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    Poco - Crazy Eyes (1973) US Pressing - LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    Poco - Crazy Eyes (1973) US Pressing - LP/FLAC In 24bit/96kHz

    Poco - Crazy Eyes
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
    Mastered At The Mastering Lab By Doug Sax
    Label: Epic/PE 32354 | Released: 1973 | This Issue: 197? | Genre: Country-Rock


    A1 Blue Water 3:12
    A2 Fools Gold 2:24
    A3 Here We Go Again 3:29
    A4 Brass Buttons 4:16
    A5 A Right Along 4:45
    -
    B1 Crazy Eyes 9:37
    B2 Magnolia 6:18
    B3 Let’s Dance Tonight 3:49


    Credits
    Art Direction, Design – Gary Burden
    Engineer [Recording] – Brian Christian
    Fiddle – Bill Graham (3)
    Mandolin – Chris Hillman
    Mastered By – Doug Sax
    Percussion – Joe Lala
    Performer – George Grantham, Paul Cotton, Richie Furay, Rusty Young, Timothy B. Schmit
    Photography By [Back Cover] – Henry Diltz
    Photography By [Front Cover] – Tom Gundelfinger
    Piano – Paul Harris (2)
    Producer – Jack Richardson
    Recorded By – Dennis Smith
    Notes
    dark blue labels


    Poco - Crazy Eyes (1973) US Pressing - LP/FLAC In 24bit/96kHz

    Poco - Crazy Eyes (1973) US Pressing - LP/FLAC In 24bit/96kHz

    Poco - Crazy Eyes (1973) US Pressing - LP/FLAC In 24bit/96kHz



    This Rip: 2017
    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Technics SL-1200MK2 Quartz
    Cartridge: SHURE M97xE With JICO SAS Stylus
    Amplifier: Marantz 2252
    ADC: E-MU 0404
    DeClick with iZotope RX5: Only Manual (Click per click)
    Vinyl Condition: NM-
    This LP: From my personal collection
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    The third biggest-selling album in the group’s history, Crazy Eyes is also the group’s liveliest and most bracing work and contains some of their most soulful music. In short, it’s the fruition of everything they’d been working toward for four years. Curiously, it’s also one of a handful of examples of their use of outside help, including Chris Hillman on mandolin. The resulting sound is richer than anything found on any other Poco album, and the only tragedy is that the band reportedly cut enough tracks for two whole albums — one longs to hear the material that remained in the can. As it is, there’s not a weak song, or even a wasted note anywhere on this album, and most bands would kill for a closing track as perfect as “Let’s Dance Tonight.”
    Review by Bruce Eder, allmusic.com
    Welcome to the Dark Side of the Vinyl
    Silent spaces haven't been deleted in this rip

    Vinyl / CUE/ FLAC/ High Definition Cover: