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Robert Schumann - Wolfram Schmitt-Leonardy - Piano Works (2007) {Hybrid-SACD ISO & HiRes FLAC}

Posted By: luckburz
Date: 7 Aug 2016 07:25:35
Robert Schumann - Wolfram Schmitt-Leonardy - Piano Works (2007) {Hybrid-SACD ISO & HiRes FLAC}

Robert Schumann - Wolfram Schmitt-Leonardy - Piano Works
Abegg Variations, Intermezzi Op. 4, Symphonic Etudes Op. 13
SACD ISO (2.0/MCH): 3,69 GB | 24B/88,2kHz Stereo FLAC: 1,03 GB | Full Artwork | 5% Recovery Info
Label/Cat#: Brilliant Classics # 93136 | Country/Year: Canada Germany 2007
Genre: Classical | Style: Romantic, Piano

MD5 [X] CUE [ ] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip [ ]


16908362[0x102004a]: SACD-Ripper Version 0.36
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16908362[0x102004a]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
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16908362[0x102004a]: device_info: 00 00 00 00 00 00 00 00 00 00 00 00 7f ff ff ff
16908362[0x102004a]: device_info: 00 00 08 00 00 00 00 01 00 01 01 00 00 00 00 01
16908362[0x102004a]: disc inserted..
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16908362[0x102004a]: device_info: 00 00 08 00 00 00 00 01 00 01 01 00 00 00 00 01
16908362[0x102004a]: Disc Version: 01.20
16908362[0x102004a]: config: 00 00 00 0c 00 00 00 10 ff 41 01 04 00 00 00 00
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16908362[0x102004a]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
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16908362[0x102004a]: device_info: 00 00 08 00 00 00 00 01 00 01 01 00 00 00 00 01
16908362[0x102004a]: succeeded. raw_spu number is 0
16908362[0x102004a]: succeeded. entry d0
16908362[0x102004a]: Establishing the interrupt tag on the interrupt PPU thread.
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16908362[0x102004a]: ioctl_report_key[4] 30 0
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16908362[0x102004a]: device_info: 75 6e 6e 61 6d 65 5c 10 80 00 00 00 00 5d b0 00
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16908362[0x102004a]: device_info: 00 00 08 00 00 00 00 01 00 01 01 00 00 00 00 01

Unknown - [2006] Unknown [2.0] (SACD[PS3] - 24bit88.2kHz)
======================================================================================
SACD[PS3]ISO to flac conversion using SACD_Conversion_script version 0.5

Track list
–––––

01 Unknown 01:03.11
02 Unknown 01:25.75
03 Unknown 01:04.28
04 Unknown 00:57.57
05 Unknown 01:11.80
06 Unknown 02:33.21
07 Unknown 03:15.92
08 Unknown 04:07.76
09 Unknown 03:14.65
10 Unknown 02:30.59
11 Unknown 04:09.96
12 Unknown 02:58.75
13 Unknown 01:23.81
14 Unknown 01:10.52
15 Unknown 01:53.47
16 Unknown 03:01.03
17 Unknown 01:18.84
18 Unknown 00:56.52
19 Unknown 01:19.89
20 Unknown 03:27.19
21 Unknown 00:54.71
22 Unknown 01:14.20
23 Unknown 02:19.84
24 Unknown 03:30.24
25 Unknown 02:34.11
26 Unknown 00:40.67
27 Unknown 01:25.81
28 Unknown 01:19.03
29 Unknown 03:19.69
30 Unknown 06:19.80

Technical Details
––––––––-

01) ISO image created using sacd-ripper for PS3

02) Edited Master Dff file extracted using SACD_Extract

03) Edited Master Dff file analysed using foobar + foo_input_sacd and DR Meter plugins to find peak track(s)

04) Dff files for loudest tracks extracted from the ISO using SACD_Extract and converted using Weiss Saracon 1.61-27 at 24bit/88.2kHz with -6.00dB gain

