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    Academy of St. Martin in the Fields, Sir Neville Marriner - Oboe Concertos Nos. 1–3; Recorder Concertos (1965/2024) [24/48]

    Posted By: delpotro
    Academy of St. Martin in the Fields, Sir Neville Marriner - Oboe Concertos Nos. 1–3; Recorder Concertos (1965/2024) [24/48]

    Academy of St. Martin in the Fields, Roger Lord, Bernard Krainis & Sir Neville Marriner - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos (1965/2024)
    FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 58:07 minutes | 642 MB
    Classical | Label: Decca Records, Official Digital Download

    The Oboe Concerto No. 1 in B flat major (HWV 301) was composed by George Frideric Handel for oboe, orchestra and basso continuo. It was first published in the fourth volume of Select Harmony by Walsh in 1740. Other catalogues of Handel's music have referred to the work as HG xxi, 85; and HHA iv/12,17. The Oboe Concerto No. 2 in B flat major (HWV 302a) was composed by George Frideric Handel for oboe, orchestra and basso continuo. It was first published in the fourth volume of Select Harmony by Walsh in 1740. Other catalogues of Handel's music have referred to the work as HG xxi, 91; and HHA iv/12,47.

    The Oboe Concerto No. 3 in G minor (HWV 287) was composed by George Frideric Handel for oboe, orchestra and basso continuo, possibly in 1704-1705, when he was still in Hamburg. It was first published in Leipzig in 1863 (from unknown sources) in which it was described as a work from 1703. No other source for the work is known. Other catalogues of Handel's music have referred to the work as HG xxi, 100; and HHA iv/12,3.

    The Sonata in F major (HWV 369) was composed (before 1712) by George Frideric Handel for recorder and basso continuo (the autograph manuscript, a fair copy made most likely in 1712, gives this instrumentation in Italian: "flauto e cembalo"). The work is also referred to as Opus 1 No. 11, and was first published in 1732 by Walsh. Other catalogues of Handel's music have referred to the work as HG xxvii, 40; and HHA iv/3,52.

    Handel used an arrangement of the sonata in his Organ Concerto in F major (HWV 293).

    Tracklist:
    01. Oboe Concerto No. 1 in B-Flat Major, HWV 301: I. Adagio
    02. Oboe Concerto No. 1 in B-Flat Major, HWV 301: II. Allegro
    03. Oboe Concerto No. 1 in B-Flat Major, HWV 301: III. Largo
    04. Oboe Concerto No. 1 in B-Flat Major, HWV 301: IV. Vivace
    05. Oboe Concerto No. 2 in B-Flat Major, HWV 302a: I. Vivace
    06. Oboe Concerto No. 2 in B-Flat Major, HWV 302a: II. Fuga. Allegro
    07. Oboe Concerto No. 2 in B-Flat Major, HWV 302a: III. Andante
    08. Oboe Concerto No. 2 in B-Flat Major, HWV 302a: IV. Allegro
    09. Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave
    10. Oboe Concerto No. 3 in G Minor, HWV 287: II. Allegro
    11. Oboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande. Largo
    12. Oboe Concerto No. 3 in G Minor, HWV 287: IV. Allegro
    13. Oboe Concerto No. 3 in G Minor, HWV 287: Variant in F Major (After Op. 3/2)
    14. Berenice, HWV 38: Overture, Minuet & Gigue
    15. Solomon, HWV 67, Act III: The Arrival of the Queen of Sheba
    16. Recorder Concerto in F Major, Op. 4/5, HWV 293: I. Larghetto
    17. Recorder Concerto in F Major, Op. 4/5, HWV 293: II. Allegro
    18. Recorder Concerto in F Major, Op. 4/5, HWV 293: III. Alla Siciliana
    19. Recorder Concerto in F Major, Op. 4/5, HWV 293: IV. Presto
    20. Concerto in G Major for Soprano Recorder: I. Largo
    21. Concerto in G Major for Soprano Recorder: II. Allegro
    22. Concerto in G Major for Soprano Recorder: III. Adagio
    23. Concerto in G Major for Soprano Recorder: IV. Andante

    foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
    log date: 2024-03-22 11:58:11

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Academy of St. Martin in the Fields / Handel: Oboe Concertos Nos. 1–3; Recorder Concertos (1-3)
    Bernard Krainis / Handel: Oboe Concertos Nos. 1–3; Recorder Concertos (4-11)
    Roger Lord / Handel: Oboe Concertos Nos. 1–3; Recorder Concertos (12-23)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR10 -3.78 dB -17.58 dB 2:32 13-Variant in F Major (After Op. 3/2)
    DR13 -1.76 dB -19.00 dB 9:39 14-Overture, Minuet & Gigue
    DR13 -2.17 dB -20.18 dB 3:15 15-The Arrival of the Queen of Sheba
    DR11 -6.52 dB -21.48 dB 2:13 16-I. Larghetto
    DR14 -3.28 dB -21.24 dB 2:31 17-II. Allegro
    DR11 -6.76 dB -22.45 dB 1:40 18-III. Alla Siciliana
    DR13 -3.00 dB -21.10 dB 2:24 19-IV. Presto
    DR11 -2.61 dB -17.63 dB 0:27 20-I. Largo
    DR12 -0.74 dB -16.83 dB 2:52 21-II. Allegro
    DR8 -6.35 dB -19.84 dB 1:04 22-III. Adagio
    DR10 -1.72 dB -17.48 dB 2:10 23-IV. Andante
    DR12 -5.35 dB -22.31 dB 2:16 01-I. Adagio
    DR12 -1.18 dB -19.24 dB 1:44 02-II. Allegro
    DR11 -8.44 dB -23.73 dB 2:31 03-III. Largo
    DR12 -1.43 dB -20.18 dB 1:50 04-IV. Vivace
    DR11 -3.25 dB -19.47 dB 2:23 05-I. Vivace
    DR11 -1.96 dB -18.25 dB 1:54 06-II. Fuga. Allegro
    DR11 -7.27 dB -22.54 dB 2:38 07-III. Andante
    DR11 -3.06 dB -18.38 dB 1:47 08-IV. Allegro
    DR12 -2.90 dB -18.64 dB 3:13 09-I. Grave
    DR12 -1.04 dB -17.55 dB 1:52 10-II. Allegro
    DR11 -5.44 dB -21.74 dB 3:06 11-III. Sarabande. Largo
    DR13 -0.44 dB -17.64 dB 2:07 12-IV. Allegro
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 23
    Official DR value: DR12

    Samplerate: 48000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 1483 kbps
    Codec: FLAC
    ================================================================================


    Thanks to the Original customer!