![Petr Skalka - J.S. Bach: 6 Suites a Violoncello solo senza Basso (2024) [Official Digital Download 24/96]](https://pixhost.icu/avaxhome/14/8f/00a88f14_medium.jpg)
Petr Skalka - J.S. Bach: 6 Suites a Violoncello solo senza Basso (2024) [Official Digital Download 24/96]
![Petr Skalka - J.S. Bach: 6 Suites a Violoncello solo senza Basso (2024) [Official Digital Download 24/96]](https://pixhost.icu/avaxhome/14/8f/00a88f14.jpg)
Petr Skalka - J.S. Bach: 6 Suites a Violoncello solo senza Basso (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 153:01 minutes | 2,73 GB
Classical | Label: Claves Records, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 153:01 minutes | 2,73 GB
Classical | Label: Claves Records, Official Digital Download
With these words begins the first written cello method, authored by Michel Corrette and published in Paris around 1741: the cello, a bass instrument, is considered a “noble pillar of harmony”. At that time, music history was roughly in the middle of the basso continuo era, which began during Monteverdi’s lifetime with the “Seconda Pratica” and ended during Robert Schumann’s lifespan. A lot revolved around the melody of the bass line, its realisation and rendering. In Corelli’s orchestra, a large bass section comprising many instruments of different sizes, with several cellos, double basses, lutes and harpsichords, was placed just behind the concertino. Behind them were the intermediate voices, first and second violas. Only behind the latter were those who carried the melody of the upper voices, namely the violinists. Such a setting has nothing to do with today’s musical practice and sound expectations. The vast bass section determined the tempo, the character and the dynamics. Those providing the melody had to adapt; any resistance would have been pointless.
With this in mind, the title page of J. S. Bach’s Cello Suites may seem revolutionary at first glance: “6 Suites a Violoncello solo senza basso”. A musical work dedicated to an important instrument, the pillar of harmony, but “senza basso”, without bass! And this in an age in which there could be no music without bass, given the compositional method and practice of the basso continuo! In reality, the bass is clearly present in these solo suites. The designation “senza basso” is intended to warn the performer that there is no point in leafing through the pages of the score in search of the bass line. The bass is, in fact, already present in the monophonic solo part…
Tracklist:
CD1
01 - Initio_ Improvisation
02 - Suite No. 1 in G Major BWV 1007_ I. Prelude
03 - Suite No. 1 in G Major BWV 1007_ II. Allemande
04 - Suite No. 1 in G Major BWV 1007_ III. Courante
05 - Suite No. 1 in G Major BWV 1007_ IV. Sarabande
06 - Suite No. 1 in G Major BWV 1007_ V. Menuet I-II
07 - Suite No. 1 in G Major BWV 1007_ VI. Gigue
08 - Suite No. 2 in D Minor BWV 1008_ I. Prelude
09 - Suite No. 2 in D Minor BWV 1008_ II. Allemande
10 - Suite No. 2 in D Minor BWV 1008_ III. Courante
11 - Suite No. 2 in D Minor BWV 1008_ IV. Sarabande
12 - Suite No. 2 in D Minor BWV 1008_ V. Menuet I-II
