Miles Davis - On The Corner (1972/2016) [LP,Limited Edition,Numbered,180 Gram,DSD256]
Fusion, Jazz-Funk | DSD256 (*.dsf, tracks), 1-bit/11,28 MHz
Run Time: 00:54:54 | 8.66 GB + 5% Recovery
Label: Mobile Fidelity Sound Lab | Release Year: 2016
Fusion, Jazz-Funk | DSD256 (*.dsf, tracks), 1-bit/11,28 MHz
Run Time: 00:54:54 | 8.66 GB + 5% Recovery
Label: Mobile Fidelity Sound Lab | Release Year: 2016
Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches – the likes of which fill Davis' boldest and most controversial – undertaking.
Limited Edition
Numbered Edition
180 Gram High Definition Vinyl pressed at RTI USA
Half-Speed mastering on MFSL Gain 2 Ultra Analog System
Analog Mastering by Mobile Fidelity Sound Lab
Mastered by Krieg Wunderlich & Rob LoVerde
Cut from the Original Analog Master Tapes
Special Static Free & Dust Free Inner Sleeves
Deluxe Gatefold Cover
Get Down and Make It Funky: Miles Davis' Groundbreaking On the Corner Focuses on the Groove and Bottom End. Mastered From the Original Master Tapes: Mobile Fidelity 180g LP Reveals Multiple Levels of Rhythm, Visceral Bass, and Pioneering Production Techniques In Transparent Fashion. Exotic, Bold, Streetwise: Spirited 1972 Album Embraces Davis' "Jungle Sound" With Percussive Foundations, Trance Loops, and Transformational Arrangements!
Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches – the likes of which fill Davis' boldest and most controversial – undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling.
Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's numbered-edition 180g LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid audiophile-grade sonics. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can even discern the multiple levels of rhythm Davis employed on complex tracks such as "Black Satin," as On the Corner stands as his first effort to use overdubbing and multiple tape machines.
Tracklist:
Side 1
A1.1 On The Corner 2:58
A1.2 New York Girl 1:32
A1.3 Thinkin' One Thing And Doin' Another 6:45
A1.4 Vote For Miles 8:45
A2 Black Satin 5:16
Side 2
B1 One And One 6:09
B2.1 Helen Butte 16:06
B2.2 Mr. Freedom X 7:13
Musicians:
Miles Davis, electric trumpet
Dave Liebman, soprano saxophone (A1)
Carlos Garnett, soprano and tenor saxophone (B1, B2)
Chick Corea, electric piano
Herbie Hancock, electric piano, synthesizer
Harold I. Williams, organ, synthesizer
David Creamer, electric guitar (A2, B1, B2)
John McLaughlin, electric guitar (A1)
Michael Henderson, electric bass
Collin Walcott, electric sitar (A1, B1, B2)
Khalil Balakrishna, electric sitar (A2)
Bennie Maupin, bass clarinet (B1)
Badal Roy, tabla
Jack DeJohnette, drums
Jabali Billy Hart, drums, bongos
James "Mtume" Foreman, percussion
Don Alias, percussion
Paul Buckmaster, cello, arrangements
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-08-13 16:09:27
––––––––––––––––––––––––––––––––––––––––
Analyzed: Miles Davis / On The Corner (MFSL 1-452)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -12.25 dB -27.23 dB 20:01 ?-A1. On The Corner, New York Girl, Thinkin' One Thing And Doin' Another, Vote For Miles
DR13 -13.33 dB -29.46 dB 5:21 ?-A2. Black Satin
DR13 -14.70 dB -30.04 dB 6:08 ?-B1. One And One
DR14 -13.93 dB -29.81 dB 23:24 ?-B2. Helen Butte, Mr. Freedom X
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 4
Official DR value: DR13
Samplerate: 11289600 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 1
Bitrate: 22579 kbps
Codec: DSD256
================================================================================
log date: 2019-08-13 16:09:27
––––––––––––––––––––––––––––––––––––––––
Analyzed: Miles Davis / On The Corner (MFSL 1-452)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -12.25 dB -27.23 dB 20:01 ?-A1. On The Corner, New York Girl, Thinkin' One Thing And Doin' Another, Vote For Miles
DR13 -13.33 dB -29.46 dB 5:21 ?-A2. Black Satin
DR13 -14.70 dB -30.04 dB 6:08 ?-B1. One And One
DR14 -13.93 dB -29.81 dB 23:24 ?-B2. Helen Butte, Mr. Freedom X
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 4
Official DR value: DR13
Samplerate: 11289600 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 1
Bitrate: 22579 kbps
Codec: DSD256
================================================================================
Thanks to the original releaser!