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Jonas Reinhardt - Palace Savant (2015) [Official Digital Download]

Posted By: HDV
Jonas Reinhardt - Palace Savant (2015) [Official Digital Download]

Jonas Reinhardt - Palace Savant (2015)
FLAC (tracks) 24-bit/44,1 kHz | Time - 34:21 minutes | 389 MB
Studio Master, Official Digital Download | Artwork: Front cover

Helping listeners to escape reality - which has been known to grate, on occasion - has long been a noble aim of many musicians. One of the most effective ways to do that is to create imaginary soundtracks for impossible science-fiction films, the darker and more un-Hollywood-like, the better. Another method is to take inspiration from great works of architecture - which, as Goethe cogently noted, “is frozen music”. The latter route is used by Brooklyn producer Jonas Reinhardt (aka Jesse Reiner) on his sixth album, "Palace Savant".

Recorded on tour and in New York over the course of a year and mixed at Transmitter Park Studio in Greenpoint, Palace Savant begins with the instant attention-grabber/pulse-accelerator “Old Kaizen.” At once claustrophobic and spacious, it possesses an urgent, chase-scene synth throb that would make John Carpenter or Bernard Fevre jealous. The turbulent “Remains Of Orr” sounds like Edgar Froese's kosmische-ambient masterpiece Aqua tossed into shark-infested waters. On “Androma,” Reiner's expertly modulated arpeggios contrast low and high frequencies, revealing his ability to create suspense with a chiaroscuro of whirs and pulsations.

Palace Savant achieves two towering peaks. The first is “Go Sceptre Go,” a swiftly moving, heavenly droner that veers off on a tangent into a much darker, more chaotic direction. The second is “Noctornum,” a burbling and soaring piece that's at once aquatic and astral, before an emphatic rhythm forms, pushing things into menacing Szajner-esque territory. The album closes with the midtempo arpeggios and muted, wailing siren tones of “Omat Principle Decay,” a moving finale to a record that's taken you so far and tingled your senses so intensely. A high point in Jonas Reinhardt's large canon, the dramatic and majestic Palace Savant does exquisite justice to St. Vitus Cathedral's grandeur.

Reiner undergoes a profound solo odyssey on this album. Palace Savant may be the most spectacular realization of Jonas Reinhardt's outward-bound sonic aspirations. These eight tracks draw on 14th-century architect Peter Parler's breath-taking St. Vitus Cathedral in Prague. “St. Vitus is a statement to the future by the rulers at the time,” Reiner says. “It's surreal, grandiose, psychedelic—and the sheer scale of human ambition involved is almost beyond comprehension.” Parler reportedly deviated from the cathedral's initial blueprint and elevated the Gothic style to heretofore unimagined, bizarre levels. With Palace Savant, Reiner projected Parler's handiwork to Thomas Edison's era of electricity. “I envisioned [Parler] retrofitting his cathedral with excesses of incandescent light, preparing for a coming age of electronics. Palace Savant is what a contemporary electronic performance in that space might sound like”.


Jonas Reinhardt - Palace Savant (2015) [Official Digital Download]

Brooklyn synth journeyman Jonas Reinhardt's sixth full-length album, Palace Savant, was inspired by the St. Vitus Cathedral, a breathtaking gothic castle in Prague designed by architect Peter Parler during the 14th century. Reinhardt is no stranger to works which evoke architecture – his 2011 LP on Not Not Fun was titled Music for the Tactile Dome. Palace Savant's tense, chaotic atmospheres build off of the sci-fi themes explored with his previous album Ganymede, which was the soundtrack to an experimental film set on the moon of the same name. As with much of Reinhardt's recordings, the album features plenty of bubbling synth arpeggios, as well as enveloping, occasionally menacing washes of sound. There are a few lapses into stargazing cosmic disco beats, but not nearly to the extent of the 2012 EP Foam Fangs or the 2013 full-length Mask of the Maker. The album doesn't feature the full-band instrumentation of some of Reinhardt's previous albums, but his epic synth constructions are expansive enough to fill the cathedral that the album draws inspiration from. Even with the album's grand visions, there are still a few rough edges that bring it down to earth, such as the smoldering distortion underneath the surface of "Androma" and the trippy, overlapping patterns of "Noctornum." Reinhardt continues to draw from the best aspects of cosmic synth music in order to create thrilling soundscapes which surge forward and captivate.

Tracklist:

01 - Old Kaizen
02 - Brigade of Midnight Minions
03 - Shattered Remains of Orr
04 - Androma
05 - Go Sceptre Go
06 - Ecstatic Invokations
07 - Noctornum
08 - Omat Principle Decay

All music composed and arranged by Jonas Reinhardt.
Mixed by Jesse Reiner and Matthew Patterson Curry.
Recorded at Transmitter Park Studio & The Equinox, Brooklyn, NY.
Mastered by Rashad Becker at Dubplates & Mastering, Berlin.

Analyzed: Jonas Reinhardt / Palace Savant
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 0.00 dB -9.15 dB 2:41 01-Old Kaizen
DR7 -0.03 dB -8.95 dB 3:58 02-Brigade of Midnight Minions
DR6 -0.17 dB -8.33 dB 6:39 03-Shattered Remains of Orr
DR8 0.00 dB -10.26 dB 4:03 04-Androma
DR8 0.00 dB -9.16 dB 3:45 05-Go Sceptre Go
DR6 -0.04 dB -8.97 dB 1:31 06-Ecstatic Invokations
DR7 0.00 dB -9.15 dB 6:36 07-Noctornum
DR9 -0.29 dB -11.81 dB 5:07 08-Omat Principle Decay
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR7

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1468 kbps
Codec: FLAC
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