Alan Stivell - E Langonned (1974) FR Pressing - LP/FLAC In 24bit/96kHz
Alan Stivell - E Langonned
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Fontana/6325 332 | Released: 1974 | Genre: Breton-Folk
A1 E Parrez Langonned 3:38
A2 Gavotten Pourled 1:50
A3 Planedenn 2:58
A4 Ne Bado Ket Atao 1:49
A5 Bwthyn Fy Nain 1:28
A6 Ffarwel I Aberystwyth 2:10
A7a Briste Leathair Pheadair 1:54
A7b Mairseal A’ Chearc
A8a Dans Fisel 2:25
A8b Gavotten Ar Menez
A8c An Sagart Cheolnhar
-
B1 Bal Fisel 1:13
B2 Deus Ganin Me D’Am Bro 2:45
B3 Jenovefa 2:52
B4 Sagart O Donaill 1:31
B5 Diougan Gwenc’hlan 2:37
B6 Ar Voraerion 2:26
B7 Faili Faili Oro 2:17
B8 Oye Vie 1:38
Companies, etc.
Record Company – Phonogram
Phonographic Copyright (p) – Phonogram S.A.
Published By – Éditions Keltia III
Published By – Éditions Intersong Tutti
Lacquer Cut At – C.I.D.I.S. Louviers
Pressed By – PRS, Louviers
Printed By – Montreuil Offset
Printed By – Imp. Polygram
Credits
Acoustic Guitar – Dan Ar Bras*
Arranged By – Alan Stivell
Bodhrán – Liam Weldon
Bombarde – Youenn Sicard
Design – Mikael Klec’h
Drums [Scottish] – Loeiz Roujon, Yann-Fanch Ar Merdy*, Yann-Lug Fauchon
Engineer [Enregistrement] – Gérard Trévignon, Joel Ar C’Hann
Fiddle – René Werneer
Flute, Pipe [Binioù-kozh], Bodhrán – Alan Kloatr*
Liner Notes – Alan Stivell
Photography By [Back] – Korentin Keo*
Photography By [Front] – Claude Jarroir
Producer – Philippe Lerichomme
Vocals – Yann-Jakez Hasold
Vocals, Harp [Celtic], Bombarde, Flute [Irish], Bagpipes [Cornemuse Écossaise] – Alan Stivell-Cochevelou*
Notes
℗ 1974 Phongram S.A.
publication phonogram
Made in France
Cover: Imp. Polygram
Inner sleeve: Montreuil Offset
Imprimé en France
____________
Mid-80s editions with Distribution code PG 274. Matte cover, wide elevation in the label rim area, slightly textured label paper.
Inner sleeve with notes about ‘E Langonned’ and lyrics of A3 and A4 in Breton and French translation.
Barcode and Other Identifiers
Rights Society: SACEM SDRM SACD SGDL
Other (Distribution code): PG 274
Matrix / Runout (Label A): 6325 332.1
Matrix / Runout (Label B): 6325 332.2
Matrix / Runout (Runout A, stamped): PHI 6325 332 1 380 CIDIS H
Matrix / Runout (Runout B, stamped): PHI 6325332 2 DU 1 CIDIS 380 D
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Fontana/6325 332 | Released: 1974 | Genre: Breton-Folk
A1 E Parrez Langonned 3:38
A2 Gavotten Pourled 1:50
A3 Planedenn 2:58
A4 Ne Bado Ket Atao 1:49
A5 Bwthyn Fy Nain 1:28
A6 Ffarwel I Aberystwyth 2:10
A7a Briste Leathair Pheadair 1:54
A7b Mairseal A’ Chearc
A8a Dans Fisel 2:25
A8b Gavotten Ar Menez
A8c An Sagart Cheolnhar
-
B1 Bal Fisel 1:13
B2 Deus Ganin Me D’Am Bro 2:45
B3 Jenovefa 2:52
B4 Sagart O Donaill 1:31
B5 Diougan Gwenc’hlan 2:37
B6 Ar Voraerion 2:26
B7 Faili Faili Oro 2:17
B8 Oye Vie 1:38
Companies, etc.
