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Here's a treat for your ears: a new mix from our catalogue, but with a twist. Most of the tracks are newly arranged, reheated & respiced! An hour of mostly new music, with a dash of house flavor. An
energetic and playful tour through the world of Caravan Palace, a journey between the past and the present.
If you still have to call it "electro swing", this time it's more "electro" than usual. This is mainly due to the remix work of Shiny Mob (Arnaud's solo project). No big claims - just an hour of our own musical enjoyment. It will make you smile, move your body and maybe discover something you missed (or forgot). This is the third mix like this. But this time it's available on all platforms for everyone to play, anywhere! And… we've actually sneaked in some unreleased tracks. Enjoy!

Pages was an American pop rock band active during the late 1970s and the early 1980s. Richard Page and Steve George had been working together for years in and around Southern California and had done sessions, backing vocals, written songs, for such as Michael Jackson, Kenny Loggins, Patti LaBelle, Rick Springfield, The Pointer Sisters, Donna Summer etc. Before the well knowed Mr. Mister, they recorded 3 albums for Epic and Capitol Records under the name Pages. The band consisted of Richard Page and Steve George on vocals and keyboards supported by various studio musicians, some of whom from time to time were considered part of the band.

This album from Warner Classics stands out with selections from Previn’s classical repertoire.Famous sections from The Nutcracker (such as Miniature Overture, Waltz of the Snowflakes, etc.). Cinderella, Op. 87 – especially the “Summer Fairy” segment, which stands out and inspired the album's title. Poetic and dramatic classical works such as A Midsummer Night’s Dream, Le Tombeau de Couperin, Romeo and Juliet, and An Alpine Symphony. Selections from composers like Prokofiev, Berlioz, Mendelssohn, and Elgar.

What happens when six carefree young girls arrive at Ibiza, having lost all their money on the boat? They have to get a part-time job! And guess what these carefree girls do to get that job as quickly as possible? Of course! They have sex with hairy men!

If Wishbone Ash can be considered a group who dabbled in the main strains of early-'70s British rock without ever settling on one (were they a prog rock outfit like Yes, a space rock unit like Pink Floyd, a heavy metal ensemble like Led Zeppelin, or just a boogie band like Ten Years After?), the confusion compounded by their relative facelessness and the generic nature of their compositions, Argus, their third album, was the one on which they looked like they finally were going to forge their own unique amalgamation of all those styles into a sound of their own.

In celebration of the 25th anniversary of one of the best-selling albums ever, The Backstreet Boys are back with Millennium 2.0. This 2CD Deluxe Edition features all the original hits like "I Want It That Way," "The One," and "The Perfect Fan," along with 13 bonus tracks, including live and alternative versions, demos, and the never-before-heard track, "Hey." With brand new cover art, photos and "Thank Yous" from the band, Millennium 2.0 is a must-have for any fan.

In Zeiten, die unberechenbar und abenteuerlich sind, kommt das achte Studioalbum der Hannoveraner heraus: »Celebrate Nothing« heißt es und es ist ein Kontrapunkt, das Gegenteil von Nichts, eine Feier, eine Freude, eine musikalische Renaissance: 12 Songs wurden geschrieben, mit Kreativität und viel Fantasie, mit Charme und Chuzpe: »Circle Of Desire« ist ein schneller Indie-Rock, absolut live-tauglich mit My-Fist-Your-Face-Qualitäten, »Falling« besticht durch eine Northern-Pop-Atmosphäre, die englischen Midlands lassen grüßen, »Last Call« ist ein bühnengerechtes Flugzeugabsturzdrama im Breitwandformat; das titelgebende »Celebrate Nothing« suchen ein verloren gegangenes Soft-Rock-Gefühl und dann eine Ballade wie »Better Now«, das in seiner Form einen 90er-Jahre-Terry-Hoax-Instinkt befördert; dazu Up-Tempo mit »Don't Need Somebody« und ein Metropolen-Appeal bei »Screwed Without You«. »Welcome To Tomorrow« spielt mit Funk-Anleihen und einem ungestümen Impro-Ende und »Meanwhile« kracht wie ein Grunge-Song zu Seattle-Zeiten.

The family decides to take a vacation at the villa outside the city, but the quiet life won't happen.