Limited box set packaged in a 12 x 12 hardcover book containing four CDs, the original album on vinyl, and a pull out eight page booklet with sleeve notes by Phill Jupitus. Alongside the original album there are three bonus discs containing bonus tracks, demo versions, John Peel Sessions and a full live performance not available before on CD…

Issued free with Mojo 286 September 2017.

Buzzcocks’ seminal first album, lovingly restored and re-mastered from its original tapes for the first time since its March 1978 release.

4CD / 90 track set exploring the work of female artists in the decade following the punk explosion. From household names and legends – Alison Moyet, Toyah, Kirsty MacColl, Nico, Tracey Thorn, Chrissie Hynde, Neneh Cherry, Pauline Murray, Sinead O’Connor, Tracey Ullman, Cosey Fanni Tutti – to underground figureheads and unsung pioneers. Spanning the genres – from the punk howl of X-Ray Spex and the NWOBHM stylings of Girlschool to Cosey Fanni Tutti’s post-TG electronica, the experimental dub of Vivien Goldman and the the High Street pop of Bananarama.

Arriving after years of sonic bombast in Hüsker Dü, the reflective, acoustic nature of Bob Mould's first solo album, Workbook, was a bold statement of renewal. Like all of Mould's work, it's an intensely introspective record, finding him purging demons left over from the dissolution of Hüsker Dü. Instead of relying on raging guitars, Mould explores a wide variety of styles, from pure pop ("See a Little Light") to reflective folk laced with cellos. It's an astonishing array of styles, and the songs are among Mould's finest. For many observers, the record established him as a major songwriter, but it also established a way for underground post-punk artists to mature – echoes of Workbook could be heard throughout the '90s, from R.E.M.'s elegiac Automatic for the People to Nirvana's use of cellos on In Utero and Unplugged. But Workbook remains a stunning work of individuality, marrying a distinctive body of songs with an original musical vision.

The phenomenally successful "Never Mind the Bollocks, Here's the Sex Pistols", the only studio album by the English punk rock group Sex Pistols., released on 28 October 1977 by Virgin Records. At the time of its release, the band was already extremely controversial, having sworn on live TV, been fired from two record labels, and been banned from playing live in most parts of England. The album's title added to that controversy, with some people finding the word "bollocks" offensive. Many record stores refused to carry the album and some record charts refused to list the album, showing just a blank space instead.

Residing on Neal Street, Covent Garden this Rather Dingy Gay Club's One Year Sacrifice to the Emerging Punk Scene and the Contribution it Made as a Launch Pad Cannot Be Overstated. From Late '76 Up Until January 1978, the Roxy Club Played Host to Many Bands that to this Day, have a Lasting Influence Upon the Punk Scene…

Featuring iconic songs from some of the meanest axemen to ever strap on a guitar, Pure… Guitar Heroes takes listeners on a journey through some of classic rock's greatest guitar moments…