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James Carney - Green-Wood (2007) MCH SACD ISO + DSD64 + Hi-Res FLAC

Posted By: HDAtall
James Carney - Green-Wood (2007) MCH SACD ISO + DSD64 + Hi-Res FLAC

James Carney Group - Green-Wood (2007)
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 65:34 minutes | Front/Rear Covers | 3,43 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Covers | 1,59 GB
or FLAC Stereo (carefully converted & encoded to tracks) 24bit/88,2kHz | Front/Rear Covers | 1,28 GB
Features Stereo and Multichannel Surround Sound | Songlines Recordings # SGL SA1566-2

Keyboardist James Carney's dream group features a four-horn frontline: two saxes, a trumpet and a trombone. The music he’s given his starry band of improvisers to interpret on 2007's Green-Wood is beautifully crafted and intensely grooving in various feels, from second line and funk to 6/4 and complex time signatures. Inspired by the whole tradition, Carney’s aesthetic unites the jazz mainstream and avant-garde, blending musical derring-do with a post-bop-meets-chamber-music-and-rock lyricism. His band delivers with individuality and relish, while the high resolution recording makes the most of earcatching voicings, timbres and textures. It’s obvious both from his words and his music that Carney’s enthusiasm and energy is tempered by great thoughtfulness and reverence for the art form.

Winner of the 1999 Thelonious Monk International Jazz Composers Award and the LA Weekly “best jazz artist” award in 2002, James Carney moved from LA to NYC in 2004 and proceeded to put together his dream group featuring a 4-horn frontline: two old friends from his student days at CalArts, Peter Epstein and Ralph Alessi, and new acquaintances Tony Malaby and Josh Roseman. His guys deliver with individuality and relish, while the hi-res recording and a cool surround mix make the most of ear-catching voicings, timbres and textures.

One of the most promising jazz composers and keyboardists, James Carney moved from Los Angeles to New York in November 2004. Since that time he has increased his visibility and played with many top local musicians, including the six on this CD. While there are moments in Carney's music where one is reminded a little of the inside/outside music of Keith Jarrett's 1970s American quintet, most of Carney's writing is more advanced and quite unpredictable, following a logic of its own. Each of the horn players has his moments in the spotlight but the complex ensembles, the impressionistic themes, and Carney's versatile work on piano and electric keyboards make Green-Wood particularly special. Thus far, all of James Carney's recordings are high-quality examples of modern creative jazz.

Tracklist:

01. Power
02. Smog Cutter
03. It's Always Cold When You're Leaving
04. Shame
05. Williwaw
06. In Lieu of Crossroads
07. The Poetry Wall
08. Half the Battle

Personnel
James Carney - acoustic and electric pianos, analog synthesizer, orchestra bells
Peter Epstein - soprano saxophone
Tony Malaby - tenor saxophone
Ralph Alessi - trumpet
Josh Roseman - trombone
Chris Lightcap - bass
Mark Ferber - drums

Recorded on June 24-25, 2006.
Analogue Recording Mixed in 24/88 & Mastered to DSD.

foobar2000 2.1 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: James Carney / Green-Wood
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -5.57 dB -24.01 dB 7:35 01-Power
DR13 -5.23 dB -22.71 dB 8:19 02-Smog Cutter
DR13 -5.35 dB -22.13 dB 12:43 03-It's Always Cold When You're Leaving
DR12 -5.52 dB -23.00 dB 5:32 04-Shame
DR13 -5.49 dB -22.45 dB 8:30 05-Williwaw
DR14 -5.69 dB -26.63 dB 6:57 06-In Lieu of Crossroads
DR14 -5.48 dB -22.70 dB 8:13 07-The Poetry Wall
DR14 -5.58 dB -23.74 dB 7:46 08-Half the Battle
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR13

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 5
Bits per sample: 1
Bitrate: 14112 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: James Carney / Green-Wood
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -5.47 dB -19.28 dB 7:35 01-Power
DR12 -5.42 dB -19.89 dB 8:19 02-Smog Cutter
DR12 -5.34 dB -20.79 dB 12:43 03-It's Always Cold When You're Leaving
DR10 -5.36 dB -19.32 dB 5:32 04-Shame
DR11 -5.39 dB -19.19 dB 8:30 05-Williwaw
DR14 -5.54 dB -22.92 dB 6:57 06-In Lieu of Crossroads
DR11 -5.42 dB -19.54 dB 8:13 07-The Poetry Wall
DR12 -5.52 dB -19.78 dB 7:46 08-Half the Battle
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR12

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DST64


Thanks to jazzyman!
Uncompressed SACD ISO size > 3,28 GB
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