those of previous guitar makers, combined with the most up-to-date research into acoustics, developed larger instruments, something which Tarrega found vitally interesting, so much so that he developed a new playing technique. Through the evolution of his style of legato fretting and his own particular perception of the diverse timbral possibilities of the guitar, Tarrega created sounds that virtually made the in-strument sing.

Tracklist:
01. Danza Mora
02. Maria
03. Sonata: I. Allegro moderato
04. Sonata: II. Minueto
05. Sonata: III. Pavana Triste
06. Sonata: IV. Final
07. Romance del pescador
08. Cancion del fuego fatuo
09. Suite castellana: I. Fandanguillo
10. Suite castellana: II. Arada
11. Suite castellana: III. Danza
12. Seguidilla
13. Guajira
14. Quince Estudios Venezolanos: No. 3, Cancion Paramena
15. Quince Estudios Venezolanos: No. 15, Estudio con Pajarillo
16. Quince Estudios Venezolanos: No. 5, Para Laura


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