Live At Tower Theatre, Upper Darby, PA, USA 1987-11-25.

Iconic singer/songwriter and musical wanderer who rose to prominence during the '60s folk revival and changed the world of music. Bob Dylan's influence on popular music is incalculable. As a songwriter, he pioneered several different schools of pop songwriting, from confessional singer/songwriter to winding, hallucinatory, stream-of-consciousness narratives. As a vocalist, he broke down the notion that a singer must have a conventionally good voice in order to perform, thereby redefining the vocalist's role in popular music.

Like any patchy but promising debut from a classic rock group, it's often easy to underrate Queen's eponymous 1973 debut, since it has no more than one well-known anthem and plays more like a collection of ideas than a cohesive album. But what ideas! Almost every one of Queen's signatures are already present, from Freddie Mercury's operatic harmonies to Brian May's rich, orchestral guitar overdubs and the suite-like structures of "Great King Rat." That rich, florid feel could be characterized as glam, but even in these early days that appellation didn't quite fit Queen, since they were at once too heavy and arty to be glam and – ironically enough, considering their legendary excess – they were hardly trashy enough to be glam.

T. Rex were an English rock band, formed in 1967 by singer-songwriter and guitarist Marc Bolan. The band was initially called Tyrannosaurus Rex, and released four psychedelic folk albums under this name. In 1969, Bolan began to shift from the band's early acoustic sound to an electric one. The following year, he shortened their name to T. Rex. The 1970 release of the single "Ride a White Swan" marked the culmination of this development, and the group soon became a commercial success as part of the emerging glam rock scene.

Have you ever wondered what the definition of underground music is? Look no further. The PLASTIC PEOPLE OF THE UNIVERSE /PPU/ were exactly that. While the western "underground" bands of the 60s and 70s might have looked a bit freaky, or were simply stoned enough to slightly shock the establishment, the PPU were jailed by the Czechoslovak communist regime solely because they dared to play their music for a bunch of long-haired fans. Nothing more, nothing less, but indirectly causing an immense political effect for the years to come. Due to all the hurdles, the PPU remained in the underground until 1988. Our collection brings together their best tracks from nearly two decades, presented in genuine fidelity underground quality.

Johnny Cash's populist fusion of folk, country, and gospel done up with an unhurried, plainspoken eloquence made him both a country icon and an American treasure. Whether singing his own songs or covering songs written by young alternative rockers in his autumn years, anything he touched became vintage Johnny Cash as soon as he stepped to the microphone. This collection includes the classics "I Walk the Line" and "Big River" as well as Cash's fine version of Bob Dylan's "Wanted Man," but it lacks essentials like "Ring of Fire" and "Folsom Prison Blues," and ends up being a little hit or miss, but – as they say – any Johnny Cash beats no Johnny Cash at all.

These two RCA LPs came out in '64 and '65 when Chet was at the height of his success with the label, scoring his biggest country hit (#4) with Yakety Axe . That classic joins 23 others by the late Nashville icon, including Freight Train; Winter Walkin'; Alone and Forsaken; Guitar Country ; his own versions of Johnny Cash's Understand Your Man and Bob Dylan's Blowin' in the Wind, and more!

Frank Sinatra was arguably the most important popular music figure of the 20th century, his only real rivals for the title being Bing Crosby, Elvis Presley, and the Beatles. In a professional career that lasted 60 years, he demonstrated a remarkable ability to maintain his appeal and pursue his musical goals despite often countervailing trends. He came to the fore during the swing era of the 1930s and '40s, helped to define the "sing era" of the '40s and '50s, and continued to attract listeners during the rock era that began in the mid-'50s. He scored his first number one hit in 1940 and was still making million-selling recordings in 1994.

The very title of Joe Cocker's Hymn for My Soul suggests that this, his 2007 studio album, is a gospel affair, or at least something inspired by faith – something that isn't true to the letter, yet there is something true about the spirit of this sentiment, for these are songs that serve as a tonic to Cocker's soul. He's pulled songs from several familiar sources – Stevie Wonder, George Harrison, Bob Dylan – and found other newer songs that share a similar sentiment, offering reassuring thoughts in troubled times.

In retrospect, it's a bit shocking how fully formed the signature Aerosmith sound was on their self-titled 1973 debut – which may not be the same thing as best-executed, because this album still sounds like a first album, complete with the typical stumbles and haziness that comes with a debut. Despite all this, Aerosmith clearly showcases all the attributes of the band that would become the defining American hard rock band of the '70s. Here, the Stones influences are readily apparent, from the Jagger-esque phrasing of Steven Tyler to the group's high-octane boogie, but the group displays little of the Stones' deep love of blues here.

The acknowledged king of adult contemporary offers up a CD that is chock-full of feel-good ballads. Whether he's covering Sting or Santana, Iglesias manages to deliver the material with the perfect combination of sentiment and showmanship. Some songs, such as "Crazy," the ballad originally made famous by Patsy Cline, are a little bit too gooey, but others, such as a beautifully arranged version of "Mammy Blue," are just gooey enough. The album is not short on guest stars; Dolly Parton's vocals soar on the duet "When You Tell Me That You Love Me." For the contemporary version of Beethoven's "Ode to Joy," the entire London Symphony Orchestra along with the Ambrosian Singers provide a rousing, festive counterpoint to Iglesias' laid-back lead vocals.

Deluxe three disc (two CDs + DVD) edition of this best-selling release from the Pop trio contains their Every Breath You Take single disc compilation plus a CD taped live in Atlanta, Georgia and the Every Breath You Take DVD, which contains video clips and other bonus features. Perhaps the ultimate collection for old and new fans alike, this three disc package shows the band at the height of their audio and video powers and contains hits like 'Roxanne', 'Can't Stand Losing You', 'Message in a Bottle', 'Don't Stand So Close to Me' and many more.

TOTAL ECLIPSE was conceived in 1993, well into Great Dane's ambitious "Pink Floyd Project." Great Dane had wanted to put out a box set that would appeal to the fans who had been terribly dissapointed with "Shine On," Pink Floyd's official release. It's purpose was to attempt to bring to the fans a comprehensive overview of the band's career, substituting rare material and alternative tracks wherever possible. This is the reason why many of the early singles and B-sides were included. Much "Top Gear" material was also included because not only were the sound sources believed to be the better than on any previously released RoIO (RoIO = Record of Illegitimate/Indeterminate Origin), but also because it seemed that these tracks should also be represented in the band's history. TOTAL ECLIPSE was meant to be chronological (although a few tracks are out of order) and comprehensive; something that could be listened to from beginning to end.

The Paris Collection is a live album by progressive rock band Camel released 30 October 2001. Keyboardist Guy LeBlanc took vocal duties from Andy Latimer due to the latter's illness. The album features 10 live tracks, including the bonus track 'Slow Yourself Down' (Rehearsal Version) from Camel Productions.

Godbluff is the fifth album released by English progressive rock band Van der Graaf Generator. It was the first disc after the band reformed in 1975 and was recorded after a European tour. As the first self-produced album by the band, it featured a tighter, more pared-down sound than the band's earlier recordings with producer John Anthony. Hammill said "we did not want to make 'Son of Pawn Hearts' with a big long side two and lots of studio experiments". Van der Graaf Generator would never work with an outside producer from this point forward. Hammill made extensive use of the Hohner Clavinet D6 keyboard, which he had first using on his previous solo album, Nadir's Big Chance (1975).