William Carter - La Guitarra Espanola: The Music of Santiago de Murcia (2007) MCH SACD ISO + Hi-Res FLAC
William Carter - Santiago de Murcia: La Guitarra Española (2007)
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 59:39 minutes | Digital Booklet+Covers | 3,39 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Digital Booklet+Covers | 1,16 GB
Features Stereo & Multichannel Surround Sound | Linn Records # CKD 288
La Guitarra Española is the second solo album from William Carter. This recording explores the fascinating music of Spanish guitar legend Santiago de Murcia who successfully fused the popular and art music of the early 1700s. In contrast to his contribution to the rise of these scandalous and immoral dances the composer also produced many beautiful transcriptions and compositions. In La Guitarra Española William Carter successfully merges Murcia's controversial materials with these charming works and consequently presents an exciting and unique recording. The guitarist creates an original sound delivered by the sensitive interpretations and innovative arrangements which include a guest appearance on the bass line by fellow Palladian Trio musician Susanne Heinrich.
Baroque guitarist William Carter is a member of the outstanding chamber group Palladian Ensemble, and Linn's Santiago de Murcia: La Guitarra Española is his second outing as soloist, though on some tracks Carter is joined on bass viol by Palladian cohort Susanne Heinrich. Santiago de Murcia is considered the last great exponent of the Spanish five-course guitar, an instrument limited to two octaves and played here with finesse and a very high level of artistry by Carter. Though not as well known as Fernando Sor or Gaspar Sanz, de Murcia has not suffered for worthy advocates; Rolf Lislevand, Paul O'Dette, Jakob Lindberg, and Richard Savino have all contributed rather substantial programs of de Murcia to the recorded literature. However, this entry by Carter is SUCH a contender – Linn's recorded sound is nothing less than perfect, and Carter's interpretations have such qualities of restraint and emotional depth as to achieve a strong sense of separateness from others. Carter spins out de Murcia's melting Passacalles with sensitivity and flexibility, and his realizations of de Murcia's dances are groovy without being ostentatious. Lislevand may rock the dances harder, but what Carter does here with Susanne Heinrich's help is equally creative, not to mention considerably less idiosyncratic. What Carter achieves on Santiago de Murcia: La Guitarra Española evokes what one admirer said about de Murcia himself during his lifetime; "hearing your supreme conceits, they say that you make poetry with your fingers, or that you versify with your hands."
Tracklist:
01. Folias Españolas
02. Prelude
03. Passacalles por la E - A compassillo
04. Passacalles por la E - A proporcion
05. Suite (after Gaspar Sanz, 1675)
06. Zarembeques, o Muecas
07. Canarios
08. Passacalles por la B, a compassillo
09. Cumbees
10. Passacalles por la D - A compassillo
11. Passacalles por la D - A proporcion
12. Marionas por la B
13. Preludio Grabe de Coreli
14. Giga de Coreli
15. Gaitas
Produced by Philip Hobbs and William Carter. Engineered by Philip Hobbs.
Recorded at St Andrews Church, Toddington, UK on September 17-19, 2006.
Edited, Mixed & Mmastered by Julia Thomas, Finesplice, UK.
Personnel
William Carter - baroque guitar
With Susanne Heinrich – bass violin on "5,6,9,13-14"
foobar2000 1.3.17 / Dynamic Range Meter 1.1.1
––––––––––––––––––––––––––––––––––––––––
Analyzed: William Carter / La Guitarra Espanola - The music of Santiago de Murcia
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -6.22 dB -28.40 dB 3:10 01-Folias Espanolas
DR14 -12.25 dB -34.67 dB 1:40 02-Prelude
DR15 -8.88 dB -31.05 dB 4:07 03-Passacalles por la E - A compassillo
DR14 -8.04 dB -30.28 dB 3:52 04-Passacalles por la E - A proporcion
DR15 -6.85 dB -30.92 dB 7:17 05-Suite (after Gaspar Sanz, 1675)
DR13 -6.25 dB -27.25 dB 2:32 06-Zarembeques, o Muecas
DR13 -11.87 dB -34.63 dB 3:44 07-Canarios