05) Non-clipping gain calculated using SoX

06) Final pass conversion using Weiss Saracon 1.61-27 at 24bit/88.2kHz with 6.00dB gain as calculated above

07) Final pass PCM file split into individual tracks (discarding first 41 samples) using track lengths calculated from cue file generated by SACD_Extract

08) Spikes at beginning of first/end of last tracks eliminated by deleting 24 samples and replacing with the adjacent 24 samples using SoX to give the correct track length

09) Finalised tracks converted to flac [level 8] and tagged using tag.exe

10) Dynamic Range measured using Foobar DR Meter plugin

foobar2000 1.1.11 / Dynamic Range Meter 1.1.1
log date: 2016-08-01 13:38:30

––––––––––––––––––––––––––––––––––––––––
Analyzed: Unknown / Unknown
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -6.81 dB -23.72 dB 1:03 01-Unknown
DR12 -1.99 dB -17.49 dB 1:26 02-Unknown
DR10 -5.50 dB -21.10 dB 1:04 03-Unknown
DR13 -1.15 dB -17.24 dB 0:58 04-Unknown
DR12 -2.91 dB -20.06 dB 1:12 05-Unknown
DR12 -1.12 dB -17.79 dB 2:33 06-Unknown
DR13 -1.11 dB -17.85 dB 3:16 07-Unknown
DR14 -1.09 dB -18.68 dB 4:08 08-Unknown
DR14 -1.30 dB -19.61 dB 3:15 09-Unknown
DR14 -3.52 dB -22.44 dB 2:31 10-Unknown
DR13 -1.11 dB -19.33 dB 4:10 11-Unknown
DR13 -1.11 dB -18.48 dB 2:59 12-Unknown
DR16 -5.87 dB -27.71 dB 1:24 13-Unknown
DR11 -7.99 dB -22.64 dB 1:11 14-Unknown
DR11 -6.18 dB -20.93 dB 1:53 15-Unknown
DR12 -3.18 dB -20.14 dB 3:01 16-Unknown
DR12 -5.91 dB -21.97 dB 1:19 17-Unknown
DR14 -1.39 dB -20.32 dB 0:57 18-Unknown
DR13 -5.02 dB -21.65 dB 1:20 19-Unknown
DR13 -10.18 dB -28.53 dB 3:27 20-Unknown
DR10 -4.14 dB -18.18 dB 0:55 21-Unknown
DR12 -1.09 dB -16.51 dB 1:14 22-Unknown
DR12 -8.29 dB -25.39 dB 2:20 23-Unknown
DR13 -15.59 dB -33.00 dB 3:30 24-Unknown
DR14 -4.51 dB -23.31 dB 2:34 25-Unknown
DR11 -2.20 dB -19.79 dB 0:41 26-Unknown
DR11 -5.40 dB -21.62 dB 1:26 27-Unknown
DR15 -1.09 dB -19.37 dB 1:19 28-Unknown
DR14 -6.59 dB -27.68 dB 3:20 29-Unknown
DR14 -1.10 dB -18.25 dB 6:20 30-Unknown
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 30
Official DR value: DR13

Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2283 kbps
Codec: FLAC
================================================================================


