![Perrine Devillers, The 1750 Project - Serenissima: A Musical Portrait of Venice Around 1726 (2021) [Of. Digital Download 24/96]](https://pixhost.icu/avaxhome/1c/90/007f901c_medium.jpg)
Perrine Devillers, The 1750 Project - Serenissima: A Musical Portrait of Venice Around 1726 (2021) [Of. Digital Download 24/96]
![Perrine Devillers, The 1750 Project - Serenissima: A Musical Portrait of Venice Around 1726 (2021) [Of. Digital Download 24/96]](https://pixhost.icu/avaxhome/1c/90/007f901c.jpg)
Perrine Devillers, The 1750 Project, Benoit Laurent - Serenissima: A Musical Portrait of Venice Around 1726 (2021)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 76:11 minutes | 1,44 GB
Classical, Vocal | Label: Ramée, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 76:11 minutes | 1,44 GB
Classical, Vocal | Label: Ramée, Official Digital Download
The 1750 Project proposes a journey from 1720 to 1750, each stage of which will allow us to discover the richness and specificity of a city’s musical life at a key juncture in its history. For the first episode in the 1750 Project, we stop off in Venice around 1726, at a pivotal moment in the history of music when the meeting of two styles led to an aesthetic turning point. The city, then dominated by Antonio Vivaldi (1678-1741), also welcomed several other leading Italian composers, including the Neapolitan Nicola Porpora (1686-1768) and the Milanese Giuseppe Sammartini (1695-1750), who was about to revolutionise the world of wind instruments. The city on the lagoon was a cultural hub and a mandatory destination in the itinerary of many nobles and musicians from northern Europe who wished to round off their training and culture. Several German composers, including Pisendel, Quantz, Hasse and Handel, passed through Venice in the early eighteenth century before returning to their native regions to spread the gospel of Italian music. Let us therefore, for a short while, put ourselves in the shoes of an imaginary traveller discovering the musical life of Venice around 1726.
Tracklist:
1. The 1750 Project – Concerto for Oboe, Strings and Continuo in D Minor, RV 454: I. Allegro (03:04)
2. The 1750 Project – Concerto for Oboe, Strings and Continuo in D Minor, RV 454: II. Largo (02:05)
3. The 1750 Project – Concerto for Oboe, Strings and Continuo in D Minor, RV 454: III. Allegro (02:41)
4. Perrine Devillers – Cantata All'ombra di sospetto for Soprano, Traverso and Continuo, RV 687: I. Recitativo "All'ombra di sospetto" (00:18)
5. Perrine Devillers – Cantata All'ombra di sospetto for Soprano, Traverso and Continuo, RV 687: II. Aria "Avezzo non è il core" (05:32)
6. Perrine Devillers – Cantata All'ombra di sospetto for Soprano, Traverso and Continuo, RV 687: III. Recitativo "Ò quanti amanti" (00:46)
7. Perrine Devillers – Cantata All'ombra di sospetto for Soprano, Traverso and Continuo, RV 687: IV. Aria "Mentiti contenti" (04:10)
8. Jacek Kurzydło – Sonata for Violin and Continuo in A Major, RV 758: I. Preludio Largo (03:36)
9. Jacek Kurzydło – Sonata for Violin and Continuo in A Major, RV 758: II. Corrente Allegro (02:30)
10. Jacek Kurzydło – Sonata for Violin and Continuo in A Major, RV 758: III. Andante (04:14)
11. Jacek Kurzydło – Sonata for Violin and Continuo in A Major, RV 758: IV. Corrente Presto (02:33)
12. Korneel Bernolet – Sonata for Harpsichord in E Major, K. 162: I. Andante - Allegro (07:00)
13. Perrine Devillers – Aria "Pietoso Ciel difendimi" for Soprano, Oboe, Strings and Continuo (07:21)
14. Perrine Devillers – Cantata Questo è il platano frondoso for Soprano and Continuo: I. Aria "Questo è il platano frondoso" (03:43)
15. Perrine Devillers – Cantata Questo è il platano frondoso for Soprano and Continuo: II. Recitativo "O rimembranza al mio pensier funesta" (01:48)
16. Perrine Devillers – Cantata Questo è il platano frondoso for Soprano and Continuo: III. Aria "Se mai torna ò pianta amica" (05:34)