13 - Suite No. 2 in D Minor BWV 1008_ VI. Gigue
14 - Suite No. 3 in C Major BWV 1009_ I. Prelude
15 - Suite No. 3 in C Major BWV 1009_ II. Allemande
16 - Suite No. 3 in C Major BWV 1009_ III. Courante
17 - Suite No. 3 in C Major BWV 1009_ IV. Sarabande
18 - Suite No. 3 in C Major BWV 1009_ V. Bourree I-II
19 - Suite No. 3 in C Major BWV 1009_ VI. Gigue
20 - Passacaglia for solo cello in C Minor _The Guardian Angel_, after the original for violin from the Rosary
CD2
01 - Suite No. 4 in E-Flat Major BWV 1010_ I. Prelude
02 - Suite No. 4 in E-Flat Major BWV 1010_ II. Allemande
03 - Suite No. 4 in E-Flat Major BWV 1010_ III. Courante
04 - Suite No. 4 in E-Flat Major BWV 1010_ IV. Sarabande
05 - Suite No. 4 in E-Flat Major BWV 1010_ V. Bourree I-II
06 - Suite No. 4 in E-Flat Major BWV 1010_ VI. Gigue
07 - Suite No. 5 in C Minor BWV 1011_ I. Prelude
08 - Suite No. 5 in C Minor BWV 1011_ II. Allemande
09 - Suite No. 5 in C Minor BWV 1011_ III. Courante
10 - Suite No. 5 in C Minor BWV 1011_ IV. Sarabande
11 - Suite No. 5 in C Minor BWV 1011_ V. Gavotte I-II
12 - Suite No. 5 in C Minor BWV 1011_ VI. Gigue
13 - Suite No. 6 in D Major BWV 1012_ I. Prelude
14 - Suite No. 6 in D Major BWV 1012_ II. Allemande
15 - Suite No. 6 in D Major BWV 1012_ III. Courante
16 - Suite No. 6 in D Major BWV 1012_ IV. Sarabande
17 - Suite No. 6 in D Major BWV 1012_ V. Gavotte I-II
18 - Suite No. 6 in D Major BWV 1012_ VI. Gigue
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2024-02-08 15:05:50
––––––––––––––––––––––––––––––––––––––––
Analyzed: Petr Skalka / 6 Suites a Violoncello solo senza Basso
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -2.86 dB -22.23 dB 0:58 01-Initio: Improvisation
DR11 -1.00 dB -16.90 dB 2:26 02-Suite No. 1 in G Major BWV 1007: I. Prelude
DR12 -1.00 dB -17.00 dB 5:03 03-Suite No. 1 in G Major BWV 1007: II. Allemande
DR12 -1.00 dB -16.10 dB 3:19 04-Suite No. 1 in G Major BWV 1007: III. Courante
DR13 -1.00 dB -19.23 dB 3:20 05-Suite No. 1 in G Major BWV 1007: IV. Sarabande
DR12 -1.00 dB -17.04 dB 4:04 06-Suite No. 1 in G Major BWV 1007: V. Menuet I-II
DR12 -2.04 dB -16.86 dB 1:38 07-Suite No. 1 in G Major BWV 1007: VI. Gigue
DR12 -1.00 dB -17.83 dB 4:09 08-Suite No. 2 in D Minor BWV 1008: I. Prelude
DR12 -1.00 dB -16.95 dB 4:49 09-Suite No. 2 in D Minor BWV 1008: II. Allemande
DR10 -1.00 dB -15.13 dB 2:03 10-Suite No. 2 in D Minor BWV 1008: III. Courante
DR11 -1.00 dB -17.21 dB 4:17 11-Suite No. 2 in D Minor BWV 1008: IV. Sarabande
DR12 -2.49 dB -18.63 dB 4:02 12-Suite No. 2 in D Minor BWV 1008: V. Menuet I-II
DR11 -2.83 dB -18.16 dB 2:54 13-Suite No. 2 in D Minor BWV 1008: VI. Gigue
DR11 -1.49 dB -16.81 dB 3:43 14-Suite No. 3 in C Major BWV 1009: I. Prelude
DR11 -1.00 dB -16.95 dB 4:22 15-Suite No. 3 in C Major BWV 1009: II. Allemande
DR12 -1.00 dB -17.01 dB 4:14 16-Suite No. 3 in C Major BWV 1009: III. Courante
DR12 -1.24 dB -19.74 dB 4:04 17-Suite No. 3 in C Major BWV 1009: IV. Sarabande
DR14 -2.92 dB -20.65 dB 3:48 18-Suite No. 3 in C Major BWV 1009: V. Bourrée I-II
DR12 -1.00 dB -17.28 dB 3:14 19-Suite No. 3 in C Major BWV 1009: VI. Gigue