foobar2000 1.1.11 / Dynamic Range Meter 1.1.1
log date: 2016-08-01 13:38:30

––––––––––––––––––––––––––––––––––––––––
Analyzed: Unknown / Unknown
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -6.81 dB -23.72 dB 1:03 01-Unknown
DR12 -1.99 dB -17.49 dB 1:26 02-Unknown
DR10 -5.50 dB -21.10 dB 1:04 03-Unknown
DR13 -1.15 dB -17.24 dB 0:58 04-Unknown
DR12 -2.91 dB -20.06 dB 1:12 05-Unknown
DR12 -1.12 dB -17.79 dB 2:33 06-Unknown
DR13 -1.11 dB -17.85 dB 3:16 07-Unknown
DR14 -1.09 dB -18.68 dB 4:08 08-Unknown
DR14 -1.30 dB -19.61 dB 3:15 09-Unknown
DR14 -3.52 dB -22.44 dB 2:31 10-Unknown
DR13 -1.11 dB -19.33 dB 4:10 11-Unknown
DR13 -1.11 dB -18.48 dB 2:59 12-Unknown
DR16 -5.87 dB -27.71 dB 1:24 13-Unknown
DR11 -7.99 dB -22.64 dB 1:11 14-Unknown
DR11 -6.18 dB -20.93 dB 1:53 15-Unknown
DR12 -3.18 dB -20.14 dB 3:01 16-Unknown
DR12 -5.91 dB -21.97 dB 1:19 17-Unknown
DR14 -1.39 dB -20.32 dB 0:57 18-Unknown
DR13 -5.02 dB -21.65 dB 1:20 19-Unknown
DR13 -10.18 dB -28.53 dB 3:27 20-Unknown
DR10 -4.14 dB -18.18 dB 0:55 21-Unknown
DR12 -1.09 dB -16.51 dB 1:14 22-Unknown
DR12 -8.29 dB -25.39 dB 2:20 23-Unknown
DR13 -15.59 dB -33.00 dB 3:30 24-Unknown
DR14 -4.51 dB -23.31 dB 2:34 25-Unknown
DR11 -2.20 dB -19.79 dB 0:41 26-Unknown
DR11 -5.40 dB -21.62 dB 1:26 27-Unknown
DR15 -1.09 dB -19.37 dB 1:19 28-Unknown
DR14 -6.59 dB -27.68 dB 3:20 29-Unknown
DR14 -1.10 dB -18.25 dB 6:20 30-Unknown
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 30
Official DR value: DR13

Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2283 kbps
Codec: FLAC
================================================================================



SACD Info:

Robert Schumann - Wolfram Schmitt-Leonardy - Piano Works

Abegg Variations, Intermezzi Op. 4, Symphonic Etudes Op. 13

Label: Brilliant Classics
Catalog#: 93136
Format: Hybrid-SACD, Album, Stereo, Multichannel
Country: Germany
Released: 2007
Genre: Classical
Style: Romantic, Piano

Tracklist:

1 Schumann.ABEGG Variations Op.1:Thema 1:01
2 Schumann.ABEGG Variations Op.1:Variation 1 1:26
3 Schumann.ABEGG Variations Op.1:Variation 2 1:04
4 Schumann.ABEGG Variations Op.1:Variation 3 0:58
5 Schumann.ABEGG Variations Op.1:Cantabile 1:12
6 Schumann.ABEGG Variations Op.1:Finale alla Fantasia 2:32
7 Schumann.Intermezzi Op.4:I. Allegro quasi maestoso 3:15
8 Schumann.Intermezzi Op.4:II. Presto a capriccioso 4:08
9 Schumann.Intermezzi Op.4:III. Allegro 3:48
10 Schumann.Intermezzi Op.4:IV. Allegretto semplice 1:57
11 Schumann.Intermezzi Op.4:V. Allegro moderato 4:10
12 Schumann.Intermezzi Op.4:VI. Allegro 2:59
13 Schumann.Symphonische Etüden Op.13:I. Thema:Andante 1:23
14 Schumann.Symphonische Etüden Op.13:II. Etüde I: Un poco più vivo 1:11
15 Schumann.Symphonische Etüden Op.13:III. Anhang Variation 1 1:53
16 Schumann.Symphonische Etüden Op.13:IV. Etüde II:Espressivo 3:01
17 Schumann.Symphonische Etüden Op.13:V. Etüde III:Vivace 1:19
18 Schumann.Symphonische Etüden Op.13:VI. Etüde IV 0:57
19 Schumann.Symphonische Etüden Op.13:VII. Etüde V:Scherzando 1:20
20 Schumann.Symphonische Etüden Op.13:VIII. Anhang Variation 4 3:27
21 Schumann.Symphonische Etüden Op.13:IX. Etüde VI:Agitato 0:55
22 Schumann.Symphonische Etüden Op.13:X. Etüde VII:Allegro molto 1:14
23 Schumann.Symphonische Etüden Op.13:XI. Anhang Variation 2 2:20
24 Schumann.Symphonische Etüden Op.13:XII. Anhang Variation 5 3:30
25 Schumann.Symphonische Etüden Op.13:XIII. Etüde VIII:Sempre marcatissimo 2:34
26 Schumann.Symphonische Etüden Op.13:XIV. Etüde IX:Presto possibile 0:40
27 Schumann.Symphonische Etüden Op.13:XV. Anhang Variation 3 1:26
28 Schumann.Symphonische Etüden Op.13:XVI. Etüde X:Con energia sempre 1:19
29 Schumann.Symphonische Etüden Op.13:XVII. Etüde XI:Con espressione 3:20
30 Schumann.Symphonische Etüden Op.13:XVIII. Etüde XII:Finale, allegro brillante 6:20

