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KaJeng WONG - Mostly Bach (2024) [Official Digital Download 24/96]
![KaJeng WONG - Mostly Bach (2024) [Official Digital Download 24/96]](https://pixhost.icu/avaxhome/9b/a4/00ada49b.jpg)
KaJeng WONG - Mostly Bach (2024)
FLAC (tracks) 24-bit/96.0 kHz | Time - 01:00:16 | 985 MB
Studio Master, Official Digital Download | Artwork: Front cover
FLAC (tracks) 24-bit/96.0 kHz | Time - 01:00:16 | 985 MB
Studio Master, Official Digital Download | Artwork: Front cover
Born in Singapore in 1986, and currently based in Japan, Wong’s career has from the outset seen him darting back and forth between Asia and Europe. His connection with Germany goes especially deep, beginning in Bamberg at the Gustav Mahler Conducting Competition, where he won first prize in 2016. His first full-time conducting role was just 40 miles away, at the Nuremberg Symphony, serving as their Chief Conductor from 2018 to 2022. Back on his home continent, since 2021 Wong has been closely associated with the Japan Philharmonic, initially as Principal Guest Conductor, becoming their Chief Conductor this year. (Earlier this summer, Wong was also appointed Principal Conductor of The Hallé in Manchester, beginning in autumn 2024.)
However, Wong’s musical path actually began as a performer. “I was very lucky to be in a school with a brass band. I was on the cornet for six years in primary school and then from secondary school onwards, I started playing the trumpet.” For a time, Wong regarded this as a career choice, but an injury forced him to change plans. “I was in the military band for two years. I really wanted to be a professional trumpet player, but I had a nerve injury of my upper lip at the end of my first year. For me to remain in the band I had to be useful – I started composing marches, and once they were composed of course they needed someone to rehearse and conduct them. It was really just serendipity.”
Tracklist:
01. Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach, 1725)
02. French Suite No. 5 in G Major, BWV 816: I. Allemande (Live)
03. French Suite No. 5 in G Major, BWV 816: II. Courante (Live)
04. French Suite No. 5 in G Major, BWV 816: III. Sarabande (Live)
05. French Suite No. 5 in G Major, BWV 816: IV. Gavotte (Live)
06. French Suite No. 5 in G Major, BWV 816: V. Bourrée (Live)
07. French Suite No. 5 in G Major, BWV 816: VI. Loure (Live)
08. French Suite No. 5 in G Major, BWV 816: VII. Gigue (Live)
09. The Well-Tempered Clavier, Book 2, Prelude and Fugue No. 5 in D Major, BWV 874: Fugue
10. Sonata in A Major, K. 208
11. English Suite No. 2 in A Minor, BWV 807: I. Prelude (Live)
12. English Suite No. 2 in A Minor, BWV 807: II. Allemande (Live)
13. English Suite No. 2 in A Minor, BWV 807: III. Courante (Live)
14. English Suite No. 2 in A Minor, BWV 807: IV. Sarabande (Live)
15. English Suite No. 2 in A Minor, BWV 807: V. Bourrée (Live)
16. English Suite No. 2 in A Minor, BWV 807: VI. Gigue (Live)
17. Adagio from Toccata, Adagio and Fugue in C Major, BWV 564 (Transc. F. Busoni)
18. Air from Orchestral Suite No. 3 in D Major, BWV 1068 (Arr. Alexander Siloti)
19. Partita No. 4 in D Major, BWV 828: I. Ouverture (Live)
20. Partita No. 4 in D Major, BWV 828: II. Allemande (Live)
21. Partita No. 4 in D Major, BWV 828: III. Courante (Live)
22. Partita No. 4 in D Major, BWV 828: IV. Aria (Live)
23. Partita No. 4 in D Major, BWV 828: V. Sarabande (Live)
24. Partita No. 4 in D Major, BWV 828: VI. Menuet (Live)
25. Partita No. 4 in D Major, BWV 828: VII. Gigue (Live)
26. Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach)
foobar2000 2.0 / Dynamic Range Meter 1.1.1
log date: 2024-05-11 07:16:48
––––––––––––––––––––––––––––––––––––––––
Analyzed: KaJeng WONG / Mostly Bach
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -6.36 dB -23.18 dB 0:45 01-Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach, 1725)
DR10 -2.41 dB -16.34 dB 1:17 02-French Suite No. 5 in G Major, BWV 816/I. Allemande
DR10 -0.08 dB -13.85 dB 0:43 03-II. Courante
DR13 -4.41 dB -22.79 dB 2:18 04-III. Sarabande
DR12 -1.62 dB -15.81 dB 0:43 05-IV. Gavotte
DR10 -2.91 dB -15.82 dB 0:36 06-V. Bourrée
DR11 -2.33 dB -19.58 dB 1:07 07-VI. Loure
DR10 -0.08 dB -12.10 dB 1:30 08-VII. Gigue
DR15 -0.75 dB -19.82 dB 3:43 09-The Well-Tempered Clavier, Book 2, Prelude and Fugue No. 5 in D Major, BWV 874: Fugue
DR11 -2.66 dB -22.47 dB 3:01 10-Sonata in A Major, K. 208
DR10 -0.08 dB -12.16 dB 4:01 11-I. Prelude
DR11 -2.22 dB -17.85 dB 1:53 12-II. Allemande
DR10 -0.08 dB -12.32 dB 0:45 13-III. Courante
DR12 -2.88 dB -20.38 dB 2:05 14-IV. Sarabande
DR10 -0.08 dB -12.67 dB 2:18 15-V. Bourrée
DR9 -0.08 dB -11.19 dB 2:55 16-VI. Gigue
DR13 -0.08 dB -17.59 dB 4:13 17-Adagio from Toccata, Adagio and Fugue in C Major, BWV 564 (Transc. F. Busoni)
DR14 -0.08 dB -22.02 dB 4:16 18-Air from Orchestral Suite No. 3 in D Major, BWV 1068 (Arr. Alexander Siloti)
DR11 -0.08 dB -13.52 dB 5:49 19-I. Ouverture
DR12 -3.62 dB -21.89 dB 4:51 20-II. Allemande
DR10 -0.08 dB -12.05 dB 1:35 21-III. Courante
DR10 -0.08 dB -14.11 dB 0:58 22-IV. Aria
DR12 -9.44 dB -27.04 dB 4:52 23-V. Sarabande
DR11 -0.08 dB -14.87 dB 0:47 24-VI. Menuet
DR10 -0.08 dB -11.91 dB 1:40 25-VII. Gigue
DR13 -2.69 dB -20.51 dB 1:49 26-Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 26
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2577 kbps
Codec: FLAC
================================================================================
log date: 2024-05-11 07:16:48
––––––––––––––––––––––––––––––––––––––––
Analyzed: KaJeng WONG / Mostly Bach
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -6.36 dB -23.18 dB 0:45 01-Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach, 1725)
DR10 -2.41 dB -16.34 dB 1:17 02-French Suite No. 5 in G Major, BWV 816/I. Allemande
DR10 -0.08 dB -13.85 dB 0:43 03-II. Courante
DR13 -4.41 dB -22.79 dB 2:18 04-III. Sarabande
DR12 -1.62 dB -15.81 dB 0:43 05-IV. Gavotte
DR10 -2.91 dB -15.82 dB 0:36 06-V. Bourrée
DR11 -2.33 dB -19.58 dB 1:07 07-VI. Loure
DR10 -0.08 dB -12.10 dB 1:30 08-VII. Gigue
DR15 -0.75 dB -19.82 dB 3:43 09-The Well-Tempered Clavier, Book 2, Prelude and Fugue No. 5 in D Major, BWV 874: Fugue
DR11 -2.66 dB -22.47 dB 3:01 10-Sonata in A Major, K. 208
DR10 -0.08 dB -12.16 dB 4:01 11-I. Prelude
DR11 -2.22 dB -17.85 dB 1:53 12-II. Allemande
DR10 -0.08 dB -12.32 dB 0:45 13-III. Courante
DR12 -2.88 dB -20.38 dB 2:05 14-IV. Sarabande
DR10 -0.08 dB -12.67 dB 2:18 15-V. Bourrée
DR9 -0.08 dB -11.19 dB 2:55 16-VI. Gigue
DR13 -0.08 dB -17.59 dB 4:13 17-Adagio from Toccata, Adagio and Fugue in C Major, BWV 564 (Transc. F. Busoni)
DR14 -0.08 dB -22.02 dB 4:16 18-Air from Orchestral Suite No. 3 in D Major, BWV 1068 (Arr. Alexander Siloti)
DR11 -0.08 dB -13.52 dB 5:49 19-I. Ouverture
DR12 -3.62 dB -21.89 dB 4:51 20-II. Allemande
DR10 -0.08 dB -12.05 dB 1:35 21-III. Courante
DR10 -0.08 dB -14.11 dB 0:58 22-IV. Aria
DR12 -9.44 dB -27.04 dB 4:52 23-V. Sarabande
DR11 -0.08 dB -14.87 dB 0:47 24-VI. Menuet
DR10 -0.08 dB -11.91 dB 1:40 25-VII. Gigue
DR13 -2.69 dB -20.51 dB 1:49 26-Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 26
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2577 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer!