Swedish singer Miah Persson throws her hat into the lyric soprano ring with Sempre Libera, a selection of arias to showcase her talents, recorded live in concert. She has a sweet voice, though not saccharine, and an assured technique. Like Tebaldi, her trill is not her strength (though, unlike that soprano, at least she includes them). However the voice never opens up at the top, where it remains quite polite, and her coloratura, though fluent, is not scintillating.

Following the success of Die Schöpfung (The Creation), which had swiftly gained popularity throughout Europe, Haydn’s librettist Baron Gottfried van Swieten suggested another project, based on James Thomson’s pastoral epic, The Seasons. One of Haydn’s last major works, Die Jahreszeiten depicts the yearly cycle of life in the countryside through the eyes of three peasants, providing us with music of thrilling vitality and creativity.

Swedish soprano Miah Persson, on her first solo disc with orchestra, has collected a number of Mozartian gems (including Exsultate, jubilate – actually composed for Venanzio Rauzzini, the star castrato of the Teatro Regio Ducale in Milan.) Purity, sweetness and impeccable grace are words that have been used by reviewers to describe Miah Persson’s voice, and with such qualities it is no wonder that her reputation as a Mozart singer is growing.