Recording: 27-29 March 2006
Hochschule für Musik Saar
Piano: Steinway D 417680

My first encounter with Schmitt-Leonardy was his rather respectable account of the Brahms Handel Variations. But frankly I bought this disc because it was was cheap and it reduced my shipping fees in an order from Japan. As it turns out, it was the most exciting disc of the purchase (although I rather enjoyed the Boehm Mozart Requiem too)!

From the first notes of the Abegg Variations it is clear we are dealing with a player who understands Schumann. In the first place, he doesn't rush. He has a clear sense of the Romantic view of time. I've long been a believer that if you want to experience the German Romantics to their fullest extent you have to be willing to suspend your current modern view of time and place and accept their sense of priorities. This is especially clear in Schubert and Bruckner. But if you remember, it was Schumann who commented on Schubert's "heavenly lengths" in the 9th Symphony, and I think it was exactly this element he was referring to. These Variations have always seemed to me to be a precurser to the Carnaval or the Faschingsschwank, but somehow not completely formed. It may well be that the ABEGG theme itself is not really a completely formed theme per se. But Schmitt-Leonardy convinces me completely. He breathes, he sighes, he sparkles! I remember the British critics going crazy over Shura Cherkassky, speaking in glowing terms about his style and I always imagined I would hear something like the sparkle Schmitt-Leonardy achieves in the 3rd variation, but alas, Shura never delivered! Maybe my expectations were out of line!

The Intermezzi are something of a rarity. I can only recall encountering them previously in Karl Engel's complete traversal. At the time they did not impress me. They still will not be something I come back to often–they don't have any themes wih the memorability of his most famous works. But Schmitt-Leonardy makes as strong a case as I think is possible for them. The second presto Intermezzo in particular caught my fancy.

The real meat of the disc is the Symphonic Etudes. This is a work that has had two fine portrayals on Super Audio–by Mikhail Pletnev and especially Vladimir Tropp. And while sonically the Schmitt-Leonardy is not in Tropp's league, his is a very moving performance. Again, the first thing I notice is the sense of time and space. Schmitt-Leonardy is at great pains to let every phrase register, to let chords fully decay, and when the spirit calls to rush impetuously forward. This is true Romanitc playing.

I listened in 5.1. The disc doesn't give any specifications, and frankly I couldn't tell if it was a ".1" or for that matter, even a surround; but suffice it to say, the sound was rich and rwalistic, so I think the rear channels were doing their job!

This is a disc I would encourage you to try if you like Romantic piano playing. Arthur @ sa-cd.net
Robert Schumann - Wolfram Schmitt-Leonardy - Piano Works (2007) {Hybrid-SACD ISO & HiRes FLAC}

Robert Schumann - Wolfram Schmitt-Leonardy - Piano Works (2007) {Hybrid-SACD ISO & HiRes FLAC}


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