Record Company – Phonogram
Phonographic Copyright (p) – Phonogram S.A.
Published By – Éditions Keltia III
Published By – Éditions Intersong Tutti
Lacquer Cut At – C.I.D.I.S. Louviers
Pressed By – PRS, Louviers
Printed By – Montreuil Offset
Printed By – Imp. Polygram
Credits
Acoustic Guitar – Dan Ar Bras*
Arranged By – Alan Stivell
Bodhrán – Liam Weldon
Bombarde – Youenn Sicard
Design – Mikael Klec’h
Drums [Scottish] – Loeiz Roujon, Yann-Fanch Ar Merdy*, Yann-Lug Fauchon
Engineer [Enregistrement] – Gérard Trévignon, Joel Ar C’Hann
Fiddle – René Werneer
Flute, Pipe [Binioù-kozh], Bodhrán – Alan Kloatr*
Liner Notes – Alan Stivell
Photography By [Back] – Korentin Keo*
Photography By [Front] – Claude Jarroir
Producer – Philippe Lerichomme
Vocals – Yann-Jakez Hasold
Vocals, Harp [Celtic], Bombarde, Flute [Irish], Bagpipes [Cornemuse Écossaise] – Alan Stivell-Cochevelou*
Notes
℗ 1974 Phongram S.A.
publication phonogram
Made in France
Cover: Imp. Polygram
Inner sleeve: Montreuil Offset
Imprimé en France
____________
Mid-80s editions with Distribution code PG 274. Matte cover, wide elevation in the label rim area, slightly textured label paper.
Inner sleeve with notes about ‘E Langonned’ and lyrics of A3 and A4 in Breton and French translation.
Barcode and Other Identifiers
Rights Society: SACEM SDRM SACD SGDL
Other (Distribution code): PG 274
Matrix / Runout (Label A): 6325 332.1
Matrix / Runout (Label B): 6325 332.2
Matrix / Runout (Runout A, stamped): PHI 6325 332 1 380 CIDIS H
Matrix / Runout (Runout B, stamped): PHI 6325332 2 DU 1 CIDIS 380 D
Alan Stivell - E Langonned (1974) FR Pressing - LP/FLAC In 24bit/96kHz
Alan Stivell - E Langonned (1974) FR Pressing - LP/FLAC In 24bit/96kHz
Alan Stivell - E Langonned (1974) FR Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2017
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: NM-
This LP: Fom my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
At the time of buying this LP, I thought I was going to find a Stivell immersed in the Prog-Folk music… my surprise was great after listening to it completely: Totally unplugged, no instrument with electric cables. Today is one of my favorite records of this legendary harpist. And I think he took the risk to go back to his Breton roots and immerse us in the Breton-Folk music.
I recommend this document with responsibility, to learn how to differentiate the Breton-Folk from Celtic music in general. By the way, there are a couple of Scottish pieces, it is a very beautiful and unique album.Fran Solo, MMXVII
This particular outing is more traditional, or at least as traditional as Alan Stivell can be. Electric guitars and keyboards are eschewed in favour of more conservative instruments of Celtic music, and arrangements are generally sparse and thinly layered. This makes E Langonned less appealing for fans who prefer a greater prog quotient, but to suggest that “Jenovofa”, “Diougan Guenc’hlan”, and “Ar Voraerion” are devoid of an adventurous spirit would be unfair and inaccurate. Stivell is in fine voice here, building mini verse upon mini verse while plucking fervently. In Stivell’s world the performer has a duty that extends beyond artistic integrity. He must inject something, nay, everything of himself and his musical worldview into his interpretation of the ancient performance. The modern listener demands no less, and, in much of E Langonned, is not disappointed.Review by kenethlevine, progarchives.com
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