From deep within the tomb of the Egyptian pharaoh Tutankhamun, Professor Douglas McCadden ships the coffin of Ankh-Vanharis to the California Institute of Sciences where X-rays reveal five diamond-like crystals hidden within the coffin. Technician Peter Sharpe steals the crystals but doesn't notice that the powerful X-ray has revived a green fungus. When the coffin is opened at a university press conference, the reporters uncover more than they bargained for. The mummy has disappeared... and the Time Walker is alive again!

Danny Ocean reunites with his old flame and the rest of his merry band of thieves in carrying out three huge heists in Rome, Paris and Amsterdam – but a Europol agent is hot on their heels.

A Night Of A Thousand Vampires’ is a recording of a one-off show in October 2019 from The Damned, in which the punk trailblazers performed tracks from throughout their four-decade career at London’s Palladium Theatre, in the company of The Hammer House Of Horror and the cast of ‘The Circus Of Horrors’. The show also marked the final performance of drummer Pinch, who had played with the band for more than twenty years.

Paul Baumer and his friends Albert and Muller, egged on by romantic dreams of heroism, voluntarily enlist in the German army. Full of excitement and patriotic fervour, the boys enthusiastically march into a war they believe in. But once on the Western Front, they discover the soul-destroying horror of World War I.

In 1997, scientists and local government officials in Wrocław face life-and-death decisions when a destructive flood wave threatens the city.

The staging is fascinating. Vast panelled video screens provide the scenic backdrops. Videos of nature in all its glory are projected onto these. It makes for breathtaking effect, and the good news is that one does not tire of it.
Muti conducts with real assurance. Pacing the drama magnificently, it is on performances like these that the controversial Maestro has made his well-deserved musical reputation. Tell emerges as a masterpiece from first to last. Rossini's compositional confidence in his craft is never once in doubt, and there is no trace of any longueur anywhere… (Musicweb International)