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R.E.M. - Document (1987) (DVD-Audio ISO) [2003]

Date: 16 May 2012 06:57:09

R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt – who would go on to produce every R.E.M. album in the following decade – is a better conduit for the band than Don Gehman, giving the group a clean sound without sacrificing their enigmatic tendencies. "Finest Worksong," the stream-of-conscious rant "It's the End of the World as We Know It (And I Feel Fine)," and the surprise Top Ten single "The One I Love" all crackle with muscular rhythms and guitar riffs, but the real surprise is how political the mid-tempo jangle pop of "Welcome to the Occupation," "Disturbance at the Heron House," and "King of Birds" is. Where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger. In other words, it's not only a commercial breakthrough, but a creative breakthrough as well, offering evidence of R.E.M.'s growing depth and maturity, and helping usher in the P.C. era in the process.

Track list:

Side one – "Page side"

1. "Finest Worksong" – 3:48
2. "Welcome to the Occupation" – 2:46
3. "Exhuming McCarthy" – 3:19
4. "Disturbance at the Heron House" – 3:32
5. "Strange" (Bruce Gilbert, Graham Lewis, Colin Newman, Robert Gotobed) – 2:31
6. "It's the End of the World as We Know It (And I Feel Fine)" – 4:05

Side two – "Leaf side"

7. "The One I Love" – 3:17
8. "Fireplace" – 3:22
9. "Lightnin' Hopkins" – 3:20
10. "King of Birds" – 4:09
11. "Oddfellows Local 151" – 5:21

Dynamic

foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-05-03 21:57:17

––––––––––––––––––––––––––––––––––––––––
Analyzed: ? / DOCUMENT
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.10 dB -16.60 dB 3:49 01-Lf-Rf-Ls-Rs 24/96000 + C-LFE 24/96000
DR13 -0.10 dB -17.53 dB 2:49 02-Lf-Rf-Ls-Rs 24/96000 + C-LFE 24/96000
DR14 -0.10 dB -18.22 dB 3:21 03-Lf-Rf-Ls-Rs 24/96000 + C-LFE 24/96000
DR13 -0.10 dB -17.10 dB 3:34 04-Lf-Rf-Ls-Rs 24/96000 + C-LFE 24/96000
DR14 -0.30 dB -17.40 dB 2:33 05-Lf-Rf-Ls-Rs 24/96000 + C-LFE 24/96000
DR13 -0.10 dB -16.89 dB 4:09 06-Lf-Rf-Ls-Rs 24/96000 + C-LFE 24/96000
DR12 -0.10 dB -16.80 dB 3:16 07-Lf-Rf-Ls-Rs 24/96000 + C-LFE 24/96000
DR13 -0.30 dB -17.59 dB 3:24 08-Lf-Rf-Ls-Rs 24/96000 + C-LFE 24/96000
DR13 -0.10 dB -18.62 dB 3:21 09-Lf-Rf-Ls-Rs 24/96000 + C-LFE 24/96000
DR13 0.00 dB -18.34 dB 4:10 10-Lf-Rf-Ls-Rs 24/96000 + C-LFE 24/96000
DR13 -0.10 dB -17.92 dB 5:24 11-Lf-Rf-Ls-Rs 24/96000 + C-LFE 24/96000
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR13

Samplerate: 96000 Hz
Channels: 6
Bits per sample: 24
Bitrate: 13824 kbps
Codec: MLP
================================================================================

foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-05-03 21:49:44

––––––––––––––––––––––––––––––––––––––––
Analyzed: ? / DOCUMENT
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -0.10 dB -10.61 dB 3:49 25-L-R 24/192000
DR11 -0.10 dB -11.83 dB 2:49 26-L-R 24/192000
DR11 -0.10 dB -12.56 dB 3:21 27-L-R 24/192000
DR10 -0.10 dB -11.33 dB 3:34 28-L-R 24/192000
DR10 -0.10 dB -11.11 dB 2:33 29-L-R 24/192000
DR10 -0.10 dB -11.34 dB 4:07 30-L-R 24/192000
DR9 -0.10 dB -11.15 dB 3:18 31-L-R 24/192000
DR11 -0.10 dB -12.79 dB 3:25 32-L-R 24/192000
DR10 -0.10 dB -12.06 dB 3:22 33-L-R 24/192000
DR11 -0.10 dB -13.18 dB 4:11 34-L-R 24/192000
DR11 -0.10 dB -13.09 dB 5:22 35-L-R 24/192000
DR19 -60.97 dB -101.51 dB 0:01 36-L-R 24/192000
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR11

Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 9216 kbps
Codec: PCM
================================================================================

R.E.M.

Bill Berry – drums, backing vocals
Peter Buck – guitar, dulcimer on "King of Birds"
Mike Mills – bass guitar, backing vocals
Michael Stipe – lead vocals

Additional musicians

Steve Berlin – horns on "Fireplace"
Carl Marsh – Fairlight CMI synthesizer on "Fireplace"

Production

Bill Berry – production
Peter Buck – production
Steve Catania – engineering
Tom Der – engineering
Toni Greene – engineering
Gary Laney – engineering
Scott Litt – production
Bob Ludwig – mastering at Masterdisk, New York City, New York, United States; remastered at Gateway Mastering, Portland, Maine, United States
Jim McKay – photography
Michael Meister – photography
Mike Mills – production
Ted Pattison – engineering
Sandra-Lee Phipps – photography
Ron Scarselli – packaging
Elliot Scheiner – mixing on 2005 re-release
Todd Scholar – engineering
Michael Stipe – production

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