DR13 -1.00 dB -17.84 dB 9:52 20-Passacaglia for solo cello in C Minor "The Guardian Angel", after the original for violin from the Rosary Sonatas, arr. by Petr Skalka
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 20
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2568 kbps
Codec: FLAC
================================================================================
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2024-02-08 15:06:18
––––––––––––––––––––––––––––––––––––––––
Analyzed: Petr Skalka / 6 Suites a Violoncello solo senza Basso
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.71 dB -18.31 dB 3:50 01-Suite No. 4 in E-Flat Major BWV 1010: I. Prelude
DR13 -1.97 dB -18.96 dB 4:52 02-Suite No. 4 in E-Flat Major BWV 1010: II. Allemande
DR12 -1.00 dB -16.43 dB 3:47 03-Suite No. 4 in E-Flat Major BWV 1010: III. Courante
DR13 -1.20 dB -19.00 dB 4:02 04-Suite No. 4 in E-Flat Major BWV 1010: IV. Sarabande
DR13 -1.00 dB -17.74 dB 4:49 05-Suite No. 4 in E-Flat Major BWV 1010: V. Bourrée I-II
DR12 -3.41 dB -19.11 dB 2:41 06-Suite No. 4 in E-Flat Major BWV 1010: VI. Gigue
DR11 -2.56 dB -18.25 dB 4:58 07-Suite No. 5 in C Minor BWV 1011: I. Prelude
DR11 -4.14 dB -19.27 dB 5:31 08-Suite No. 5 in C Minor BWV 1011: II. Allemande
DR11 -3.89 dB -18.35 dB 2:18 09-Suite No. 5 in C Minor BWV 1011: III. Courante
DR14 -1.02 dB -23.30 dB 3:27 10-Suite No. 5 in C Minor BWV 1011: IV. Sarabande
DR11 -2.95 dB -18.19 dB 5:29 11-Suite No. 5 in C Minor BWV 1011: V. Gavotte I-II
DR11 -4.28 dB -18.86 dB 1:58 12-Suite No. 5 in C Minor BWV 1011: VI. Gigue
DR13 -1.00 dB -17.74 dB 4:14 13-Suite No. 6 in D Major BWV 1012: I. Prelude
DR14 -1.00 dB -20.16 dB 7:20 14-Suite No. 6 in D Major BWV 1012: II. Allemande
DR14 -1.00 dB -18.54 dB 4:01 15-Suite No. 6 in D Major BWV 1012: III. Courante
DR13 -3.61 dB -20.90 dB 4:16 16-Suite No. 6 in D Major BWV 1012: IV. Sarabande
DR14 -2.64 dB -19.64 dB 4:48 17-Suite No. 6 in D Major BWV 1012: V. Gavotte I-II
DR13 -1.00 dB -17.50 dB 4:22 18-Suite No. 6 in D Major BWV 1012: VI. Gigue
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 18
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2612 kbps
Codec: FLAC
================================================================================
log date: 2024-02-08 15:05:50
––––––––––––––––––––––––––––––––––––––––
Analyzed: Petr Skalka / 6 Suites a Violoncello solo senza Basso
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -2.86 dB -22.23 dB 0:58 01-Initio: Improvisation
DR11 -1.00 dB -16.90 dB 2:26 02-Suite No. 1 in G Major BWV 1007: I. Prelude
DR12 -1.00 dB -17.00 dB 5:03 03-Suite No. 1 in G Major BWV 1007: II. Allemande
DR12 -1.00 dB -16.10 dB 3:19 04-Suite No. 1 in G Major BWV 1007: III. Courante
DR13 -1.00 dB -19.23 dB 3:20 05-Suite No. 1 in G Major BWV 1007: IV. Sarabande
DR12 -1.00 dB -17.04 dB 4:04 06-Suite No. 1 in G Major BWV 1007: V. Menuet I-II
DR12 -2.04 dB -16.86 dB 1:38 07-Suite No. 1 in G Major BWV 1007: VI. Gigue
DR12 -1.00 dB -17.83 dB 4:09 08-Suite No. 2 in D Minor BWV 1008: I. Prelude
DR12 -1.00 dB -16.95 dB 4:49 09-Suite No. 2 in D Minor BWV 1008: II. Allemande
DR10 -1.00 dB -15.13 dB 2:03 10-Suite No. 2 in D Minor BWV 1008: III. Courante
DR11 -1.00 dB -17.21 dB 4:17 11-Suite No. 2 in D Minor BWV 1008: IV. Sarabande
DR12 -2.49 dB -18.63 dB 4:02 12-Suite No. 2 in D Minor BWV 1008: V. Menuet I-II
DR11 -2.83 dB -18.16 dB 2:54 13-Suite No. 2 in D Minor BWV 1008: VI. Gigue
DR11 -1.49 dB -16.81 dB 3:43 14-Suite No. 3 in C Major BWV 1009: I. Prelude
DR11 -1.00 dB -16.95 dB 4:22 15-Suite No. 3 in C Major BWV 1009: II. Allemande
DR12 -1.00 dB -17.01 dB 4:14 16-Suite No. 3 in C Major BWV 1009: III. Courante
DR12 -1.24 dB -19.74 dB 4:04 17-Suite No. 3 in C Major BWV 1009: IV. Sarabande
DR14 -2.92 dB -20.65 dB 3:48 18-Suite No. 3 in C Major BWV 1009: V. Bourrée I-II
DR12 -1.00 dB -17.28 dB 3:14 19-Suite No. 3 in C Major BWV 1009: VI. Gigue
DR13 -1.00 dB -17.84 dB 9:52 20-Passacaglia for solo cello in C Minor "The Guardian Angel", after the original for violin from the Rosary Sonatas, arr. by Petr Skalka
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 20
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2568 kbps
Codec: FLAC
================================================================================
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2024-02-08 15:06:18
––––––––––––––––––––––––––––––––––––––––
Analyzed: Petr Skalka / 6 Suites a Violoncello solo senza Basso
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.71 dB -18.31 dB 3:50 01-Suite No. 4 in E-Flat Major BWV 1010: I. Prelude
DR13 -1.97 dB -18.96 dB 4:52 02-Suite No. 4 in E-Flat Major BWV 1010: II. Allemande
DR12 -1.00 dB -16.43 dB 3:47 03-Suite No. 4 in E-Flat Major BWV 1010: III. Courante
DR13 -1.20 dB -19.00 dB 4:02 04-Suite No. 4 in E-Flat Major BWV 1010: IV. Sarabande
DR13 -1.00 dB -17.74 dB 4:49 05-Suite No. 4 in E-Flat Major BWV 1010: V. Bourrée I-II
DR12 -3.41 dB -19.11 dB 2:41 06-Suite No. 4 in E-Flat Major BWV 1010: VI. Gigue
DR11 -2.56 dB -18.25 dB 4:58 07-Suite No. 5 in C Minor BWV 1011: I. Prelude
DR11 -4.14 dB -19.27 dB 5:31 08-Suite No. 5 in C Minor BWV 1011: II. Allemande
DR11 -3.89 dB -18.35 dB 2:18 09-Suite No. 5 in C Minor BWV 1011: III. Courante
DR14 -1.02 dB -23.30 dB 3:27 10-Suite No. 5 in C Minor BWV 1011: IV. Sarabande
DR11 -2.95 dB -18.19 dB 5:29 11-Suite No. 5 in C Minor BWV 1011: V. Gavotte I-II
DR11 -4.28 dB -18.86 dB 1:58 12-Suite No. 5 in C Minor BWV 1011: VI. Gigue
DR13 -1.00 dB -17.74 dB 4:14 13-Suite No. 6 in D Major BWV 1012: I. Prelude
DR14 -1.00 dB -20.16 dB 7:20 14-Suite No. 6 in D Major BWV 1012: II. Allemande
DR14 -1.00 dB -18.54 dB 4:01 15-Suite No. 6 in D Major BWV 1012: III. Courante
DR13 -3.61 dB -20.90 dB 4:16 16-Suite No. 6 in D Major BWV 1012: IV. Sarabande
DR14 -2.64 dB -19.64 dB 4:48 17-Suite No. 6 in D Major BWV 1012: V. Gavotte I-II
DR13 -1.00 dB -17.50 dB 4:22 18-Suite No. 6 in D Major BWV 1012: VI. Gigue
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 18
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2612 kbps
Codec: FLAC
================================================================================
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