17. Mathilde Wolfs – Sonata for Oboe and Continuo in C Major, GSM 1323b: I. Andante spirituoso (03:33)
18. Mathilde Wolfs – Sonata for Oboe and Continuo in C Major, GSM 1323b: II. Andante lento (02:21)
19. Mathilde Wolfs – Sonata for Oboe and Continuo in C Major, GSM 1323b: III. Allegro (02:10)
20. Perrine Devillers – Cantata Che giova il sospirar, povero core for Soprano, Strings and Continuo, RV 679: I. Recitativo "Che giova il sospirar, povero (00:58)
21. Perrine Devillers – Cantata Che giova il sospirar, povero core for Soprano, Strings and Continuo, RV 679: II. Aria "Nell'aspro tuo periglio" (05:38)
22. Perrine Devillers – Cantata Che giova il sospirar, povero core for Soprano, Strings and Continuo, RV 679: III. Recitativo "Ma tu nume d'amo" (00:39)
23. Perrine Devillers – Cantata Che giova il sospirar, povero core for Soprano, Strings and Continuo, RV 679: IV. Aria "Cupido tu vedi" (03:45)
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2021-01-08 11:20:19
––––––––––––––––––––––––––––––––––––––––
Analyzed: Benoît Laurent, Korneel Bernolet / Serenissima - A Musical Portrait of Venice Around 1726 (1-7)
Korneel Bernolet / Serenissima - A Musical Portrait of Venice Around 1726 (8)
Perrine Devillers & The 1750 Project, Benoît Laurent / Serenissima - A Musical Portrait of Venice Around 1726 (9-23)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -2.20 dB -21.71 dB 3:37 08-Sonata for Violin and Continuo in A Major, RV 758: I. Preludio Largo
DR13 -1.77 dB -18.99 dB 2:31 09-Sonata for Violin and Continuo in A Major, RV 758: II. Corrente Allegro
DR12 -4.57 dB -21.22 dB 4:15 10-Sonata for Violin and Continuo in A Major, RV 758: III. Andante
DR13 -0.24 dB -18.41 dB 2:34 11-Sonata for Violin and Continuo in A Major, RV 758: IV. Corrente Presto
DR13 -0.21 dB -17.29 dB 3:33 17-Sonata for Oboe and Continuo in C Major, GSM 1323b: I. Andante spirituoso
DR11 -1.75 dB -18.46 dB 2:21 18-Sonata for Oboe and Continuo in C Major, GSM 1323b: II. Andante lento
DR11 -1.86 dB -17.09 dB 2:10 19-Sonata for Oboe and Continuo in C Major, GSM 1323b: III. Allegro
DR14 -10.11 dB -27.84 dB 7:00 12-Sonata for Harpsichord in E Major, K. 162: I. Andante - Allegro
DR12 -1.53 dB -17.09 dB 3:04 01-Concerto for Oboe, Strings and Continuo in D Minor, RV 454: I. Allegro
DR11 -1.65 dB -18.65 dB 2:06 02-Concerto for Oboe, Strings and Continuo in D Minor, RV 454: II. Largo
DR12 -2.02 dB -16.79 dB 2:41 03-Concerto for Oboe, Strings and Continuo in D Minor, RV 454: III. Allegro
DR10 -2.66 dB -16.68 dB 0:18 04-Cantata All'ombra di sospetto for Soprano, Traverso and Continuo, RV 687: I. Recitativo "All'ombra di sospetto"
DR10 -0.10 dB -14.35 dB 5:33 05-Cantata All'ombra di sospetto for Soprano, Traverso and Continuo, RV 687: II. Aria "Avezzo non è il core"
DR11 -0.32 dB -16.80 dB 0:47 06-Cantata All'ombra di sospetto for Soprano, Traverso and Continuo, RV 687: III. Recitativo "Ò quanti amanti"
DR11 -0.10 dB -14.38 dB 4:10 07-Cantata All'ombra di sospetto for Soprano, Traverso and Continuo, RV 687: IV. Aria "Mentiti contenti"
DR11 -0.10 dB -15.53 dB 7:22 13-Aria "Pietoso Ciel difendimi" for Soprano, Oboe, Strings and Continuo
DR12 -0.96 dB -16.11 dB 3:44 14-Cantata Questo è il platano frondoso for Soprano and Continuo: I. Aria "Questo è il platano frondoso"
DR12 -0.10 dB -15.94 dB 1:49 15-Cantata Questo è il platano frondoso for Soprano and Continuo: II. Recitativo "O rimembranza al mio pensier funesta"
DR12 -0.10 dB -15.01 dB 5:34 16-Cantata Questo è il platano frondoso for Soprano and Continuo: III. Aria "Se mai torna ò pianta amica"
DR13 -0.10 dB -17.13 dB 0:59 20-Cantata Che giova il sospirar, povero core for Soprano, Strings and Continuo, RV 679: I. Recitativo "Che giova il sospirar, povero core"
DR12 -0.10 dB -15.56 dB 5:39 21-Cantata Che giova il sospirar, povero core for Soprano, Strings and Continuo, RV 679: II. Aria "Nell'aspro tuo periglio"
