Modern Chant (subtitled Inspiration from Gregorian Chant) is an album by pianist Paul Bley, cellist David Eyges, and drummer Bruce Ditmas recorded in 1994 and released on the Japanese Venus label.

Can it be a coincidence that this album, subtitled "Inspiration from Gregorian Chant", was recorded right around the time that chant music was reaching its improbable peak on the album charts? In any case, this enjoyable, offbeat trio album featuring the unusual combination of Bley's piano, David Eyges' electric cello and Bruce Ditmas' drums seems to have very little to do with Gregorian chant per se.

Certainly, Paul Bley is no stranger to jazz fans, but he is more closely associated with the avant garde than with the mainstream, and this title is among his more abstract dates. Many fans of Bley maintain that he is best heard solo, and this 1999 recording comes pretty close – Bley's free improvisations are accompanied sparingly by the intelligent percussion of Togashi.

A rare solo performance by one of jazz's great originals, Canadian pianist Paul Bley, recorded live at the Oslo Jazz Festival in 2008 by Jan Erik Kongshaug and Manfred Eicher. There is nothing else quite like a Paul Bley concert. As the New York Times noted, "Mr. Bley long ago found a way to express his long, elegant, voluminous thoughts in a manner that implies complete autonomy from its given setting but isn't quite free jazz. The music runs on a mixture of deep historical knowledge and its own inviolable principles". Here Bley, encouraged by an attentive and enthusiastic Norwegian audience shapes music in the moment, plays his own compositions, and brings the music to a fine conclusion in a performance of Sonny Rollins' Pent-Up House.