DR15 -10.35 dB -32.68 dB 5:08 08-Passacalles por la B, a compassillo
DR13 -6.41 dB -28.27 dB 4:13 09-Cumbees
DR15 -9.62 dB -33.90 dB 6:06 10-Passacalles por la D - A compassillo
DR13 -11.21 dB -33.32 dB 3:37 11-Passacalles por la D - A proporcion
DR15 -9.82 dB -33.12 dB 4:12 12-Marionas por la B
DR12 -8.81 dB -31.13 dB 2:55 13-Preludio Grabe de Coreli
DR13 -8.79 dB -31.17 dB 3:01 14-Giga de Coreli
DR14 -13.78 dB -37.03 dB 4:04 15-Gaitas
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR14
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 1
Bitrate: 16934 kbps
Codec: DST64
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: William Carter / La Guitarra Espanola - The music of Santiago de Murcia
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -6.19 dB -22.47 dB 3:10 01-Folias Espanolas
DR14 -11.00 dB -28.74 dB 1:40 02-Prelude
DR15 -7.75 dB -25.13 dB 4:07 03-Passacalles por la E - A compassillo
DR14 -6.70 dB -24.33 dB 3:52 04-Passacalles por la E - A proporcion
DR14 -6.26 dB -24.93 dB 7:17 05-Suite (after Gaspar Sanz, 1675)
DR13 -6.25 dB -21.34 dB 2:32 06-Zarembeques, o Muecas
DR14 -11.56 dB -28.80 dB 3:44 07-Canarios
DR16 -8.63 dB -26.76 dB 5:08 08-Passacalles por la B, a compassillo
DR14 -6.25 dB -22.30 dB 4:13 09-Cumbees
DR15 -8.64 dB -27.95 dB 6:06 10-Passacalles por la D - A compassillo
DR15 -9.37 dB -27.44 dB 3:37 11-Passacalles por la D - A proporcion
DR15 -8.70 dB -27.24 dB 4:12 12-Marionas por la B
DR13 -7.24 dB -25.14 dB 2:55 13-Preludio Grabe de Coreli
DR14 -7.77 dB -25.22 dB 3:01 14-Giga de Coreli
DR14 -13.38 dB -31.09 dB 4:04 15-Gaitas
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR14
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DST64
––––––––––––––––––––––––––––––––––––––––
Analyzed: William Carter / La Guitarra Espanola - The music of Santiago de Murcia
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -6.22 dB -28.40 dB 3:10 01-Folias Espanolas
DR14 -12.25 dB -34.67 dB 1:40 02-Prelude
DR15 -8.88 dB -31.05 dB 4:07 03-Passacalles por la E - A compassillo
DR14 -8.04 dB -30.28 dB 3:52 04-Passacalles por la E - A proporcion
DR15 -6.85 dB -30.92 dB 7:17 05-Suite (after Gaspar Sanz, 1675)
DR13 -6.25 dB -27.25 dB 2:32 06-Zarembeques, o Muecas
DR13 -11.87 dB -34.63 dB 3:44 07-Canarios
DR15 -10.35 dB -32.68 dB 5:08 08-Passacalles por la B, a compassillo
DR13 -6.41 dB -28.27 dB 4:13 09-Cumbees
DR15 -9.62 dB -33.90 dB 6:06 10-Passacalles por la D - A compassillo
DR13 -11.21 dB -33.32 dB 3:37 11-Passacalles por la D - A proporcion
DR15 -9.82 dB -33.12 dB 4:12 12-Marionas por la B
DR12 -8.81 dB -31.13 dB 2:55 13-Preludio Grabe de Coreli
DR13 -8.79 dB -31.17 dB 3:01 14-Giga de Coreli
DR14 -13.78 dB -37.03 dB 4:04 15-Gaitas
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR14
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 1
Bitrate: 16934 kbps
Codec: DST64
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: William Carter / La Guitarra Espanola - The music of Santiago de Murcia
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -6.19 dB -22.47 dB 3:10 01-Folias Espanolas
DR14 -11.00 dB -28.74 dB 1:40 02-Prelude
DR15 -7.75 dB -25.13 dB 4:07 03-Passacalles por la E - A compassillo
DR14 -6.70 dB -24.33 dB 3:52 04-Passacalles por la E - A proporcion
DR14 -6.26 dB -24.93 dB 7:17 05-Suite (after Gaspar Sanz, 1675)
DR13 -6.25 dB -21.34 dB 2:32 06-Zarembeques, o Muecas
DR14 -11.56 dB -28.80 dB 3:44 07-Canarios
DR16 -8.63 dB -26.76 dB 5:08 08-Passacalles por la B, a compassillo
DR14 -6.25 dB -22.30 dB 4:13 09-Cumbees
DR15 -8.64 dB -27.95 dB 6:06 10-Passacalles por la D - A compassillo
DR15 -9.37 dB -27.44 dB 3:37 11-Passacalles por la D - A proporcion
DR15 -8.70 dB -27.24 dB 4:12 12-Marionas por la B
DR13 -7.24 dB -25.14 dB 2:55 13-Preludio Grabe de Coreli
DR14 -7.77 dB -25.22 dB 3:01 14-Giga de Coreli
DR14 -13.38 dB -31.09 dB 4:04 15-Gaitas
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR14
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DST64
Thanks to jazzyman!
Uncompressed SACD ISO size > 3,22 GB
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