DR11 -0.48 dB -17.08 dB 0:39 22-Cantata Che giova il sospirar, povero core for Soprano, Strings and Continuo, RV 679: III. Recitativo "Ma tu nume d'amo"
DR13 -0.19 dB -16.70 dB 3:46 23-Cantata Che giova il sospirar, povero core for Soprano, Strings and Continuo, RV 679: IV. Aria "Cupido tu vedi"
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 23
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2657 kbps
Codec: FLAC
================================================================================
log date: 2021-01-08 11:20:19
––––––––––––––––––––––––––––––––––––––––
Analyzed: Benoît Laurent, Korneel Bernolet / Serenissima - A Musical Portrait of Venice Around 1726 (1-7)
Korneel Bernolet / Serenissima - A Musical Portrait of Venice Around 1726 (8)
Perrine Devillers & The 1750 Project, Benoît Laurent / Serenissima - A Musical Portrait of Venice Around 1726 (9-23)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -2.20 dB -21.71 dB 3:37 08-Sonata for Violin and Continuo in A Major, RV 758: I. Preludio Largo
DR13 -1.77 dB -18.99 dB 2:31 09-Sonata for Violin and Continuo in A Major, RV 758: II. Corrente Allegro
DR12 -4.57 dB -21.22 dB 4:15 10-Sonata for Violin and Continuo in A Major, RV 758: III. Andante
DR13 -0.24 dB -18.41 dB 2:34 11-Sonata for Violin and Continuo in A Major, RV 758: IV. Corrente Presto
DR13 -0.21 dB -17.29 dB 3:33 17-Sonata for Oboe and Continuo in C Major, GSM 1323b: I. Andante spirituoso
DR11 -1.75 dB -18.46 dB 2:21 18-Sonata for Oboe and Continuo in C Major, GSM 1323b: II. Andante lento
DR11 -1.86 dB -17.09 dB 2:10 19-Sonata for Oboe and Continuo in C Major, GSM 1323b: III. Allegro
DR14 -10.11 dB -27.84 dB 7:00 12-Sonata for Harpsichord in E Major, K. 162: I. Andante - Allegro
DR12 -1.53 dB -17.09 dB 3:04 01-Concerto for Oboe, Strings and Continuo in D Minor, RV 454: I. Allegro
DR11 -1.65 dB -18.65 dB 2:06 02-Concerto for Oboe, Strings and Continuo in D Minor, RV 454: II. Largo
DR12 -2.02 dB -16.79 dB 2:41 03-Concerto for Oboe, Strings and Continuo in D Minor, RV 454: III. Allegro
DR10 -2.66 dB -16.68 dB 0:18 04-Cantata All'ombra di sospetto for Soprano, Traverso and Continuo, RV 687: I. Recitativo "All'ombra di sospetto"
DR10 -0.10 dB -14.35 dB 5:33 05-Cantata All'ombra di sospetto for Soprano, Traverso and Continuo, RV 687: II. Aria "Avezzo non è il core"
DR11 -0.32 dB -16.80 dB 0:47 06-Cantata All'ombra di sospetto for Soprano, Traverso and Continuo, RV 687: III. Recitativo "Ò quanti amanti"
DR11 -0.10 dB -14.38 dB 4:10 07-Cantata All'ombra di sospetto for Soprano, Traverso and Continuo, RV 687: IV. Aria "Mentiti contenti"
DR11 -0.10 dB -15.53 dB 7:22 13-Aria "Pietoso Ciel difendimi" for Soprano, Oboe, Strings and Continuo
DR12 -0.96 dB -16.11 dB 3:44 14-Cantata Questo è il platano frondoso for Soprano and Continuo: I. Aria "Questo è il platano frondoso"
DR12 -0.10 dB -15.94 dB 1:49 15-Cantata Questo è il platano frondoso for Soprano and Continuo: II. Recitativo "O rimembranza al mio pensier funesta"
DR12 -0.10 dB -15.01 dB 5:34 16-Cantata Questo è il platano frondoso for Soprano and Continuo: III. Aria "Se mai torna ò pianta amica"
DR13 -0.10 dB -17.13 dB 0:59 20-Cantata Che giova il sospirar, povero core for Soprano, Strings and Continuo, RV 679: I. Recitativo "Che giova il sospirar, povero core"
DR12 -0.10 dB -15.56 dB 5:39 21-Cantata Che giova il sospirar, povero core for Soprano, Strings and Continuo, RV 679: II. Aria "Nell'aspro tuo periglio"
DR11 -0.48 dB -17.08 dB 0:39 22-Cantata Che giova il sospirar, povero core for Soprano, Strings and Continuo, RV 679: III. Recitativo "Ma tu nume d'amo"
DR13 -0.19 dB -16.70 dB 3:46 23-Cantata Che giova il sospirar, povero core for Soprano, Strings and Continuo, RV 679: IV. Aria "Cupido tu vedi"
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 23
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2657 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer!